@fineMen adding capacitors to balanced line out of preamp to power amplifier would be a DIY variant of the A15 HP so not really different but certainly cheaper if he is up to the task and probably paying someone who is if he isn't. He really doesn't need either bigger driver's mains or 2.5 or three way towers when he unload mains from doing what cause most excursion on their woffer's (take a look at DBR62 waterfall plots). Problem is all the time that his amplifier is balanced only inputs or I and probably he would swallow 20€ for pre made HP connectors like those:
This is a review and measurements of the HLabs in-line RCA 50 Hz crossover. It was kindly sent to me by a member and costs US $27.95. I understand these are popular with car audio folks. Company sells many variations of this and also a custom version. The sample I received was "New Old...
www.audiosciencereview.com
or 500 € for MiniDSP Flex instead Topping preamp.
I don't know from where is he from or could you instruct him or make HP connectors (80 or 100 Hz 24 dB slope) yourself and send him?
This is as much as I can help:
By the way thanks from me.
Yep, the mini DSP. Here's why:
today my new R3s were delivered. Plugged them in, needed three parametric equalizers, 950Hz, 2,3kHz, 7,5kHz. The corrections were mild ranging from wide band 0,5dB (!) up to narrow band 3dB. Now the direct sound is flat as a pan. The in-room response then leans slightly, whilst smooth as can be, to the bright side, compared to my hefty horn loaded system. The overall tonality feels only that little tiny bit hifi-ish. First point of interest was the intimacy of a singer with her microphone. Not the least bad it may need some polishing still-- don't like hifi ;-)
Bass is light, but is filled up by room gain but only at a greater distance. At about 3m it is flat down to about 35Hz, in my room, without additional support from a backwall, though. With sub, but still not limiting the R3's output it's an other story. Plain perfect I would say.
Distortion--what distortion?! Great, really great down to the deepest bass notes. The three-way approach pays off.
Summary and conclusion: the R3 is way good enough for me and I'm really picky if not decadent. A parametric equalizer may be seen as a prerequisit, though. Otherwise the hifi-ish 'voicing' would distract from the flow a little bit. A sub is a valuable supplement, again better with e/q.
ps: I operate the R3s sitting on a side wall, not upright. It works due to coax design. Anyway, the industrial design is as good as it gets, the laquer appears to me as good as a show-car's, or a piano's. Wow factor. This visual package as a whole I don't have to 'sell' to my significant other, she will rip it out of my hands.
pps: @
kolestonin, thanks for reminding me of my own needs
