Is this really what Trinnov owners aspire to?
As a Trinnov Altitude 32 owner, I run all active speakers which probably has worse measured performance.
I don’t think Trinnov owners are a homogenous mix, but I do think that Trinnov exists as an end game product. Either you are so rich, you just tell someone to give you the best, or you have really researched a product and saved up money to take the leap and the Trinnov will be the biggest expense in your home theater requiring sacrifice elsewhere. As expensive as the Trinnov is, it’s still asset allocation. In the US, the average car payment is $734/mo with an average transaction price of $47K. Factoring in interest, you can see how delaying a new car and driving your existing car for another 2-4 years can equal the cost of the Trinnov. You can get discounts from MSRP as well. So it is possible for an average person to get a Trinnov processor if they are really passionate about this gear.
Obviously, the Trinnov is for pure entertainment and a good AVR gives 90% of the performance at 1/10th of the price.
Getting back to this amp, yes, I can see a lot of Trinnov owners going for this product.
The Altitude 32 with the original DACs only offers 90.4 dB SINAD. Uniquely, it has full digital outputs for all channels. I can easily upgrade my Alt32 from “worse than an AVR SINAD” to absolute SOTA by running an external DAC from Topping or many other companies here and get a full 120 dB SINAD out of my home theater system. Topping DM7 will only cost me less than $100/channel and already owning a Trinnov Alt32, the DAC upgrade is just a drop in the bucket.
But I am not chasing SINAD. At 90 dB, in my room, the noise isn’t an issue and if the noise isn’t an issue, when listening to 85 dB content with 105 dB peaks *as most* and typically listening at lower levels, there’s no point in upgrading. That’s one less component to add heat/block airflow, one less set of cables, one less product to fail, etc. I listen to 2 ch music with my Trinnov too. I could just get a 2 ch DAC to upgrade my processing to 120 dB SINAD, but again it’s just not worth it.
The Trinnov owner doesn’t aspire to own gear for social signaling, or aspire to have SOTA measurements beyond the threshold of audibility “just because you can.” We do want an immersive cinema experience in our home that’s reliable and works every time.
If you look at the marketing for the Amplitude 16, it’s like the marketing for Rolls Royce. It’s about having sufficient power and there is no audiophile hyperbole. But the key is flexibility/reliability. 16 channels in a box is great. That’s only been recently matched by the Marantz AMP10. The gain staging is designed to minimize noise, which is something audible and may not be easily achievable with the AMP10.
So yeah, *if* I had passive speakers, this would be on my list of amplifiers. I would clearly need to evaluate if the Marantz AMP10 can serve the same need, and I bet it can. But the input buffer that reduces the gain is pretty nice, and if I ever need service, as good as D&M are for a large company, you do get personalized service with Trinnov, which is baked into the cost.