That's interesting, it does seem that Dolby Atmos is unreliable for you, I don't know if you've ever had a good Dolby Atmos so I won't go too far in negatively describing it. I have no experience comparing different surround formats, so I definitely can't comment, but it's interesting what you've found - I think there's probably so few people with a good surround system that they don't know what they're missing and can't make comparisons, and therefore you have the sound people making "Dolby Atmos Trash" because virtually no one knows the difference!jaws from universal pictures after my strict THX know what to look for listen for feel for this is lazy sound editors lazy re-recording mixers , use of overhead sound , the john willimas music sounded like garbage crap trash , the whole atmos garbage crap trash and goes in the cat litter , the mixers are lazy and should look for new line of work , total waste of my listening time , hollywood la sound people have gotten lazy at their craft with trashy pro tools atmos
cat litter tray , get this trash movie out of my face i now dislike this movie sound much again because of the lazy la hollywood mixers with this trash cash cow milking
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yes for the stormaudio as its a bug processor been making a high pitched wining noise low dB level , first thought it was one of the amplifiers sounded like a cap ? then realised its the processor , switched off , back on again solved but happened few hours later again , off and on again solvedYour going to need a bigger litter tray.
Hi Andy, I'm mixing atmos music in my mastering studio, I'm building another atmos studio in JBL pro. I quite agree with you, there is a problem with atmos mixing in movies.yes for the stormaudio as its a bug processor been making a high pitched wining noise low dB level , first thought it was one of the amplifiers sounded like a cap ? then realised its the processor , switched off , back on again solved but happened few hours later again , off and on again solved
i wouldn't endorse this flawed immersive bs processor or even a trinnov that is overrated overpriced and can't do it all , most follow dolby labs bs code like brainless sheep ,, well iff someone want to be entitled to be brainless sheep ? atmos is trash ,, only one or ffew movies are decent enough the rest are trash and old movies with cheap 1 week or 2 week upmixes are totally worthless should be avoided , i don''t give a hoot what these lying insiders say , they only fear to losing their jobs , atmos is a dead sound trash format
one more title on the way that will end up in the cat litter tray and more of name shame the studios
atmos has 50% like it and 50% that loath it , i loath and can't strand it , i keep it around to roast it or flame the trashy stormaudio
these atnos mixers are so un-creative they need to step down and go and flip burgers and fries for $1.00ph as that is all they are worth , we spend money and time putting this together to get treated with raw deal armos/dtsx/auro 3d bs mixes , sick and tired of it , thank goodness i can use the other Dolby sound format codes with decent like mixes not trashy atmos
atmos brand has lost its appeal with me , the music on gravity is by far , near best if it had discrete below in-floor surround arrays it would be a little near better but few more things to look at in the room , seating , oh sure some of the past THX stuff was an end game opener but sadly now those days long gone and THX is thx like , kfc small letters , no longer a longer name brandHi Andy, I'm mixing atmos music in my mastering studio, I'm building another atmos studio in JBL pro. I quite agree with you, there is a problem with atmos mixing in movies.