Sorry, but I can only laugh at such a statement.
First of all, there are hardly any labels and recording studios that can record DSD512, and even fewer that can process it properly. Furthermore, a large portion of the available DSD512 material is simply upsampled, which is ridiculous.
Secondly, I don't know anyone who can distinguish DSD512 from 96kHz PCM in a blind test. Over the years, we've conducted numerous blind tests, including with musicians, sound engineers, recording engineers, and even conductors. Only two or three of them achieved 6/4 to 7/3, and even then, not reliably. This wouldn't have been possible on a standard hi-fi system.
So, how important is this?
Thirdly and most importantly, DSD512 hasn't been a problem for years, provided you have sufficient processing power. Software like Acourate, among others, is clearly superior to conventional solutions.
But anyone who has ever heard a fully calibrated active system with recordings in CD quality will never give a second thought to something like DSD512 on a normal system.