I think I would restate my original comment, with a little visual guide this time.
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While you don't see the entire waveform hitting the limiter threshold in the Blu-ray Stereo mix like it does in the CD or Tidal mix, it's pretty obvious that there is a limiter involved, especially when you look at the same sections in the Atmos downmix. In the atmos mix, the "frontier" of the peaks is not flat. In the stereo mix, it is. This is a telltale sign of a limiter at work, just with a much higher threshold setting.
What's interesting is the bottom of the waveform doesn't show the same flattened "frontier" shape. This tells us that the limited peaks are transient with a positive polarity, probably snare / cymbal hits. Limiting those by a few dB is probably not very detrimental to the sense of dynamics.
And like I said, even if the limiter isn't actually effecting gain reduction (i.e. flattened peaks) there is always a limiter on the master track to avoid inadvertent clipping, even if the mix looks like the Atmos mix, one will be there for safety.