So many versions, so little time and money.....
The subjectivist reviews online all almost seem to contradict each other (or they follow like sheep) so much I feel nauseous trying to google for info and trying to read the bulls*t in said 'reviews.'
I think we really do need to understand now that most decent dacs are basically commodities, bought on looks, price, facilities and after care possibility if needed.
FFS people, stuff any 'sound quality' differences 'cos most of it where dacs are concerned is in your imagination rather than reality - honestly it is. You know, an original Sony 101 CD player is actually still a very pleasant listen and much to my amazement, so are some of the mid 80's nasty plastic Philips machines - I was given a fully working CD371 and sonically it was fine (I sold it for a tenner...). A c2000 Technics 670 1-bit MASH player I recently cleaned the laser sled runners on also sounded just fine, clear and 'airy' with none of the 'bitstream bloat' I was expecting but the fit and 'feel' of it all was superb, giving great subjective confidence in its operation and me hoping it'd last another twenty years and feeling sad when it does eventually end up in the recycling centre. Sure the sinad measurements won't be too hot (red book isn't these days if I read it right and simple Bitstream and MASH were I remember a bit compromised?), but sonically, it's transparent to the recording and production in the source.
If Topping have done two versions of a dac which look and cost the same, but using two different dac chipsets. If the measurements are similar and the analogue outs have been properly sorted, they should be identical under level matched conditions when switched one to the other without knowing which is which. If there really IS a repeatable sonic difference under 'blind' conditions, research must be done to find out where this lies - and I believe a lot has been done already to show it's mostly in listeners heads and varies with mood, weather, health and so on...