Good afternoon, gentlemen.
Based on Avdoc's assessments, we can now draw some conclusions.
I'd really love to have a test unit, but in the absence of that, we can look at the experience of this user who kindly shared his experience with us.
The difference in output level between the RCA and XLR outputs could really be a problem. In fact, it should be higher on the balanced ones since the voltage is higher, but Avdoc indicates otherwise. This is very unusual.
Moving on, the HPF that several of us had been requesting has become a reality (I believe I was the first user to propose the development of a preamplifier with these features in the "Idea Harvest" section).
The attenuations Avdoc mentions at both 80Hz and 120Hz make sense, as the cutoff isn't abrupt, but rather gradual. However, based on this, I would think it appropriate to add another position at approximately 160Hz, or change the existing ones to slightly higher values. For example, 100Hz and 160Hz, to cover the widest range of frequencies that most subwoofers on the market can reproduce.
Finally, what I consider a notable mistake is equipping the unit with an infinitely variable volume control, with all the risks that this entails. One of the P4's most attractive features is its motorized volume control with minimum and maximum levels. I believe this should at least be replicated in the ZP3 with the highest-quality potentiometer possible, considering its intention to be an analog preamplifier with superior features. Also, the fact that the input selection is on the same volume knob does not seem at all attractive to me; they could have put dedicated buttons or a selector knob.
I trust the Fosi team can iron out these minor details before releasing the final model, and I'm extremely pleased that they've taken on the challenge of producing a preamplifier that I consider a fundamental link in the audio chain.
Best regards!