Bob101
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- Apr 12, 2021
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I think I'll keep my E70.
Martin
Same here. I use it as a pre-amp, and the volume-knob is essential to me. If I still used mainly integrated amps, I would still use my E50...
I think I'll keep my E70.
Martin
To be fair they have to if they wish to remain employed.Sure, My point was that most of the tweakos think there is something magical about legacy brands and that Chinese manufacturers of reasonably priced components don't have any of that magic that the Stereophile/Absolute Sound subjective reviewers claim to find in five and six-figure gear.
Well, ok, but I think even people that don't have to have a budget don't like to spend more than they need to for a device; anyway, the point is clear, it's expensive for what it is and doesn't measure excellently whilst using a non-sensical R2R philosophy that hamstrings it's performance.I understand your POV.
I just think there are people not on a budget and willing to spend “stupid” money on a device as long as it delivers. On ASR, it means a SINAD that puts the device into the excellent ranking category of Amir, which this one achieves.
Lol, are you defending this product!? To be honest I think you have to be a bit deluded to defend this product.Here at ASR we admired the excellence of engineering last time I checked,price is irrelevant.
If one can understand the challenges behind an R2R design all we can do is admire Holo's engineering,118dB SINAD is stratosphere (Topping felt a little short but not much) .
People here used to see R2R doing 70's SINAD probably sticked to that without looking around.Nope.There's obviously lots of ways to reach the same point.
Not by a long shot!Lol, are you defending this product!?
Who gives a **** if they managed to create an expensive & averagely performing product whilst purposefully tying one hand behind their back - it's just stupid.Not by a long shot!
I'm defending the engineering team who busted the myth "R2R can only do 70'-80's"
That's a whole other world.
‘Audiophiles’ belief that an earlier version of something is always better, Cd was better than streaming, vinyl was better than CD, it’s a men of a certain age, issue.
Keith
I don't think it's expensive in general.It may be expensive as a Topping,the particular one,but at Holo's implementation I actual think is more than decent price-wise.Who give a **** if they managed to create an expensive & averagely performing product whilst purposefully tying one hand behind their back - it's just stupid.
@SoundsGood2Me (this is because you liked my post #60 from yesterday): Roland (and me) were wrong with the assumption that the D90 III Discrete is R2R. Please Look at post #62!@Roland68 wrote:
The D90 III Discrete is an r2r DAC and is therefore primarily intended for a different group of buyers, such as the Gustard A26 and R26. So it is an additional option in the same price range.
The first D90 was replaced by the D90SE because AKM DAC chips were not available, the D90LE was just the additional version without MQA (at the customer's request).
In the end, Topping only released a successor to the D90SE after 3 years.
The D90 III Discrete is an r2r DAC and is therefore primarily intended for a different group of buyers, such as the Gustard A26 and R26. So it is an additional option in the same price range.
The first D90 was replaced by the D90SE because AKM DAC chips were not available, the D90LE was just the additional version without MQA (at the customer's request).
In the end, Topping only released a successor to the D90SE after 3 years.
(There's no point in comparing it to price performance of other R2R DACS because who cares about whether it is R2R or IC, what matters is the performance & price, not the fact they chose an inherently hamstrung technology to implement into the DAC in the first place & then suceeded in making it perform adequately for a high price.)I don't think it's expensive in general.It may be expensive as a Topping,the particular one,but at Holo's implementation I actual think is more than decent price-wise.
Price is such a broad matter we will never agree.
Some people do. You are not everyone. Nor am I.because who cares about whether it is R2R or IC
As an engineer, I consider an achievement a design that matches required specifications and performance with the least possible effort, complexity and cost (both in design and production). Fancy esoteric gimmicks have nothing to do with engineering, they are more akin to building Eiffel tower models from matchsticks: impressive and competitive, but short-lived, expensive and useless.However as an engineer, I can also admire the engineering achievement of meeting the product managers goal of an R2R dac that performs this well.
That's for the bare minimum.As an engineer, I consider an achievement a design that matches required specifications and performance with the least possible effort, complexity and cost (both in design and production). Fancy esoteric gimmicks have nothing to do with engineering, they are more akin to building Eiffel tower models from matchsticks: impressive and competitive, but short-lived, expensive and useless.
I like this premise. To me. It means that Topping wanted the engineering challenge.Topping must have gone to great pains in building these, precision of the parts in the resistor network is important to performance of R2R dacs. But, why bother?
But they just bought in some Holo Audio ladder modules.I like this premise. To me. It means that Topping wanted the engineering challenge.
Thanks for the reply, yes I am aware that the actual R2R DAC is a module made by Holo Audio. interesting stuff.@SoundsGood2Me (this is because you liked my post #60 from yesterday): Roland (and me) were wrong with the assumption that the D90 III Discrete is R2R. Please Look at post #62!