if i only had a room that is few feet wider and just a foot higher , length is okay fine
thinking of a way , there's always a way
the rest of the details are classified top secret this is just a brief appetiser
positions to be located
frequency dividing starting at 90Hz left
ch 1) 90Hz L-R 48dB to 100Hz L-R 48dB
ch 2 ) 80Hz L-R 48dB to 90Hz L-R 48dB
ch 3 ) 70Hz L-R 48dB to 80Hz L-R 48dB
ch 4 ) 60Hz L-R 48dB to 70Hz L-R 48dB
ch 5 )
ch 6 )
frequency dividing starting at 90Hz right
ch 1 ) 90Hz L-R 48dB to 100Hz L-R 48dB
ch 2 ) 80Hz L-R 48dB to 90Hz L-R 48dB
ch 3 ) 70Hz L-R 48dB to 80Hz L-R 48dB
ch 4 ) 60Hz L-R 48dB to 70Hz L-R 48dB
ch 5 )
ch 6 )
frequency dividing starting at 90Hz centre
ch 1 ) 90Hz L-R 48dB to 100Hz L-R 48dB
ch 2 ) 80Hz L-R 48dB to 90Hz L-R 48dB
ch 3 ) 70Hz L-R 48dB to 80Hz L-R 48dB
ch 4 ) 60Hz L-R 48dB to 70Hz L-R 48dB
ch 5 )
ch 6 )
LFE.1 frequency dividing starting at 150Hz
ch 1 ) 140Hz L-R 48dB to 150Hz L-R 48dB
ch 2 ) 130Hz L-R 48dB to 140Hz L-R 48dB
ch 3 ) 120Hz L-R 48dB to 130Hz L-R 48dB
ch 4 ) 110Hz L-R 48db to 120Hz L-R 48dB
ch 5 ) 90Hz L-R 48dB to 100Hz L-R 48dB
ch 6 ) 80Hz L-R 48dB to 90Hz L-R 48dB
continued
ch 7 ) 70Hz L-R 48dB to 80Hz L-R 48dB
ch 8 ) 60Hz L-R 48dB to 70Hz L-R 48dB
ch 9 ) 50Hz L-R 48dB to 60Hz L-R 48dB
ch 10 ) 40Hz L-R 48dB to 50Hz L-R 48dB
ch 11 ) 30Hz L-R 48dB to 40Hz L-R 48dB
ch 12 ) 20Hz L-R 48dB to 30Hz L-R 48dB
the above frequency crossovers is to reduce minimise cross-talk
if i only had room size , a shallow profile in-floor surrounds or sub arrays of a different kind , the room height will reduce 7' feet 8" inches to around 7' feet 4" , if i was stretching out tiptoed arms up , i be touching the ceiling , ( that is called an audio workout lol )
i see how soundtracks are happening in certain movies and how limited the dubbing stages mixing techniques are even thou the rooms are far larger than common homes ( cinema is dying public don't care about cinemas much anymore now which is why most some what it at home )
i know how sine wave tomes work now in terms of frequency and it got me thinking ( since no actual update of LFE , LFE.1 hasn't evolved or changed that much since baby boom 1977 ) there should have been at least by now , LFE.1 , LFE.2 , LFE.3 LFE.4 , LFE.5 , LFE.6 , LFE.7 , LFE.8 , LFE.9 , LFE.10 etc , etc ( if i had to complexly watch a movie and take some lots of guesses as to where there should be these extra LFE channels placed around a room and the room would have to go though a complete alteration change or built brand new from ground up
what i notice in real world certainly doesn't translate to to mixing standards of speakers in a room its far cry from any of what i notice in the real world , that is immersive-ness , not some half like two dimensional Atmos gimmick with Dolby labs , or unimaginative engineers smpte , cas with their lousy standards that seem as about outdated to , fantasound 1941
but is that what all this has come to ? us , or others so bored with their lives they got to lose it now with , woke movies , woke Atmos , woke video screen walls ?
real life will at the end of the day topple all this Atmos 3d screens and leave it in the dust , " mark my words "
dolby labs have been so lazy , no interest for themselves engineers or sales marketing
this dolby atmos , anthony grimani , ex dolby labs , he seems so unimaginative and his attitude at end of the video shows ( then again i rant in videos with aggressive passion as i'm hungry for it )
more to be added/edited later , yes i have to do deep thinking its a lot , lot , lot more to it
