Shanling CR60 Digital Transport CD Ripper (Silver)
I think there is an smsl transport that also transmits via USB.
I actually did some a/b testing with the inputs. I had reasonably decent cables for all 3 input types, and found USB to sound more rich/resolving. Data rates aside, maybe its my cables, or an input to my DAC, but either way, it'd what I settled on, and sounds great. Zero fatigue.I'm not sure what the technical advantage to using USB vs Optical/Digital COAX would be, but if you were to use the PEQ feature on the DAC, you can't set the sample rate higher than 192kHz anyway, so whatever sample rate advantage you might get with USB would be moot. You could probably use the USB input anyway, though.
This device has peaked my interest, though because I would love to re-rip all of my CDs.
If it is "identical" like fosi v3 mono, I don't want it. Not saying it is.$8,000, dude. $8,000. 8x the cost for identical performance? I know to whom my money would go.
Everything sounds so thin. With two 48V 10A psu's. Horrible sound, can't stand it, will be putting back 5W TA2024.We don't think you are crazy, but until you verify your subjective perceptions by a proper double blind test, we will probably not take them very seriously.You guys probably already think I'm crazy, but, in all my refusal to accept Fosi is so bad, I did something I never did before... I switched from xlr to rca connection between the dac and fosi's. Bass is back, voices are no longer metallic, everything sounds normal. Fosi's at 25dB gain, topping at low gain.
What in a world?! Cable? I did try several different xlr cables before, always sounded bad.
Why don't you give a FR measurement for either iteration a go, and compare the results--from your listening position of course.You guys probably already think I'm crazy, but, in all my refusal to accept Fosi is so bad, I did something I never did before... I switched from xlr to rca connection between the dac and fosi's. Bass is back, voices are no longer metallic, everything sounds normal. Fosi's at 25dB gain, topping at low gain.
What in a world?! Cable? I did try several different xlr cables before, always sounded bad.
The Topping Tune app on Windows can't connect to the E50ii DAC. It works fine for a while, but then I have to reflash the DAC firmware from scratch to get it working again. Do you know why?
Ok, here it is, sitting position. 1/6 smoothing.Why don't you give a FR measurement for either iteration a go, and compare the results--from your listening position of course.
For being done with a mic, the curves are surprisingly close to each other. Did you try multiple measurements with the same setup to see how much just where you stand influences the result?Ok, here it is, sitting position. 1/6 smoothing.
So, again, how about a proper double-blind listening test?Hm, yeah, it sounds more metalic via xlr... doesn't seem right, soundstage is flat-squashed.
You might get more favorable responses to this nonsense elsewhere., yeah, it sounds more metalic via xlr... doesn't seem right, soundstage is flat-squashed.
Did you put the XLR in you ear?Hm, yeah, it sounds more metalic via xlr... doesn't seem right, soundstage is flat-squashed.
Yes, I made many measurements, same results always. Behringer microphone. I did not "stand" near it, it was on a pedastal.For being done with a mic, the curves are surprisingly close to each other. Did you try multiple measurements with the same setup to see how much just where you stand influences the result?
So, again, how about a proper double-blind listening test?
Can you show us those many measurements? As I wrote, I am not surprised there are differences when measured with a mic. I would love to see evidence of audible differences.Yes, I made many measurements, same results always. Behringer microphone. So, now we are going to ignore the measurements showing different results?
This results are weird, to say the least.Ok, here it is, sitting position. 1/6 smoothing.
YELLOW: Topping E50II -> RCA -> Topping PRE90 -> RCA -> 2 x Fosi v3 Mono 25 dB gain
RED: Topping E50II -> XLR -> Topping PRE90 -> XLR -> 2 x Fosi v3 Mono
Just figured it out, if I sweep up to 22Khz I get up to 16Khz recording, unfortunately I used 30Hz-20Khz and for some reason it stops at around 10Khz.
Hm, yeah, it sounds more metalic via xlr... doesn't seem right, soundstage is flat-squashed.
It would be better to record amp out directly, no idea how to do that.
Microphone was in a fixed position, speakers are much flatter measuring if I hold microphone where my head is but... that would've invalidated comparison of rca vs xlr as I could not guarantee microphone's position.
View attachment 536365
The room does not change, nothing changed but going from rca to xlr. We are measuring the difference, not how flat speakers sound.This results are weird, to say the least.
A good way to repeat them taking some room out of the equation is at one meter and gated.
That would be a good proof.
This is turning out to be ridiculous. Now you are doubting I can hear a 3db difference in 10+ Khz range. I think I am done with this conversation.Can you show us those many measurements? As I wrote, I am not surprised there are differences when measured with a mic. I would love to see evidence of audible differences.
