Yessir! I would rather have an average income and and have great integrity than be rich with very little integrity. I wouldn't mind being rich with integrity though!Yeah a great time listening and seeing Amir.Liked the part of integrity and honesty. that's what it's about in life isn't it.
Nice show Joe Compliments!
This has been my experience. As a kid, I couldn't get the guys at my local hifi shop to spend any time with me. When they did, they would show me their least expensive system that was way too expensive for a 12 year old kid.I have a personal hypothesis about this I think everyone of these typical harcore audiophiles with tubes sticking out of their beard scares away at least 10 times the amount of people who could enjoy this as a hobby or just get good gear as a consumer . good riddance with them.
If someone just causally interested, just upgrading their hifi once every 10 years interacts with those guys with cable risers 10000$ power cables they are just going to look scared and buy a sonos speaker on amazon .
Been there done that .
Nowadays i say to friends just buy decent speakers not super expensive but you know just decent and enjoy, the rest is details one can fuzz about later .
A year or two ago, I went to a hifi shop nearby and I told the guy what he would recommend I just wanted some speakers for my garage to see what he would recommend. He said the least expensive speakers he had were some KEF LS50W's for $2000/pr...for a garage.
Not even joking. I get tons of speakers sent in to me for review and here I am looking at $179/pr JBL 130's because @amirm mentioned it in on the show. I think speakers like that are what get people to buy better & more expensive speakers down the line.were those really his cheapest speakers? You would think he would want to get customers at the ground floor and then build a business with them that will be profitable for years to come.
@joentell
Now you are tainted. You need to get psaudio Paul on your show next to regain your street cred and show that you're not amir's echo chamber.
is it possible to have this on podcast? youtube ain't always the best UI to listen to such long interviews with
I've met Paul at RMAF and he's seemed nice enough. I tried to invite Steve G but no response.@joentell
Now you are tainted. You need to get psaudio Paul on your show next to regain your street cred and show that you're not amir's echo chamber.
I'll pass on this one.along with the owner of Synergistic Research. You can talk about how well their cables pair with PS Audio components. 2 for 1 special.
Thank you for that. I will watch them later. I browsed around for a bit on those videos looking for the parts where he's talking about 24p. My camera can do up to 240P so I've experimented a bit.@joentell You had a question at the beginning of the interview about video frame rate. I would recommend Mark Schubin's lectures:
You can play around with motion blur as well, and directors do opt for different amounts depending on the feel they want:Thank you for that. I will watch them later. I browsed around for a bit on those videos looking for the parts where he's talking about 24p. My camera can do up to 240P so I've experimented a bit.
My guess is it has something to do with how 24p motion blur looks. I think it emulates the natural blur we perceive when viewing something passively whereas for gaming, when you're actively watching, higher frame rates look better.
Thank you. Video is one area where I have a pretty good understanding considering it's what I do as a profession.You can play around with motion blur as well, and directors do opt for different amounts depending on the feel they want:
IIRC 24fps has a bunch of limiting factors which keep it looking realistic: dynamic range (visual, from light to dark), colorspace, resolution and field of view, not the least of which is how fast things can move and how fast the camera can move (as well as the aspect ratio). I don't believe it has any natural basis other than us getting used to it, since the rate was arbitrarily set by the film industry.Thank you for that. I will watch them later. I browsed around for a bit on those videos looking for the parts where he's talking about 24p. My camera can do up to 240P so I've experimented a bit.
My guess is it has something to do with how 24p motion blur looks. I think it emulates the natural blur we perceive when viewing something passively whereas for gaming, when you're actively watching, higher frame rates look better.
I think a lot has to do with tradition, not so much soap opera (as who watches those?) but moreso consumer video, especially if the color grading is minimal (I was flicked channel to one movie recently and thought it was a news segment even though it was a 2 person dial is scene there was 0 color grading and the framing was like a news interview).Thank you. Video is one area where I have a pretty good understanding considering it's what I do as a profession.
If you're also interested in this, check out this company Tessive that was bought out by RealD. I linked to some videos where they show how they can add realistic motion blur to higher frame rates so that someone could shoot at 120p and adjust the motion blur/shutter angle in post to give the videographer flexibility.
I don't think it's just an association effect that 30p or higher is the soap opera effect. I as I've experimented with this software in the past, I felt like my brain could relax between 24p-30p. Maybe it has something to do with suspension of disbelief. I'm not sure the how yet, just that there's something more than just nostalgia and association. I could be wrong.
since the rate was arbitrarily set by the film industry.
This is turning into Video Science Review. Lol. We're all just huge nerds.I think a lot has to do with tradition, not so much soap opera (as who watches those?) but moreso consumer video, especially if the color grading is minimal (I was flicked channel to one movie recently and thought it was a news segment even though it was a 2 person dial is scene there was 0 color grading and the framing was like a news interview).
You know you are watching a movie when it’s 24p and the color grading is done well.
Here is a 60fps interpolation of Thanos vs Iron Man in Infinity War, you can tell but it’s not as jarring as some other 60fps content (I’ve seen some interpolations where it looks terrible):