When you have a more transparent amplifier some things can be weird ... simply because you listen to what you have before the amplifier.
Maybe that's the recording / source you have had all the time and some "colored" component added that "thick" midbass you are missing now.
Obviously I don't know if that's your case, but I saw it many times before and some people go back to their tubes (as an example). Not every one likes better sound... and it's ok.
I talk only about SQ ... If the amplifier isn't reliable or is broken... that goes for another way.
Definitely possible that I'm missing a bit of "colour" that the arcam may have added. It certainly offered a "warmer" sound.
If I stick on some classics like Beatles, Bob Marley or Rage Against The Machine then there's no problem. The PA5 is very definitely better. Great separation in particular and beautiful vocals, but then these artists lend themselves to that.
But if I play Spine Shank, Nothing but Thieves, Frank Carter then the lack of lower-mids / upper-lows is very noticeable.
I think I probably have quite sensitive hearing as I can hear quite a distinct difference between fade 1, 2 and 3 on the e50 also...I've noticed most people seems to think there's almost no discernible difference!
But then I also think the E50 sounds distinctly better in DAC mode than in pre-amp mode...so it might all just be self fulfilling perception!
I'm in no rush, so I'll give the system a bit of burn in time and see if things open up a little.
If it comes to it I think it'll be easy to re-home the PA5 as the secondhand market seems to have quite a bit of demand.