Sure, I don't fully disagree with your general point. I was just not getting the "Amir makes the same mistake" part, since he specifically said that there is more to it but that he would not adress this part because for him and his use case, grounding issue is the main reason, which is debatable but not fully wrong, in typical hifi setups. Note as well that I don't think this was targeted at audio professional, just the general hifi crowd who wonder if it's worth going balanced. I personally use balanced at home for this reason, ground related issues. Never had issues with my rca that where related to interference pickup. CMNR in cabling has been thought out to go the distance and he does mention it.Semantics? No, these are actual interfacing issues that could exhibit in real-world systems.
Amir seems primarily interested in the alleviating of ground loops aspect of this, but there are other aspects as well.
This video seems aimed at less experienced audio types, and in that sense it's probably fine and dandy. But there is much more to this topic than he hit on. Anyways, it's not a big deal. It's just something I would have expected Amir to elaborate on.
"Balanced audio" is a premise that a couple of audio hardware manufacturers have placed their whole business model on.
Dave.
I have been meaning to write an article for a while on what balanced audio means. Alas, have not had time so I thought I do a video on it instead. Hopefully for people who are new at this, it clarifies different things we call "balanced" and benefits it can provide:
Hope you find it useful.
Line-level 1/4" TRS in mixers, audio interfaces etc. is most commonly balanced mono. For headphones it is the ordinary stereo connector.Question, which I believe it was addressed slightly. Are TRS connection / plugs (like form a mixer or pre-amp) balanced?
They use 1/4 TRS ("headphone") jacks or combo versions that take that and XLR. They are balanced either way though.When I look at pro interfaces, i see no XLR inputs, yet advertise balanced connections, and I proceed to get lost again due to all the barrel connectors being all weird due to some being mono-balanced or not (ugh, headphone amps, so much simpler).
Yes, they used balanced and differential signaling. The concept is extremely common in electronic interconnects.Is audio "balanced" analog signals idea the same as differential signals concept in general? (Eg, like good old RS422, or is there something on top)?
I think it depends, the dual TRS monitor outs from my Motu M2 areQuestion, which I believe it was addressed slightly. Are TRS connection / plugs (like form a mixer or pre-amp) balanced?
If it's spec'd as TRS (vs. TS) then it is usually at least impedance-balanced... and even when it's not it still fulfills the main idea: keep the shield out of the signal circuit, so "ground loop" problems -- which is voltage drop along the shield from balancing currents between gear (from potential differences of the audio grounds) -- are mostly eliminated.Question, which I believe it was addressed slightly. Are TRS connection / plugs (like form a mixer or pre-amp) balanced?
Return 0.1 0.25 0.5 1
Signal 0.1 0.25 0.5 1
Crosstalk
Headphone 16 -44.19030029 -36.39087871 -30.62957834 -25.1054501
32 -50.15711743 -42.27886705 -36.39087871 -30.62957834
64 -56.15070056 -48.23239412 -42.27886705 -36.39087871
128 -62.1577605 -54.21926238 -48.23239412 -42.27886705
300 -69.54821376 -61.59808935 -55.59192983 -49.60013886
600 -75.56591982 -67.61146006 -61.59808935 -55.59192983
No, because there could be a ground differential or loop between the source (CD player or whatever) and the DAC/amp. However, an optical connection can help eliminate any hum that might cause.... 1) Is it fair to say that the elimination/reduction in ground loop hum is not applicable in a single unit combining DAC & Amp (e.g. RME ADI-2 DAC)?
...
No, because there could be a ground differential or loop between the source (CD player or whatever) and the DAC/amp. However, an optical connection can help eliminate any hum that might cause.
Is this what you're asking? Imagine a balanced output as 2 amps, identical yet one's output is inverted from the other. So the downstream device sees the difference between their voltages, which since they're inverted, is always twice the voltage of either. So the power delivered to the downstream device increases by 4x. Since we have 2 amps, each must be producing twice the power. An amp producing twice the power may have slightly higher distortion?... If we're doubling power, doesn't that mean there is also an increase in the noise or distortion? I understand because you eliminate things like groundloops, you almost always have better noise performance in most cases, but if that was to be accounted for, wouldn't it mean balanced is worse on paper in that one respect even if by a hair?
Lastly, I know it's been said, voltage is doubled. Does that mean that current remains completely equal?
In semi-pro audio equipment, 1/4 inch TRS connectors may be used in different ways.Question, which I believe it was addressed slightly. Are TRS connection / plugs (like form a mixer or pre-amp) balanced?