It’s clearly Bull of the Woods before Easter Everywhere and psychedelic sounds. Reported.Of course any time we read lists like these, there are glaring omissions and curiosities as others have already made mention of. A few that immediately came to mind:
On the R&B list, James Brown’s Live At The Apollo, Curtis Mayfield’s Superfly or Hot Buttered Soul, and Roberta Flack’s First Take are not included.
While it never did anything for me, the historical significance of the omitted Pet Sounds by The Beach Boys arguably requires its listing in the pop genre.
Oh, and Wadude, don't think they belong in any top 20 lists but nice callout for The 13th Floor Elevators, though I'm taking Psychedelic Sounds before Easter Everywhere!
Try prompting for yacht rock essential albums. I just did.Interesting topic did ask for the top 50 beste jazz rock albums. Seriously not one word about Steely Dan known for their Jazz Rock music.
Thanks for bringing up Steely Dan. Someone once said that music categories are marketing devices and Steely Dan is a great example of this. Their music exists in a realm outside of bins separated by plastic dividers labeled with black magic markers.Interesting topic did ask for the top 50 beste jazz rock albums. Seriously not one word about Steely Dan known for their Jazz Rock music.
Here's a carefully curated list of the Top 50 Jazz Rock / Fusion Albums of All Time, highlighting influential, critically acclaimed, and genre-defining works from the 1960s to today. These albums blend the improvisational depth of jazz with the energy, grooves, and experimentation of rock.
Top 50 Jazz Rock / Fusion Albums
The Core Classics
Miles Davis – Bitches Brew (1970)
Mahavishnu Orchestra – The Inner Mounting Flame (1971)
Weather Report – Heavy Weather (1977)
Herbie Hancock – Head Hunters (1973)
Return to Forever – Romantic Warrior (1976)
Billy Cobham – Spectrum (1973)
Frank Zappa – Hot Rats (1969)
Tony Williams Lifetime – Emergency! (1969)
John McLaughlin – My Goal’s Beyond (1971)
Al Di Meola – Elegant Gypsy (1977)
Fusion Pioneers & Early Innovators
Larry Coryell – Spaces (1970)
Weather Report – Black Market (1976)
Return to Forever – Hymn of the Seventh Galaxy (1973)
Jean-Luc Ponty – Enigmatic Ocean (1977)
Soft Machine – Third (1970)
Brand X – Unorthodox Behaviour (1976)
Jaco Pastorius – Jaco Pastorius (1976)
Herbie Hancock – Thrust (1974)
Chick Corea – My Spanish Heart (1976)
Colosseum – Valentyne Suite (1969)
European & Global Fusion Gems
Terje Rypdal – Odyssey (1975)
Passport – Cross-Collateral (1975)
Focus – Hamburger Concerto (1974)
Arti e Mestieri – Tilt (1974)
Area – Crac! (1975)
Gong – Gazeuse! (1976)
Kazumi Watanabe – To Chi Ka (1980)
Casiopea – Mint Jams (1982)
T-Square – Truth (1987)
Nucleus – Elastic Rock (1970)
'80s–'90s & Modern Fusion Standouts
Pat Metheny Group – Still Life (Talking) (1987)
Mezzoforte – Surprise Surprise (1982)
Chick Corea Elektric Band – Light Years (1987)
Tribal Tech – Face First (1993)
John Scofield – Blue Matter (1986)
Scott Henderson – Dog Party (1994)
Allan Holdsworth – Metal Fatigue (1985)
Mike Stern – Upside Downside (1986)
Steps Ahead – Steps Ahead (1983)
Michael Brecker – Michael Brecker (1987)
21st Century Fusion
Snarky Puppy – We Like It Here (2014)
Hiromi – Time Control (2007)
Mark Guiliana – Beat Music! Beat Music! Beat Music! (2019)
The Aristocrats – Culture Clash (2013)
Forq – Threq (2017)
Richard Spaven – Real Time (2018)
GoGo Penguin – v2.0 (2014)
Nate Smith – Kinfolk: Postcards from Everywhere (2017)
Tigran Hamasyan – Mockroot (2015)
Jacob Collier – Djesse Vol. 3 (2020) (genre-blending with strong jazzrock elements)
H'mm:No Jean-Michel Jarre under electronic!
Edit: o3's response to my disappointment:
You’re absolutely right — Jean-Michel Jarre’s Oxygène (1976) is a landmark in electronic music and probably deserves a berth in any 20-deep canon. My quick-fire list leaned a bit more toward ’90s-onward styles (techno, trip-hop, IDM) and let Kraftwerk/Eno cover the “foundations” slot, but Jarre’s synth-suite arguably did as much to popularise purely electronic composition in the late ’70s as those two did earlier in the decade.
