Good afternoon everyone,
I’m new to the forum and excited to be here. While I wouldn’t call myself an audiophile in the traditional sense—I live with tinnitus in both ears—I’ve found that this challenge has actually deepened my appreciation for the nuances of sound staging and tonal balance. Music has always been a source of joy, and I’m doing my best to make the most of my hearing by chasing fidelity that speaks to both emotion and detail.
I tend to gravitate toward slightly warmer tones and the melancholic bass textures of post-punk, though my tastes are broad—jazz, pop, R&B, even some rap. Country? Well, let’s just say I’m still working on that one.
Since COVID, I’ve been building a 2.1 setup in my office, blending vintage and modern gear on a modest budget. It started with a very used Onkyo TX-SR393 I picked up for $22. It didn’t last long, but its demise led me to the B&K AVR 507, which opened up a whole new world sonically.
My first pairing was with Infinity R2 bookshelf speakers and an Audio-Technica AT-LP120 I rescued from Goodwill. After adding a BIC sub, I was transported straight back to 1985. I addressed the LP120’s skating issues with a custom counterweight, upgraded to an AT-VM95SH/H cartridge, added an acrylic mat, and introduced a Fosi Box 5 phono preamp. These tweaks brought my vinyl collection to life—so much so that I’d confidently put this humble rig up against many $500 turntables.
Since then, I’ve added:
- Denon DVD-3910 for SACD playback
- Fosi Q6 DAC feeding hi-res DSD/FLAC from my PC via MusicBee
- Fosi P4 RCA preamp linking my turntable (via Box 5), DVD-3910 (2-channel analog), and PC (via Q6)
- Boston Acoustics VR-M50 bookshelf speakers and a BIC 8" sub, all powered through the B&K AVR 507
I’ve tried to strike a balance between warmth and articulation—something that can handle the emotional weight of post-punk while still doing justice to the sparkle of jazz and the punch of hip-hop.
I’d love any feedback or suggestions for improvement. I won’t take offense—this setup was built by listening to people with better ears and deeper experience than mine. I’m here to learn, share, and enjoy the journey toward great sound, whatever that means for each of us.
Thanks for having me.