I hear you but look at the block diagram. That doesn't show any kind of differential input stage.
I hear you but look at the block diagram. That doesn't show any kind of differential input stage.
Differential means that the signal is not ground referenced. To quote Bruno Putzeys ...I hear you but look at the block diagram. That doesn't show any kind of differential input stage.
wow. It sounds like Formica, high pressure paper laminate but I suppose it's more like vinyl wrap?It's Wilsonite Madagascar laminate.
Block diagrams are not circuit diagrams.I hear you but look at the block diagram. That doesn't show any kind of differential input stage.
Thanks! Yes, Wilsonite is basically exactly like Formica (not like vinyl wrap). Most patterns would look a lot better on a counter top than on some speakers, but this one happens to look pretty damn good on my subs.wow. It sounds like Formica, high pressure paper laminate but I suppose it's more like vinyl wrap?
Did you make the stands too?
All this cancelation is ONLY if there is common mode noise to be rejected. ONLY. Balancing a differential input is actually very hard. I might refer you to the Self and Cordell books on the subject as well as the Jensen transformer site for facts, not assumptions. BTY, using balanced connectors does not prevent a ground loop in all cases.I don't think there is any roll-off in the highs when driving it single-ended. If all this speculation is correct, it would be similar to the linked Magnius review in that the distortion would be much higher because the distortion cancellation of the balanced circuit would not occur. Perhaps John Yang may comment on this at some point.
What could explain the (subjective?) difference he hears between the MOTU & the Audient then? Impedance output differ perhaps?All this cancelation is ONLY if there is common mode noise to be rejected. ONLY. Balancing a differential input is actually very hard. I might refer you to the Self and Cordell books on the subject as well as the Jensen transformer site for facts, not assumptions. BTY, using balanced connectors does not prevent a ground loop in all cases.
Roll-off is usually caused by insufficient current to the next stage.
Oh yea, all consumer gear is not floating ground. Bad assumption on Hypex's part.
Depends on the price you would like to pay. SMSL SU-9 would be a good candidate if you'd like to spend a bit. If I'd need Bluetooth I would probably go for the Topping E50 + BC3.Any advices for a good DAC with this power amp ?
With :
Bluetooth
Balanced
The dashboard SINAD for 10 kHz for this amp would be around 95 dB. Better than average, but not as good as for mid range.Tweeters only use a few watts so it going to work fine.
2nd harmonic at 20 kHz would be inaudible because of Fletcher-Munson curves.The dashboard SINAD for 10 kHz for this amp would be around 95 dB. Better than average, but not as good as for mid range.
And again you don't consider that musical content is -40 dB at 20kHz and somewhat higher at 10 kHz. Let's see those IMD charts with those levels and then we can conclude something practical.And again you do not consider intermodulations.
What is so often missed is the IM caused by harmonics exciting the tweeter breakup. It does not take much. Won't see that in am amp test into a fixed load, but we can HEAR it.And again you don't consider that musical content is -40 dB at 20kHz and somewhat higher at 10 kHz. Let's see those IMD charts with those levels and then we can conclude something practical.
I think the multi tone shows us everything we need for intermodulation.And again you do not consider intermodulations.
I think the multi tone shows us everything we need for intermodulation.
True - but that 5W multi-tone is the equivalent of 100+W of actual music to get a 20kHz freqeuncy that high (assuming 20kHz is typically 40dB down)It shows how the amplifier performs at 5W, with 31 tones.