Price per pair?
Approximately $6600.
Spinorama:
Video review:
Erin's conclusion:
Link to Erin's review:
Approximately $6600.
Spinorama:
Video review:
Erin's conclusion:
Parting / Random Thoughts
See video linked above for subjective and objective analysis. But just a couple notes:
The Triad LCR Gold is a good speaker. It’s not bad. It’s not great; at least out of the box. It performs very well in terms of output above about 80Hz and the distortion and compression data both back this up. It doesn’t get low but it wasn’t designed to. It has wide horizontal radiation, extending as much as ±80° up to about 6kHz where there are some effects of diffraction and the 1-inch dome tweeter begins to beam extending to about 30° at ~13kHz.
The “meh” part for me comes in when I consider the non-linearity of the frequency response. The average sensitivity is measured at about 89dB @ 2.83v/1m with about ±3dB deviation. There are some notable non-linearities in response at ~200Hz and ~1kHz that were bothersome in “raw” state in my listening sessions. These contribute to some characteristics that I wasn’t fond of. Notably, the lack of weight of male vocals causing them to sound rather ‘thin’. Another thing that bothered me but is the sharpness of sibilance right around 4-5kHz which shows up in the data as well. The dip around 1kHz wasn’t something that was immediately noticeable but once I applied some EQ to this area (Graphic EQ at 1kHz, +2dB) the result was a more “thick” male vocal. This, combined with the dip around 200Hz both made male vocals sound rather dale. Luckily, these can be equalized to provide smoother response due to the linear directivity. You’ll just need to make sure you have the ‘headroom’ in your equalization/amplifier path.
At about $3300/each ($6600/pair), the very first thing that came to my mind as a contender was the Arendal 1961 Tower speaker. The Arendal has similar performance in output capability (i.e., distortion and compression), better on-axis linearity and, at $1699/pair, is less than half the price of a pair of the Triad speakers. It is worthwhile to note the one thing that these Triads sync with better to my personal tastes: radiation width. The Triads - which use a dome tweeter on a flat baffle - have a average horizontal radiation width of about ±70° on average which is much closer to my subjective preference compared to the Arendal’s ±40° thanks to their waveguided design. This provides more room interaction which I find pleasant and yields a typically wider soundstage at the expense of pinpoint imaging. Tradeoffs.
Link to Erin's review: