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The famous AB test between amplifiers

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.1 decibel is how close they need to be. Best determined by sending a tone thru and measuring with a voltmeter at the speaker terminals. The two voltages need to be within 1.2% of each other. Somewhere around a quarter db and above it will sound different. Will sound like a quality difference and not a loudness difference even though the effect is from loudness only.
perfect explanation, if they are in the range of 0.1 decibel difference across the entire frequency range at different volumes then good for the inexpensive A amplifier who can compare head to head with an excellently built amplifier.
 
I could tell you the same thing, in all your posts, absolutely in all of them, you give an erroneous opinion and my argument is that nobody in this world has the absolute truth, even if you think you are right, including the measurements.
The thing is that when someone comments on something that they don't like because it is shown from another perspective, everyone wants to intervene and boost their ego by wanting to belittle the opinion of others.
I'm impressed, that's a lot of posts of mine that you have read, especially if every single one was wrong. You've definitely more patience than I have.

You seem to belittle the fact that the vast majority of posts in response to you are trying to help, not disparage, and explain the issues involved and how to perform accurate comparisons to help you understand why the argument.
 
Just because you have years of experience doesn't mean you know everything about electrons. I'm just letting you know that there are other theories, that's all.
Is there a point to this inane detour? The starting point for a practical analysis of a battery and resistor circuit as an engineer is not, in fact, an electromagnetic field solver.

The point is: your intuitions of "well-built" and "simple" are not meaningful descriptors of electronics performance. An entirely conventional power amp design built to a mass-market price point by someone who knows what they're doing can handily clear your ear's ability to discern its deficiencies - or at the very least, be close enough to the threshold of audibility that it cannot account for the dramatic differences audiophiles attribute to amps - vs some ridiculous overbuilt audiophile thing - even *if* it's more performant on paper.
 
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Is there a point to this inane detour? The starting point for a practical analysis of a battery and resistor circuit as an engineer is not, in fact, an electromagnetic field solver.

The point is: your intuitions of "well-built" and "simple" are not meaningful descriptors of electronics performance. An entirely conventional power amp design built to a mass-market price point by someone who knows what they're doing can handily clear your ear's ability to discern its deficiencies vs some ridiculous overbuilt audiophile thing - even *if* it's more performant on paper.
Just in case in my initial post I asked if there could be sonic differences between a Carver 360 vs Topping LA90 amp, both tested by amir
 
Just in case in my initial post I asked if there could be sonic differences between a Carver 360 vs Topping LA90 amp, both tested by amir
That's not a model I can find, but most of the Carver amps I can find Amir's reviews of are tube amps, with characteristically messy measured performance. Would it sound different from the Topping (in a properly controlled listening test)? To a discerning listener, most likely yes, to an extent that will depend on the speaker and volume level. But needless to say, the difference between such an amp and the $200 Yamaha amp Amir reviewed a couple months back are not because the Carver is built better or more accurately reproduces the source signal.
 
That's not a model I can find, but most of the Carver amps I can find Amir's reviews of are tube amps, with characteristically messy measured performance. Would it sound different from the Topping? To a discerning listener, most likely yes, to an extent that will depend on the speaker and volume level. But needless to say, the difference between such an amp and the $200 Yamaha amp Amir reviewed a couple months back are not because the Carver is built better or more accurately reproduces the source signal.
I think OP is referring to this one:
 
I think OP is referring to this one:
Is that the one you are referring to @END WAY ? If so, see that headline SINAD of aroumd 44dB - that is near disastrous performance and might be audible to someone with good hearing. It is in the region of 100 times worse than even an average amplifier. 1000 times worse than a state of the art amp, and 2500 times worse than the second best amp ranked here (Benchmark AHB2)

So yes, there may well be an audible difference between the carver, and (let's say) a FOSI V3 mono which measures in the average range of 600 times lower noise and distortion. If you want to compare it with the topping LA90 (top ranked amp measured here), then that has 6000 times lower noise/distortion.

But if you hear a difference, it is the expensive Carver that is performing objectively (much) worse.
 
I have already tested the HK990, which is an excellent amplifier compared to the MC611, and I have found differences.
Many people who have performed similar tests with a multitude of amps, preamps, and DACs, have had similar experiences to yours. I have myself. What is interesting is that as soon as you properly match the levels between the two devices and randomly switch between them (not knowing which unit is in the signal path), you are no longer as certain which device is which and statistically you can not pick out a "better" or even "different" one.

As it turns out, as sophisticated as our hearing is and as dedicated to careful listening we may be, most of the differences we hear are either due to volume level imbalances (slightly higher invariably sounds better) or are created by sighted bias.
 
It seems Justin and David are visiting again :rolleyes: They’ll drive anyone into despair!
 
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Let's take it one step at a time. Are you saying that if they have the same frequency response, they have the same timbre?

Let's make it easier, let's make a comparison, but in speakers, let's take a Magico M9 and measure the frequency response at 100 db. Now let's take a Sony Bose sound bar or whatever that doesn't distort or at least below the hearing threshold under that same SPL and you put a DSP like the Brax that has the possibility of making adjustments that I would say are infinite and if you want, you put it on active and additionally you put the automatic function which will put exactly the same curve that you ask for in 99% of the cases, then would you say it sounds exactly the same? Just tell me yes or no

Complete Red Herring! You can't use an analogy that equates speakers to amps. Speakers are placement dependent and more importantly the DI curve cannot be altered by DSP and speakers with differing DI curves can sound very different in real rooms with similar frequency response.

Rob :)
 
Have we had a car analogy yet?

I feel like this is the only thing missing.
Besides sound evidence and valid conclusions from the OP..

So it's like a '70 Hemi Cuda Challenger convertible sitting on a Hotchkis suspension setup. You sit in the Hemi doing 55 on a dead flat highway, back to back with some wheezy old rusted out 318 Challenger, you probably probably can't tell any difference, blindfolded. Punch the gas or go around a corner, and Bob's your uncle (for our Aussie friends)! The sh-t box car is sort of like the sh-tbox amplifier. Don't ask it to do much, and you can't tell it sucks. They both do elevator music just fine. You gotta stress the sucker out to find the performance. Now, replace that 318 with a 440, and you might not be able to tell so quick. Not until you look at the side of the car and it says HEMI in huge letters. Then you'll know the Hemi was always waaaaay better than some crappy 440. No way you didn't know you were riding in a Hemi.
 
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Is that the one you are referring to @END WAY ? If so, see that headline SINAD of aroumd 44dB - that is near disastrous performance and might be audible to someone with good hearing. It is in the region of 100 times worse than even an average amplifier. 1000 times worse than a state of the art amp, and 2500 times worse than the second best amp ranked here (Benchmark AHB2)

So yes, there may well be an audible difference between the carver, and (let's say) a FOSI V3 mono which measures in the average range of 600 times lower noise and distortion. If you want to compare it with the topping LA90 (top ranked amp measured here), then that has 6000 times lower noise/distortion.

But if you hear a difference, it is the expensive Carver that is performing objectively (much) worse.
The data you provide is interesting, 6000 times worse as you mention could be audible, although yes, the one who does the A/B test plays with the acoustics of the room, levels the volume, does the test at an ideal volume and switches immediately etc... I'm sure you don't hear any differences
The question is, from what levels of difference can we differentiate? 1, 10. 100, 1000, 10000 times worse?
 
Have we had a car analogy yet?

I feel like this is the only thing missing.
Besides sound evidence and valid conclusions from the OP..
If you are going to criticize, at least write something to read that is interesting like what others have done.
 
Complete Red Herring! You can't use an analogy that equates speakers to amps. Speakers are placement dependent and more importantly the DI curve cannot be altered by DSP and speakers with differing DI curves can sound very different in real rooms with similar frequency response.

Rob :)
One question, do you consider that 2 amplifiers with a different frequency response curve sound the same or different?
 
The data you provide is interesting, 6000 times worse as you mention could be audible, although yes, the one who does the A/B test plays with the acoustics of the room, levels the volume, does the test at an ideal volume and switches immediately etc... I'm sure you don't hear any differences
The question is, from what levels of difference can we differentiate? 1, 10. 100, 1000, 10000 times worse?

you don't understand how A/B testing works. There's no "playing the room" when A/B testing amps. The amps are tested at exactly the same volume through the same set of speakers, and it's a volume that does not over burden either amp or the speakers used. There's no requirement that the amps be switched by the tester. You don't like that? Then fine, let the guy wearing the blindfold push the switch to change amps and see if he can identify which is which (we are generally dealing with situations where there's some claim that one measurably-transparent amp sounds "better" than some other measurably-transparent amp). There's really no need for the dreaded fast switching either. If the guy wants to try and listen to one amp for ten minutes and then the other for ten minutes go for it. Or, let him listen to one for hours on end one day and the other for hours on end the next and see if he can identify anything different in any reliable way (hint - much much much harder than via fast switching). As long as it's blind who cares? There's not a whole lot of mystery about audibility of noise and distortion either. Most amps have 80dbs or more of clean power and a perfectly flat frequency response - meaning most amps are indistinguishable from one another. So, if one of the amps being tested happens to have only 45dbs of clean sound and a non-flat frequency response it might be audibly different from a clean/neutral/transparent (aka "good") amp.
 
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One question, do you consider that 2 amplifiers with a different frequency response curve sound the same or different?

obviously possibly different, depending on how non-flat the frequency response is. If we're talking about +/- 0.1db 20-20000hz it's probably going to be very hard to tell the difference. If however one amp is +0.4 db from 100-1000hz and then +0.2dbs from 2500-5000hz it might possibly be audible. Can you point me to a place where anyone here has suggested that amps that have significantly variant freq response might not be audibly distinct? Nobody really cares much about those amps because ftmp we here at ASR would view those amps as "broken."
 
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The data you provide is interesting, 6000 times worse as you mention could be audible, although yes, the one who does the A/B test plays with the acoustics of the room, levels the volume, does the test at an ideal volume and switches immediately etc... I'm sure you don't hear any differences
The question is, from what levels of difference can we differentiate? 1, 10. 100, 1000, 10000 times worse?
Its not a question on the number of times, It is a question of the absolute level.

Once you've reached the level of inaudibly in one amp (lets say 100dB), another amp could be a million times better (220dB) and not sound different, because the imperfections are still only inaudible.
 
obviously possibly different, depending on how non-flat the frequency response is. If we're talking about +/- 0.1db 20-20000hz it's probably going to be very hard to tell the difference. If however one amp is +0.4 db from 100-1000hz and then +0.2dbs from 2500-5000hz it might possibly be audible. Can you point me to a place where anyone here has suggested that amps that have significantly variant freq response might not be audibly distinct? Nobody really cares much about those amps because ftmp we here at ASR would view those amps as "broken."
One question, do you consider that 2 amplifiers with a different frequency response curve sound the same or different?

Although I'm not sure what the point of this thread is, I'll play a long for a just a little bit:

One would think ASR types would consider such an amp broken, but they often don't. Why? This sort of thing is not always easy to catch in testing. I'm not about to read 52 pages of comments for an amp I don't care about at all, but the Wiim Amp clearly has this issue, and it is noted in the review as "load dependency". Since it appeared to impact 20kHz, no one cared. But just how problematic the load dependency is did not get fully captured in basic tests here because ASR does not use a complex load. To date this amp has a 85%+ "Fine" or "Great" user rating. I just slapped a "Poor" on it because it really does suck that bad by any objective measure where "potentially audible issues" is the standard. It's miles worse than the boat of of amps with 78dB SINAD that get regularly panned. Unfortunately, it can be hard to tease this out unless you get really in depth on the testing, and understand what measurements mean. EAC got more in depth, and found significant response deviations on complex loads of up to 1dB. A lot? No, but it is enough that you're almost guaranteed to hear it on certain program material. Is it broken? Yup. Did it get panned here? Nope. Not as hard as it should have. And I'll bet you LOTS of people bought it. Even when the EAC review came up, most of the comments there were about output power issues. Not the load dependency. And this is forgivable, since the load dependency even at (potentially) 1dB will still be hard for a lot of people to detect.

So, what's the point of bringing this up (other than my weeks long theme of picking on people for being obsessed with measurements but often not understanding them nearly as well as they ought for people obsessing over measurements)? Well, let's go back to OP's question about the Carver amp. My recollection (and I think someone mentioned) that the bad SINAD was mostly distortion. The SNR is actually not that bad. So there's not going to be anything obviously amiss. On plenty of program material, over plenty of speakers, I would venture a guess that 60% of listeners, at least, would fail to differentiate the amp when used within its limits. But there's some load dependency there, too, so like the Wiim amp, it's going to have frequency response deviations. Now, you take a trained listener with proverbial golden ears and hook both amps up to a set of extremely low distortion speakers? They'll probably nail the Carver it every time. Whether the distortion will be objectionable is an entirely different matter.

Now let's add another layer: Play some symphonic material with 20dB dynamic range. Turn up the volume. The Wiim is easily driven past its modest limits. The Carver is still cooking. The Carver even with all its distortion will be a far superior amp to the Wiim or any other low powered toy amp, and audibly so. Now toss a decent Class AB amp in there. Depending on the speakers, you might be able to pick it out from the Carver. In fact, you probably will with careful listening since the Carver just has that much distortion. Will it sound better? I have no idea. But it will sound more accurate. But now go and throw almost any other quality AB amp into the mix with similar output power. Your little project just got much harder.

The question is, from what levels of difference can we differentiate? 1, 10. 100, 1000, 10000 times worse?

In the end, OP END_WAY, you're trying to distill a question with a complex answer down into some simple Yes or No answer. It's not that simple. At what level can you differentiate? Totally depends on the acuity of the listener, the quality of the speakers, potentially the load presented by the speakers, the volume level selected, the program material, you name it. At what level is "good enough"? Assuming flat response and sufficient power not to clip or vary into the load at all impedances and phase angles, probably way down at like .06% THD from 20Hz to 20kHz and 65db or 70dB unweighted SNR (if not worse) at 1W, on insensitive speakers. In other words, a lot "worse" amps than most people here probably think they need. Only the odd man out is going to be tell much of a difference past that. Once you figure that out, you realize that proper amp "audibility" testing can likely be distilled down to a power test at 20Hz and 1kHz, a power swept 1kHz and 20kHz tone, SNR at 1W, and a complex load test. Done. Most amps will pass and only a handful won't. The worst test will be 20kHz, which really doesn't promise anything audible anyway. Just hints at it.

EDIT: If you want to be really sure, go for .01% or less at 20kHz. That mostly ensures extremely competent engineering because that is difficult. What static testing does not do is guarantee there are not dynamic distortions. Hypothetically, you could be an evil pr*ck and engineer an amp that would look great to an Audio Precision and still sound like absolute garbage due to some sort of unspecific dynamic distortion that the AP does not catch.
 
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