Yes it's all imagination.Excuse me. I am french speaking and if you could please explain some as I dont understand .
So it is all in our imagination.
Please don't. 99% of DAC comparisons and the resulting belief of having "DAC ears" are done sighted and w/o level or filter matching.
DOG earsPlatinum ears?
My bad! Irony doesn't carry very well through textWay to ruin a joke, my man. Damn
Yes.To hook this up, I assume it would be ok to use a ipad-brick to hook up the usb-power cable?
If you're in need of a DAC with differential output, then an E50 for $150 is hard to beat.Any better value in the world if these can be found for 150 on the secondary market? Also I have a D10, not sure if an E50 would be much of an actual upgrade? Any input appreciated.
The first SMSL M500 had something similar but worst. I don't know about others DACsPast few days I was playing around with my measurement gear and noticed something a bit unexpected with the E50 - it seems that the level of H3 in both channels depends on whether the other channel is playing the same signal or not.
Let me illustrate; first the results when both channels are playing the test tone:
View attachment 340134
H2 and H3 are both around -130dB and therefore look pretty similar to what @amirm measured in #1.
However, if I drive only one channel and keep the other silent, H3 in the measured channel goes up by ~10dB!
View attachment 340135
View attachment 340137
Note that I get the same results even if only one channel is physically connected between the DAC and ADC.
Enabling the disconnected playback channel in the DAC (e.g. by enabling the secondary generator channel) improves the measured H3 in the connected DAC channel by ~10dB (compared to only one channel being driven). This IMHO shows it is not an issue in the ADC (nor the Scaler), but how the DAC itself functions.
These remain stellar measurements even so, just notice that SINAD when driving a single channel now becomes distortion-dominated (rather than noise-dominated) and should be around 118dB.
My theory is that the E50 THD calibration was optimized for best results when both channels are driven and that this is an expected artifact of it, but I'd be interested to hear thoughts of others who may be more experienced in the topic.
@amirm Have you perhaps seen such behaviour in other DACs before? Thanks!
Mainly because I'm an engineer and these kinds of things interest me.
Get lower,in the 20-30Hz area and do the same.sometimes there's a party going on there depending measuring one or both channels.Past few days I was playing around with my measurement gear and noticed something a bit unexpected with the E50 - it seems that the level of H3 in both channels depends on whether the other channel is playing the same signal or not.
Let me illustrate; first the results when both channels are playing the test tone:
View attachment 340134
H2 and H3 are both around -130dB and therefore look pretty similar to what @amirm measured in #1.
However, if I drive only one channel and keep the other silent, H3 in the measured channel goes up by ~10dB!
View attachment 340135
View attachment 340137
Note that I get the same results even if only one channel is physically connected between the DAC and ADC.
Enabling the disconnected playback channel in the DAC (e.g. by enabling the secondary generator channel) improves the measured H3 in the connected DAC channel by ~10dB (compared to only one channel being driven). This IMHO shows it is not an issue in the ADC (nor the Scaler), but how the DAC itself functions.
These remain stellar measurements even so, just notice that SINAD when driving a single channel now becomes distortion-dominated (rather than noise-dominated) and should be around 118dB.
My theory is that the E50 THD calibration was optimized for best results when both channels are driven and that this is an expected artifact of it, but I'd be interested to hear thoughts of others who may be more experienced in the topic.
@amirm Have you perhaps seen such behaviour in other DACs before? Thanks!
I have been enjoying the performance of a Topping E50 for 26 months. I think I would have difficulty reliably discerning a difference between the measured performance of the E50 and the Eversolo dac-Z8.Apologies if this has already been mentioned, but considering the measurents of the Topping E50, is the difference with a much more expensiva DAC like the eversolo dac-Z8 audible?
I'm asking this because I am looking for a new dac and in this case they cost 200€ and 700€ respectively, whereas in measured performance they don't seem to be that far away from one another...
Thanks for your replyI have been enjoying the performance of a Topping E50 for 26 months. I think I would have difficulty reliably discerning a difference between the measured performance of the E50 and the Eversolo dac-Z8.
Topping E50 and the EverSolo Z8 DAC are both audibly transparent, as are many other well-designed DACs - even many that cost less (and measure worse).Apologies if this has already been mentioned, but considering the measurents of the Topping E50, is the difference with a much more expensiva DAC like the eversolo dac-Z8 audible?
I'm asking this because I am looking for a new dac and in this case they cost 200€ and 700€ respectively, whereas in measured performance they don't seem to be that far away from one another...
Thanks a lot!Topping E50 and the EverSolo Z8 DAC are both audibly transparent, as are many other well-designed DACs - even many that cost less (and measure worse).
IMHO it is not worth obsessing too much about DAC sound quality (assuming solid measurements, of course). Basically anything with SINAD >100dB and a flat frequency response 20Hz-20kHz is probably well into transparency for the purpose of sound reproduction at home. Therefore I'd suggest to look more at features, type of connections, ergonomics/ease of use, reliability, SW support, price etc. when making your choice.
Perhaps you will also find my online ABX test between Topping E50 (~230$) and FiiO Taishan D03K (~35$) interesting; here are latest published results after 350 participants finished the test.
In this case there were quite significant measurable differences in the files recorded through the two DACs (in distortion, noise and even in frequency response) but results still indicate that the overwhelming majority of the participants couldn't reliably tell the two files apart in a level-matched blind test.