bramjacobse
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- Oct 5, 2024
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Linn Ikemi would be nice
Spoiler alert: Sadly, and to my surprise, it does not replicate the good results of the Sony CDP-597. Sometimes newer is not better.
Because of the PCM1732 DAC?Linn Ikemi would be nice
Could be an indicator for a comparable development to how mainstream turntables from the major brands seemed to decline in quality, when the CD had established on the market around the mid to late 80s. Or in other words, I wouldn't be surprised, if some manufacturers have already begun to regard CD players as "legacy compatibility devices", that don't deserve much attention anymore.
Correct ,Because of the PCM1732 DAC?![]()
@bramjacobseCorrect ,
24-Bit, 96kHz, Stereo Audio DIGITAL-TO-ANALOG CONVERTER With HDCD® Decoder
it looked interesting when i measured it quickly , a few years back
https://www.bramjacobse.nl/wordpress/?p=3552
I think it is interesting indeed!Correct ,
24-Bit, 96kHz, Stereo Audio DIGITAL-TO-ANALOG CONVERTER With HDCD® Decoder
it looked interesting when i measured it quickly , a few years back
https://www.bramjacobse.nl/wordpress/?p=3552
If they implemented a custom filter, then they disregarded the one of BB that was including HDCD decoding, knowing that the PCM1732 is the sole DAC to include an HDCD decoding filter.@bramjacobse
What do you think is implemented with the Xilinx FPGA in the Linn Ikemi? My guess is a custom oversampling filter which might have a proper full attenuation at Nyquist frequency (22.05 kHz for CD player) instead of the usual half-band filter implemented on-chip on so many D/A converter or standalone digital filter chips for processing power saving reasons (among other things). But as Linn has advocated about the relevance to stick with digital filter compliant with the sampling theory only at later years (see here), I'm in doubt and I am curious to know if my guess is correct.
Or they might have used both: if HDCD is identified, the data may be passed through unchanged to the DAC chip having the built-in relevant HDCD decoder; if not, a custom 2x (hence the brand name "2D"?) oversampling is performed in the FPGA?If they implemented a custom filter, then they disregarded the one of BB that was including HDCD decoding, knowing that the PCM1732 is the sole DAC to include an HDCD decoding filter.
Could be indeed, in which case we’d only be testing the one of the FPGA.Or they might have use both: if HDCD is identified, the data may be passed through unchanged to the DAC chip having the built-in relevant HDCD decoder; if not, a custom 2x (hence the brand name "2D"?) oversampling is performed in the FPGA?
I am curious.
That’s my plan too, I like Rotel very much.Least expensive Rotel would be interesting.
Yes I bought a Carat C57 where the VAM1202 was out of order, I changed it with another one that I had in stock, now it read CD but still have some difficulties to correctly read NTTY's test CD ... I wil buy another VAM1202 from spare and perhaps it help to read CDR ...I think it is interesting indeed!
@Vintage02 recently bought a CD player with this DAC. I guess he can measure it.
Coming back to the DAP-5500, if you did ever stumble across one, they do have an MSB trim on each of 4x PCM-56's, and they also have an impressive-looking analog filter (see: https://benaudio.nl/images/audio/DE...500_pre-amp_Jaap-De-Jong_modification_36.jpeg). They are only 4x oversampling, so I am not sure the implications for "intersample-overs" performance. Unlike the later DAP-2500, they have no sample-and-hold circuits. In any case, I find this all to be historically interesting and they sound subjectively more enjoyable at 48 kHz than my PCM-1702 players with digital inputs (DCD-S1 or DCD-3000). Thanks again for all the great tests -- happy to see Denon well-represented!The PCM-56K was a SOTA 16bits R2R converter. I don’t recall that the DAP-5500 offered the trimming option of the MSB.
I tested the same DAC in a Yamaha CDX-1110, and it had very good performances for the time. After MSB trimming, the distorsion was at -95dBr.
I’m sure you enjoy this preamp.
It is a separate thought, but I've found it interesting that they avoided a need for a sample and hold "deglitching" circuit that they used in the lower tier 2500, while still claiming a higher 110 vs. 108 dB SNR, which I assumed was made possible by K vs. J chip selection and the superior analog filter. Edit: But the 5500 also uses a SM5804D digital filter vs. the 2500's Sony CXD-1162P.Hi, oversampling introduces a risk of intersample overs, at any rate, unless the interpolator has headroom. None of the early ones that I measured had, I suppose because it was not perceived as a possible issue (no loudness war at the time).
I’m not sure I got you about the sample-and-hold difference.
So, the 2500 and 5500 in question both use four PCM56s, two per channel.Oh, ok, I think I got it. The two Denon you mentioned either used the PCM56 or the PCM61 which are essentially the same to the exception of bit-depth.
The datasheet of the PCM56 showed the necessary deglitching circuitry when one DAC was used for two channels, but specifies that when one DAC was used per channel, it met its THD specs without needing a deglitcher.
I guess these SNR figures were only about the analog circuit surrounding the DAC, and maybe measured when the DAC was idle. The PCM56, being a 16bits DAC, could only achieve max theoretical SNR of (6.02x16)+1.76=98.08dB.
The respective common specs of these DACs show:
- PCM61 (18bits): -40dB THD+N @-60dBFS
- PCM56 (16bits): -35dB THD+N @-60dBFS
So, that means respective DR of 100dB and 95dB, former being achieved certainly from 18bits data input (so not Audio CD then).
Only the PCM61 shows "Idle channel SNR" value of -112dB(A) at Bipolar Zero, but I don’t know what it means, except that we probably don’t see that in real world![]()