Generalizing about ASR is so typically ASR.
Generalizing about ASR is so typically ASR.
A completely reasonable request for you, Valerian."Can you show me (just 1) amplifier, pre-amplifier or DAC that has a peak between 6kHz and 8kHz reaching over 1dB ?"
Of course you do.I already posted that I do not have the tools for measuring the sibilance.
Which is, of course, the same thing, segmented into time windows.It is not a FR curve that is needed, but a FFT or a spectrogram.
In an AVR there is a DAC, a DSP and an amplifier.
DAC and DSP are the most subject to sibilance, but also the amplifier can do it if it is not very stable with the speaker load or if it is a low end class D.
spl IS LEVEL or sometimes depending on measurement method, intensity.What is a decibel?
It's a number, that is produced via a test to demonsrate how loud a sound is. It is determined from the human perception of sound. I.e. a sound that is twice as loud measures 3dB more.
Except it doesn't?
" Yes, it's possible for music to sound louder than it is measured by decibels (dB) or other loudness metrics. This is because loudness perception is influenced by various factors beyond just the overall sound level. These include frequency content, dynamic range, and the overall density of the music."
The fact is if a human (actually tested with numerous humans to verify) says it's louder it's louder, if the machine says it's not, the measurement is wrong, not the human.
I constantly hear people who will say that the measurement is more accurate: No it is not.
Perceived Loudness vs. Measured Loudness:
2. Factors Affecting Perceived Loudness:
- Measured Loudness:
Loudness is often measured in decibels (dB), which is a logarithmic unit that represents the intensity of a sound relative to a threshold. A higher dB reading means a louder sound.- Perceived Loudness:
How loud something sounds to a listener is not solely determined by dB levels. Our brains and ears also process sound in ways that can make something sound louder or quieter than its dB level would suggest.
- Frequency Content:
Mid-range frequencies (around 500Hz to 4000Hz) are more easily perceived by our ears. Boosting these frequencies can make music sound louder without necessarily increasing the overall dB level.
a sound that is twice as loud measures 3dB more.
An amp could increase sibilance if it has a boosted frequency response in the treble region or audibly increased distortion in the treble region. These are about the only ways this could happen. All part of standard measurements.A new metric needs to be created to make a hierarchy among the amps.
@amirm Do you know a test that is able to detect the sibilance?
Did you really, seriously post a picture of a measurement of sibilance and then conclude your post by asserting we can't measure it?The modern AVR that we are using are in fact a sound processing unit.
When Dirac Live is engaged, some strange side effects similar to the one's observed by a sound engineer could occur.
Here is an example of sibilance on an audio track and its correction:
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We can see a little before and after 3khz a complex filter is applied.
Let us go back to an AVR:
1) My old Yamaha had a processing that was already attenuating the high frequencies by lack of performance.
Adding a manual PEQ filter I was able to fix the sibilance from one of my speakers.
2) New Onkyo RZ30.
As soon as it was powered on, I immediately eared the awful sound in the high frequencies.
I tried many adjustments but nothing is really completely removing the sibilance.
Switching Dirac Live on did not solved the issue and the manual EQ is not active with Dirac.
Anyway the manual EQ is not a PEQ.
May be I can force Dirac Live to apply a filter against the sibilance, but I am not sure that it is possible.
So clearly the propensity of an amplifier to enhance an already existing sibilance (or even to create it as a side effect of its DSP treatement) is not detected by the current measurements applied during the standard audio product tests . We can ear it, but not measure it, for now.
That is typically true, and I agree with what you are saying. But we both know, here, if someone posts I “got my new ________ speakers, and my impressions [compared to what I used to have]” it’s going to be a mixed bag on what the responses they are faced with. Unless they put about 10 disclaimers about their impressions the responses can be anywhere from:that.
Asking someone what they thought of some demo is no different to asking what they thought of a film they just saw, or a holiday they just took.
No one is saying that. People keep wanting to make it about 1 person, hearing/eating one item, and not being able to measure what they hear, taste, and (now) their degree of preference. They can actually scale, and have, for degree of preference in loudspeakers and food items (which caused the “New Coke” blunder).So typically ASR.
Some people prefer McDonald burger, for them it is the best, you cannot prove other wise until you can measure their level of satisfaction which will most likely remains subjective for a forseable future.
I think discussing impressions of speakers is totally valid, and crapping on them because they are sighted or don't come with measurements is mildly counterproductive.That is typically true, and I agree with what you are saying. But we both know, here, if someone posts I “got my new ________ speakers, and my impressions [compared to what I used to have]” it’s going to be a mixed bag on what the responses they are faced with. Unless they put about 10 disclaimers about their impressions the responses can be anywhere from:
An informal nice discussion discussion along the lines of a movie, up to:
“We are not interested in subjective impressions here because they are meaningless” and/or
Sighted listening is completely worthless and/or
“DBT” (seen more with an impression about a device).
The responses will also depend greatly on whether the speakers have been tested, if so the preference score; and/or reviewed here and “rating”. If you include “based up ASR/Erin’s recommendation” up front it’s confirmation bias responses.
The point, and only point, I was trying to make is in the Munich Audio Show thread, it seemed to be more of a “safe place” for people to discuss impressions in a friendly social manner.
I enjoyed hearing what people thought (other than the Speaker X Brand fan/shill). I liked seeing members trying to help out other members, half away around the world with getting questions answers.
I would like to people be able to discuss their “impressions” of speakers, setting them up, problems, if any, etc.
I’m your stalker, I follow you around in as many threads as possible just to see the moniker you will close with.If I'm at a show of projection equipment attended by projectionists, then I am interested in what they though about the movie projector.
An audio show is not a concert.
