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What are "monkey coffins" exactly and what are "better" designs/alternatives?

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Jan 21, 2021
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Hello!

Just found Peter Aczel's (RIP) "Journalistic Legacy" article about his experience and knowledge of six decades of audio:
http://www.biline.ca/audio_critic/audio_critic_web1.htm#acl

He mentioned "monkey coffins" in his article and as far as I understand he was not a fan of such loudspeaker design.
What is a "monkey coffin" exactly? Is it a typical design loudspeaker box (two- or three-way front-firing)?
What is the problem which such a design? And what are other types of loudspeaker designs?

Thank you in advance!
 
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Monkey coffins was the typical 3-way shelf speaker design.
But he goes further and explains.
"... Even if the box is not rectangular but some incredibly fancy shape, even if it’s huge, even if it costs more than a luxury car, if it’s sealed or vented and the drivers are all in front, it’s a monkey coffin and will sound like a monkey coffin—boxy and, to varying degrees, not quite open and transparent..."

So i think he is a fan of dipole or at least similar designs.
 
Here's a monkey coffin From my spares pile. It's a smaller example with only 6" woofer.
20210121_133901.jpg
 
Different designs are Linkwitz or Magnepan, Bose 901. Speakers that radiate more around into room, and less in one direction. And to make it not that easy, they differ also very much in there design. What they have in common is, sound gets more radiated into room. Or(fu** my english) there is not a prefered directon, directly to you.
 
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Monkey coffins was the typical 3-way shelf speaker design.
But he goes further and explains.
"... Even if the box is not rectangular but some incredibly fancy shape, even if it’s huge, even if it costs more than a luxury car, if it’s sealed or vented and the drivers are all in front, it’s a monkey coffin and will sound like a monkey coffin—boxy and, to varying degrees, not quite open and transparent..."

So i think he is a fan of dipole or at least similar designs.
Aczel is wrong! If the box is big enough it's a gorilla coffin or a sarcophagus. Like the Wilson Chronosonic.
 
Say what you will about Peter (and many had a lot to say), he knew the ins and outs of loudspeakers, being associated in one way or another with Rectilinear, Ohm, Fourier. Loudspeaker gurus he looked up to included Richard Heyser, Don Keele, and Floyd Toole.

His loudspeaker reviews were always 'grounded'. But, all things being equal (which they never really are), he didn't 'like' the box. He saw it as both a price point and sometimes necessary engineering compromise. Quad, Dahlquist, Beveridge, Linkwitz, each in their turn, were some of his preferences.

A box he admired was the erstwhile Canadian Waveform, which was more of an egg shape in its last version.

Before he left the planet the Linkwitz open baffle design was his choice of choices.
 
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