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glory 1989 THX/TAP Dolby Stereo Atmos , lucasfilm ltd THX sound system
what they call this movie it feels sounds like a bass earthquake air buster it does
Dolby Atmos custom modified 22.1/2/4/6/8.18 with up to 156 JBL professional cinema speakers 40kw
Dolby Atmos upmix on sonny pictures tristar ,glory 1989 has a bit of hockey gimcrackery Lc Rc most typical AVR won't be Lc Rc capable of the classic 70mm five screen layout or SDDS 8ch or in some selected cinemas Atmos uses the five screen , where most typical homes only use the three screen LCR ,
L Lc C Rc R is a must hear it ! but sony's glory seems a bit like , soundmixer is made bit of a both , ( i know what to listen for )
hollymixwood gets dialog reproduction placed wrong on dub stages to cinemas to homes with lousy outdated dolby labs rubbish encoding/decoding and mixers are ether blind or deaf hard of hearing or shouldn't even be anywhere near a mixing console
the invisible man 2020 Dolby Atmos , lucasfilm ltd THX sound system
one of many theatre modes used
trinnov altitude 32 Dolby Atmos ( *customised ) 21.1/2/4/6/8 .20 JBL professional cinema lucasfilm ltd THX sound systembass is satisfactory felt front wide was active in the mix which is usually not on many mixes five screen or seven screen was occasionally active in the mix L Lc Lsc C Rsc Rc R additional sidewall surrounds overheads was actively used when called for in the mix
looks like the Dolby Atmos mixers avoided the cat litter
the picture colour gets cat litter as it was distracting when compared to hollow man 2000 which has better photography particularly with darker scenes and black shadows that still has highlights , invisible man is watchable just ain't top notch with darker scenes and has annoying orange colour in darker scenes