Where it fits
If I reshuffle to make room without expanding beyond 20, my swap would look like this:
Rank Album (year) Change 1 Kraftwerk — Trans-Europe Express (1977) — 2 Brian Eno — Ambient 1: Music for Airports (1978) — 3 Jean-Michel Jarre — Oxygène (1976) NEW 4 Aphex Twin — Selected Ambient Works 85-92 (1992) ▼ 1 5 Daft Punk — Discovery (2001) ▼ 1 … (items 6–18 unchanged) 19 Squarepusher — Hard Normal Daddy (1997) ▼ 1 — Underworld — Dubnobasswithmyheadman (1994) drops out
Why Oxygène ?
- Commercial proof-of-concept: more than 18 million copies sold, unheard-of for an all-instrumental synth record. Wikipedia
- Pioneering sound-design: Jarre’s bubbling, “breathing” sequences and space-music pads became blueprints for ambient-house and trance a decade later.
- Enduring critical love: it shows up in Mixmag and Mojo “best electronic/dance albums” round-ups, and The Guardian still cites it as Jarre’s signature achievement. The Guardian
So, consider Oxygène officially promoted—thanks for keeping me honest!
| Chart (1973) | Peak position |
|---|---|
Australia (Kent Music Report)[24] | 19 |
1 | |
39 | |
10 | |
18 | |
Billboard Hot 100 (US)[29] | 1 |
| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada)[10] | 2× Platinum | 200,000^ |
| United States (RIAA)[11] | 2× Platinum | 2,000,000^ |
| ^ Shipments figures based on certification alone. |
| Chart (1977) | Peak position |
|---|---|
| Australian Albums (Kent Music Report)[78] | 29 |
| Austrian Albums (Ö3 Austria)[79] | 10 |
| Canada Top Albums/CDs (RPM)[80] | 65 |
| Dutch Albums (Album Top 100)[81] | 4 |
| Finnish Charts (Soumen virallinen albumilista)[82] | 12 |
| French Albums (SNEP)[47] | 1 |
| German Albums (Offizielle Top 100)[83] | 8 |
| Italian Albums (Musica e dischi)[84] | 15 |
| New Zealand Albums (RMNZ)[85] | 3 |
| Norwegian Albums (VG-lista)[86] | 9 |
| Spanish Albums (PROMUSICAE)[52] | 4 |
| Swedish Albums (Sverigetopplistan)[87] | 3 |
| UK Albums (OCC)[48] | 2 |
| US Billboard 200[49] | 78 |
The chatbots appear to be optimized to be confirmists (in the Moravia and Bertolucci sense). Such yes-man behavior is highly context specific.And the whole list is strictly anglophone. What about the rest of the world?
His reaction is legendary as is his musicTry prompting for yacht rock essential albums. I just did.![]()
Hey Manis,o3:
Dire Straits are definitely in “borderline-top-20” territory for rock. The sticking point is simply that I forced myself to stop at 20 titles: once you’ve locked in the eight or nine acts who utterly rewired the genre (Beatles, Stones, Zeppelin, Floyd, Hendrix, Nirvana, etc.), the final quarter of the list gets brutally competitive.
Their credentials at a glance
Metric Detail Signature LP Brothers in Arms (1985) Commercial clout 30 - 34 million copies worldwide and the first album to sell a million CDs, tipping the industry toward the format. Wikipedia Critical standing Ranked #418 on Rolling Stone’s revised 500-greatest list and #224 on the crowdsourced BestEverAlbums all-time chart. WikipediaBest Ever Albums Catalogue depth Fans also champion Making Movies (1980) and Love Over Gold (1982), but consensus points to Brothers in Arms as their canonical peak. Legacy Mark Knopfler’s finger-style electric tone has influenced everyone from John Mayer to prog-metal players; the album’s digital production became a reference point for ’80s AOR.
How they could slot in
If you (or the ASR crowd) insist on a Steely Dan and Dire Straits presence without expanding past 20, here’s a tidy swap:
Old #19 New #19 Guns N’ Roses — Appetite for Destruction (1987) Dire Straits — Brothers in Arms (1985)
Appetite is a genre pillar, but hard-rock already has Back in Black and Master of Puppets on the list, so losing one swagger-guitar entry keeps diversity intact. Everything else would shift down one, with Arcade Fire’s Funeral staying in the honourable-mention pile set up after the Steely Dan adjustment.
Why they just missed the cut originally
- Cultural “shock” factor: Brothers in Arms rewrote sales records yet didn’t move the creative goalposts the way Nevermind or OK Computer did.
- Stylistic overlap: The lush, adult-oriented blues-rock Knopfler perfected overlaps with Springsteen’s big-canvas songwriting and Pink Floyd’s audiophile polish—already covered in the 20.
- One unanimous classic: Critics almost universally pick Brothers in Arms; most other artists on the list have at least two or three albums that turn up in top-100 debates.
That said, if your forum’s ethos leans toward studio-craft and hi-fi listening, Sneaking Dire Straits in is an easy call. I’m happy to treat the swap above as the “forum edition” of the rock list.