And sometimes people ask each other things because they share an affinity for the topic and want to be friendly, not because they actually think the other person's opinions will be actionable. Data-driven rigor is not an excuse to be a jerk.
Rick "separating art from engineering" Denney
Hmm, a bit creepy.I’m your stalker, I follow you around in as many threads as possible just to see the moniker you will close with.
I’m going to develop a rating system and algorithm that will predict the overall rating each one would get- a five point scale,* 5 being the best score.
That one was a 5.
*I chose a five point scale because it will boost your ratings, even if you had a dud.
I did get new speakers back in December and posted my subjective impressions (yes, with disclaimer!) a couple of months back hereThat is typically true, and I agree with what you are saying. But we both know, here, if someone posts I “got my new ________ speakers, and my impressions [compared to what I used to have]” it’s going to be a mixed bag on what the responses they are faced with. Unless they put about 10 disclaimers about their impressions the responses can be anywhere from:
www.audiosciencereview.com
I agree 100% with all of that. I chose speakers in my example for a reason (as opposed to cables, DACs, AMPs).I think discussing impressions of speakers is totally valid, and crapping on them because they are sighted or don't come with measurements is mildly counterproductive.
I don't personally weight it that any more heavily than "I (dis)liked the movie" but that can be enough to spark interest and follow up, look for measurements, etc.
However, pushing back on subjective listening impressions is warranted when it actually amounts to a quantitative or objective assertion. If you say something like "such and such speaker had a lot more clarity and soundstage than this or that speaker" but you listened to different music on them at different times in different rooms, that should be challenged.
The exact wording matters and people here can (and not wrongly) get very particular. "To me it sounded like the JBL had way more bass distortion than the B&W but I wasn't able to demo my own music, YMMV" is NOT the same as "The JBL has more bass distortion than the B&W." The line between fact and opinion may get very thin but it always matters.
I think it's also a bit of a gray area. Some differences are not subtle and don't need measurements to confirm. I don't need graphs to know an avantone cube doesn't have as much bass as a JBL M2, ears are enough.
Being asked for measurements in these instances of very obvious differences is annoying and almost feels like being asked for proof the earth is round. But keep in mind people report "very obvious differences" in ethernet cables too... people don't know your listening history or relationship with snake oil, and issue blanket challenges.
On the other hand, If I want to say the M2 has a "smoother midrange" than a KEF Blade, I should come with receipts. There's no obvious reason to think that's true (or not true) if the listening wasn't done under controlled conditions, and even then you'd want measurements to characterize exactly what I mean by "smoother midrange".
4.5*Alex "This isn't really my middle name" Kemmler
Well your initial post affirmed my thoughts. Asking thoughts about them, if there are other things you should be considering. You didn’t ask IIRC if anyone heard them, if so how did they sound.I did get new speakers back in December and posted my subjective impressions (yes, with disclaimer!) a couple of months back here
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Troels Graveson Faital-3WC-15
@Xathrepsy please don't take it out on Jim. Clearly you walked into a snake pit without warning, Please be apprised that this forum is not a "snake pit". We are not poisonous animals, and we don't attack those who approach us. This is a site on the use of science and logic to examine and enjoy...www.audiosciencereview.com
Despite 5K views there was not any pushback. Not that I would have been bothered if there was, I'm too old not to be confident in my decisions. Even when they're wrong![]()
That bit I don't know. I only noticed the number of views when going to get the link.I would suspect, since forum drama is entertainment to many (regardless of the subject of the forum) of 80% of the views were before your review/impressions?
I doubt it, nice photos, and very informative to anyone trying to pursue a similar path, professionally built DIY system.It's quite possible only a handful of people read the subjective review.
Thank you!I doubt it, nice photos, and very informative to anyone trying to pursue a similar path, professionally built DIY system.
I enjoyed the read immensely.
There are friendly ways to do this. Someone tells me that they saw Speaker X at a show, and that it was excellent. My response might be, "Cool! I wonder how it would hold up in controlled preference testing?"That is typically true, and I agree with what you are saying. But we both know, here, if someone posts I “got my new ________ speakers, and my impressions [compared to what I used to have]” it’s going to be a mixed bag on what the responses they are faced with. Unless they put about 10 disclaimers about their impressions the responses can be anywhere from:
An informal nice discussion discussion along the lines of a movie, up to:
“We are not interested in subjective impressions here because they are meaningless” and/or
Sighted listening is completely worthless and/or
“DBT” (seen more with an impression about a device).
The responses will also depend greatly on whether the speakers have been tested, if so the preference score; and/or reviewed here and “rating”. If you include “based up ASR/Erin’s recommendation” up front it’s confirmation bias responses.
The point, and only point, I was trying to make is in the Munich Audio Show thread, it seemed to be more of a “safe place” for people to discuss impressions in a friendly social manner.
I enjoyed hearing what people thought (other than the Speaker X Brand fan/shill). I liked seeing members trying to help out other members, half away around the world with getting questions answers.
I would like to people be able to discuss their “impressions” of speakers, setting them up, problems, if any, etc.
Heh. I've been using an internym on online forums since the days of newsgroups. I even remember the extended debate about what to call it on alt.folklore.urban, where Madeleine Page (RIP) and I were advocating for "internym" but others incorrectly preferred "epenthetic," which means something different altogether. But I really learned to appreciate internyms from Sheldon Brown's (RIP) example on rec.bicycles.tech and the Hardcore Bicycle Science mail list back in the day.I’m your stalker, I follow you around in as many threads as possible just to see the moniker you will close with.
I’m going to develop a rating system and algorithm that will predict the overall rating each one would get- a five point scale,* 5 being the best score.
That one was a 5.
*I chose a five point scale because it will boost your ratings, even if you had a dud.