Here it's used with Topping E50 IIWhat's the app meant to do, just easier than using the remote?
Oh excellentGood news for DX5ii owners who use headphones. A user here had noted that the product page now lists crossfeed as a feature. I had emailed topping service to confirm this and received this back.
"Dear Sir,
Thank you for contacting TOPPING support. We are happy to assist.
Yes, we will add this feature later. The firmware hasn't been officially released yet, so it's not available at the moment. Please wait about a month; we will add this feature in a firmware update on the official website."
Good news for DX5ii owners who use headphones. A user here had noted that the product page now lists crossfeed as a feature. I had emailed topping service to confirm this and received this back.
"Dear Sir,
Thank you for contacting TOPPING support. We are happy to assist.
Yes, we will add this feature later. The firmware hasn't been officially released yet, so it's not available at the moment. Please wait about a month; we will add this feature in a firmware update on the official website."
What exactly is crossfeed???Good news for DX5ii owners who use headphones. A user here had noted that the product page now lists crossfeed as a feature. I had emailed topping service to confirm this and received this back.
"Dear Sir,
Thank you for contacting TOPPING support. We are happy to assist.
Yes, we will add this feature later. The firmware hasn't been officially released yet, so it's not available at the moment. Please wait about a month; we will add this feature in a firmware update on the official website."
To be lazy, here's the AI answer but it's accurateWhat exactly is crossfeed???
www.audiosciencereview.com
What exactly is crossfeed???
Depends on the implementation and whether your ears actually enjoy it. Not for everyone, but cool for people who do like it. It also helps for older recording which have ONLY left or right sound.thank you very much. the sound is as if more natural??? doesn't it degrade the sound??
In some ways, crossfeed is trying to replicate the experience you would get from a binaural recording made specifically for headphone listening. Some artists, Jean-Michel Jarre being one example, release tracks or albums in both standard and binaural versions. This means to can compare your experience with both formats (no crossfeed required)...thank you very much. the sound is as if more natural??? doesn't it degrade the sound??
I followed your instructions, my measurements (200mV DC scale, volume 0, no signal):Ok, a small guide is needed here as it seems.
So>
First get a DMM, even a cheap one will do.
Set it to measure DC, like this:
Judging by your Babyface results, you did really good at measuring!I followed your instructions, my measurements (200mV DC scale, volume 0, no signal):
4.4MM
0.3mV L
1.7mV R
XLR4pin
0.2mV L
1.6mV R
6.35MM
0.1/0.2mV (+-) L
0.8mV R
Also tested RME Babyface pro fs: 0.0/0.3mV (3.5mm) and 0.1/0.4mV (6.35mm).
Using super cheap multimeter (€10), zero experience, are these values safe? Can I draw any conclusions from this data? Are these good values or should I be concerned? Thanks!
www.audiosciencereview.com
I don't know much about Cirrus Logic chips but I've got a DJ controller that uses that brand of Chip. Max resolution 96,000Hz sounds pretty good. Not sure if they are meant to be better than other entry level PC DACs but it's easier using that as my sound device instead of some pass through or XLR splitter cables. ESS seems like the desirable standard now for DACs I assume.I know some people have mentioned the Luxsin X8, but seeing that it uses the Cirrus Logic 43198 chips, I would be concerned about this
Cirrus Logic has always been a big player in the PC and in general the audio market. Toppings original D30 from more than a decade ago was using a CS4398. I think they mostly just shrunk those chips while improving them and made them for the portable market.I don't know much about Cirrus Logic chips but I've got a DJ controller that uses that brand of Chip. Max resolution 96,000Hz sounds pretty good. Not sure if they are meant to be better than other entry level PC DACs but it's easier using that as my sound device instead of some pass through or XLR splitter cables. ESS seems like the desirable standard now for DACs I assume.
But good luck using it with high res files. I don’t often listen to DSD 512 but it is nice to have the option, since my Gustard X16 can handle it.It's not as easy as you might think if you want it to work well.
There are now many devices that have integrated 2.1, but hardly any of them work properly. Good implementations only start at four-digit prices, or in inexpensive AVRs or devices like the miniDSP or t.racks from Thomann.
Analog is far too complex. Take a look at the ZinAmp Active Crossover with Phase Correction, for example. It would require two and would have to be completely set up and adjusted. Many people probably fail because of this.
Digital makes much more sense.
But it would only make sense before the D/A conversion. That means a DSP that outputs at least 3-4 channels, is of sufficient quality and powerful enough (computing power). This would then require 3-4 output channels or multiple DAC chips for the DAC.
And this would also have to deliver good measurement values.
Added to this are significantly larger enclosures, just for the connections and additional circuits. A reliable volume control also needs to be integrated.
And the whole thing has to be developed, which isn't exactly cheap.
Sorry, but I can only laugh at such a statement.But good luck using it with high res files. I don’t often listen to DSD 512 but it is nice to have the option, since my Gustard X16 can handle it.
Most DSP tap out at 48KHz, the expensive ones st 96kHz.
You probably haven't noticed the trend.Sorry, but I can only laugh at such a statement.
First of all, there are hardly any labels and recording studios that can record DSD512, and even fewer that can process it properly. Furthermore, a large portion of the available DSD512 material is simply upsampled, which is ridiculous.
Secondly, I don't know anyone who can distinguish DSD512 from 96kHz PCM in a blind test. Over the years, we've conducted numerous blind tests, including with musicians, sound engineers, recording engineers, and even conductors. Only two or three of them achieved 6/4 to 7/3, and even then, not reliably. This wouldn't have been possible on a standard hi-fi system.
So, how important is this?
Thirdly and most importantly, DSD512 hasn't been a problem for years, provided you have sufficient processing power. Software like Acourate, among others, is clearly superior to conventional solutions.
But anyone who has ever heard a fully calibrated active system with recordings in CD quality will never give a second thought to something like DSD512 on a normal system.
I never understood the interest in DSD. PCM is the standard and gets the job done.You probably haven't noticed the trend.
It's not about already recorded, at all.
The trend, using HQ player and the shorts is upsampling the existing, whatever material to DSD512 and some even to DSD1024.
Sure, some gear can handle DSD better, some don't though.
What most people don't get though, is that DSD got it's reputation not from the format itself but from the nice masterings that was destined for it.
Anyhow you upsample or transcode a bad recording, it will remain a bad recording.
Edit: the funniest? They think that device-EQ still works while playing DSD. It doesn't.
If it does, they don't play DSD.