Looks like the imaging that has shown up in some MQA files.
Maybe. But this is a SONY recording, I do not think they do MQA.
Looks like the imaging that has shown up in some MQA files.
I wouldn’t say “fooling yourself,” but rather, having made a change in your system you are listening more closely to the music to spot changes. In fact, if you hear differences, those differences are not imaginary—but it is you who have changed, not the performance of the equipment. You are “hearing things I’ve never heard before” because you are listening to the music with a critical ear, rather than letting your mind gloss over the sonic details.Opamps put it circuits designed for different opamps can sound different, but it's very easy to make good opamps sound identical, by eliminating variance in distortion in the right circuit.
For the record my gustard a18 now has opa1612 in the iv and lowpass and I'm happier that way, but can make no claim for audibility as there's no way to a/b test it. So even though I think it sounds different, I can't prove it does. I might just be fooling myself.
What looks like happened is that an out of phase waveform of the signal was created and then shifted up 24kHz. Most probably, a 16/48 or 24/48 file was subjected to some sort of digital filtering that did this. So, although the sound up to 96kHz is correlated with the music, it is not natural and is garbage that can safely be ignored.Maybe. But this is a SONY recording, I do not think they do MQA.
I think it needs 5v power.@JohnYang1997, I might have already asked, but does the device need usb power to be identified by usb? Or is just data fine (no big deal either way with such good jitter performance)?
Logo has nothing to do with it,probably just don't have the funds for it,next week,month or year they'll be something better,let other who are in the market for a new dac enjoy this d90se.That logo on the front top right ruins everything for me in a product. I refuse to pay an extra 50/70 dollars for that scheme.
This is very wrong in almost every way.It is true hand chosen discrete components for given application / topology will trump run off the mill op-amps, It is also easy to get things wrong in lesser hands.
I have personally never liked Topping's stock ESS based implementations (purely from sound quality perspective). But that's my subjective opinion. They seem to chase 5 leading 0s THD+N more than pleasing tonality.
I particularly dislike the use of OPA1612 in I/V stage - it is NOT a part meant for trans-impedance application. For I/V stage, if not using passive components, at least use parts with very high slew rates and bandwidth. Or implement ESS DAC in Voltage output mode.
Similarly OPA1612 is not an optimal (even TI does not recommend using it given the high input current noise) in LPF stages.
D50 (not D50s) particularly sounds horrendous!
Yes it can be made to sound better by swapping those parts with something else. And in the process it might drop a leading 0 (or 2) in the measurements which won't earn the product that high rank
Bottom line is - the company has good engineers in that they can churn out good measuring devices. It's about time they also invest time in extensive listening tests and see if it actually sounds good to human auditory system. Try comparing the sound with DACs which might not break records in measurement department but are highly praised for their sonic performance. After all, we don't listen to music via an AP analyzer.
If you don't subscribe to mqa,than won't this dac be non mqa?Yeah they will lose some buyers if they don't provide non-MQA version, imagine having this DAC for 10 years and that MQA will be faded away just like any bogus in the audio industry in the past. I am not against the support, I am againts the extra logo and usage license you pay for it. It should be like other formats, no logo and no usage fee to pay. 50-70 USD for the sake of a format it is a lot. At this category it is acceptable but not a good thing anyway.
I set recorder function on AP and leave it on overnight performance doesn't change.Does any one consider the thermal aspect of the d90se?
I concurThis is very wrong in almost every way.
Simple, to support your claim just provide evidence. Either measurements or double blind test of multiple people preferring certain opamps.Guys, like I said I realised I am in the wrong forum.
I certainly, for one, don't encourage audiophile fuses, cable burn in etc. But to say all opamps or parts sounds the same and have no difference just because the FR looks same clearly fortifies me being a wrong fit amongst you good people.
I would gracefully now withdraw from this conversation; happy to agree to disagree with what Amir, you or alikes have to opine on this matter.
For audio applications the variations in OP amp frequency response/slew rate are so slight that there will not be a audible difference. There are gain variations too and it is possible one OP amp could be louder than another and that will be perceived as better sounding.But to say all opamps or parts sounds the same and have no difference just because the FR looks same clearly fortifies me being a wrong fit amongst you good people.
Yes and no. In real world there's no issue. If you use square wave then no.@JohnYang1997 , should be my last question, thank you for answering our questions. Does it have headroom for intersample peaks?
This is very wrong in almost every way.
@JohnYang1997 , should be my last question, thank you for answering our questions. Does it have headroom for intersample peaks?
If you use square wave then no.