Well, you didn't ask me why I replaced it, you didn't ask me if I had problems with the hk990 software, you didn't ask me if you've always wanted to have a Macintosh, you didn't ask me if I like the aesthetics, you didn't ask me if I really needed more power than 300 rms per channel
What magical thoughts are you referring to?Some pretty profound magical thinking to maintain delusion happening in this thread![]()
Yes, he matched the volumes.From what you say, it seems to me that this man was able to make amplifiers and modify them to the point that they rivaled the most expensive ones,
He claimed he did things to copy the sound by nulling the amplifiers and listening to the difference signal through a speaker. He was really just matching the volume of the outputs. Could have done the same with a voltmeter at the amp's outputs in just a few minutes, but the complicated matching procedure was part of his magic act.I suppose he was even able to copy their sound in some way.
The only blind test was done after the amp was allegedly modified, rather than controls applied throughout the demonstration. No way those Stereophile golden ears would have been able to tell the difference even before he did his performative tweaking. No surprise. In reality, Carver couldn't tell his amp from a Niles install amp (I had already demonstrated that to myself).Now if you put them both in an A/B test and they sound the same, maybe that's because it is like that.
Well you should challenge yourself and discover properly working amps are indistinguishable. Looks like your reading comprehension is very low.What I don't agree with is that we take a simple electronics amplifier x and want to compare it with an excellently built one and expect the same results (normally the better built one will sound better)
We're back to the same thing, so all properly built amplifiers sound the same across the frequency range, they have the same dynamics, they have the same timbre, they have the same musicality, they have the ability to handle the complexity of a speaker at different impedance loads, meaning there are no sonic differences that you can hear, is that how you think it is?Yes, he matched the volumes.
He claimed he did things to copy the sound by nulling the amplifiers and listening to the difference signal through a speaker. He was really just matching the volume of the outputs. Could have done the same with a voltmeter at the amp's outputs in just a few minutes, but the complicated matching procedure was part of his magic act.
The only blind test was done after the amp was allegedly modified, rather than controls applied throughout the demonstration. No way those Stereophile golden ears would have been able to tell the difference even before he did his performative tweaking. No surprise. In reality, Carver couldn't tell his amp from a Niles install amp (I had already demonstrated that to myself).
Well you should challenge yourself and discover properly working amps are indistinguishable. Looks like your reading comprehension is very low.
There is only:they have the same dynamics, they have the same timbre, they have the same musicality, they have the ability to handle the complexity of a speaker at different impedance loads,
See this post by Dr Floyd Toole at AVSForum.We're back to the same thing, so all properly built amplifiers sound the same across the frequency range, they have the same dynamics, they have the same timbre, they have the same musicality, they have the ability to handle the complexity of a speaker at different impedance loads, meaning there are no sonic differences that you can hear, is that how you think it is?
If they have the same frequency response they will have the same timbre (they are the same thing).We're back to the same thing, so all properly built amplifiers sound the same across the frequency range, they have the same dynamics, they have the same timbre, they have the same musicality, they have the ability to handle the complexity of a speaker at different impedance loads, meaning there are no sonic differences that you can hear, is that how you think it is?
Let's take it one step at a time. Are you saying that if they have the same frequency response, they have the same timbre?If they have the same frequency response they will have the same timbre (they are the same thing).
'Musicality' has no technical meaning. My amp is more musical some days - it doesn't change but I do.
Not all amps will handle tough loads well, so yes there will be audible differences in the right situation and that may be what you are hearing. But you didn't blind test properly so we can't say for sure at this point.
Stay on subject. OP started this thread to talk about amplifiers -- see the thread title?Let's take it one step at a time. Are you saying that if they have the same frequency response, they have the same timbre?
Let's make it easier, let's make a comparison, but in speakers, let's take a Magico M9 and measure the frequency response at 100 db. Now let's take a Sony Bose sound bar or whatever that doesn't distort or at least below the hearing threshold under that same SPL and you put a DSP like the Brax that has the possibility of making adjustments that I would say are infinite and if you want, you put it on active and additionally you put the automatic function which will put exactly the same curve that you ask for in 99% of the cases, then would you say it sounds exactly the same? Just tell me yes or no
By definition, timbre is frequency response.Let's take it one step at a time. Are you saying that if they have the same frequency response, they have the same timbre?
Speakers are much more complex than amplifiers so that is an entirely different discussion.Let's make it easier, let's make a comparison, but in speakers, let's take a Magico M9 and measure the frequency response at 100 db. Now let's take a Sony Bose sound bar or whatever that doesn't distort or at least below the hearing threshold under that same SPL and you put a DSP like the Brax that has the possibility of making adjustments that I would say are infinite and if you want, you put it on active and additionally you put the automatic function which will put exactly the same curve that you ask for in 99% of the cases, then would you say it sounds exactly the same? Just tell me yes or no
Speakers have various directional and resonant issues that go beyond simple response and distortion. However if they fed the same electrical signal a given speaker will give the same output. Comparing two different speakers is a whole different animal.Let's take it one step at a time. Are you saying that if they have the same frequency response, they have the same timbre?
Let's make it easier, let's make a comparison, but in speakers, let's take a Magico M9 and measure the frequency response at 100 db. Now let's take a Sony Bose sound bar or whatever that doesn't distort or at least below the hearing threshold under that same SPL and you put a DSP like the Brax that has the possibility of making adjustments that I would say are infinite and if you want, you put it on active and additionally you put the automatic function which will put exactly the same curve that you ask for in 99% of the cases, then would you say it sounds exactly the same? Just tell me yes or no
You were talking about amplifiers, as was I. Now you want me to say two speakers with the same FR will sound the same?Let's take it one step at a time. Are you saying that if they have the same frequency response, they have the same timbre?
Let's make it easier, let's make a comparison, but in speakers, let's take a Magico M9 and measure the frequency response at 100 db. Now let's take a Sony Bose sound bar or whatever that doesn't distort or at least below the hearing threshold under that same SPL and you put a DSP like the Brax that has the possibility of making adjustments that I would say are infinite and if you want, you put it on active and additionally you put the automatic function which will put exactly the same curve that you ask for in 99% of the cases, then would you say it sounds exactly the same? Just tell me yes or no
Define "better built" and what the relationship to sound quality is?From what you say, it seems to me that this man was able to make amplifiers and modify them to the point that they rivaled the most expensive ones, I suppose he was even able to copy their sound in some way. Now if you put them both in an A/B test and they sound the same, maybe that's because it is like that.
What I don't agree with is that we take a simple electronics amplifier x and want to compare it with an excellently built one and expect the same results (normally the better built one will sound better)
I think those are similes.Analogies are like slivers of a broken mirror...
You'd love the UFO thread.Some pretty profound magical thinking to maintain delusion happening in this thread![]()
Everyone loves the UFO thread. We're starting a Bigfoot one next month.You'd love the UFO thread.![]()
Actually -- speaking of magical thinking andAgain, topic of this discussion is differences in sound, like "Natural, effortless control of dynamic swings, a linear power response throughout the frequency range, a true sense of fidelity to the recorded event, a Muhammed Ali-like speed and power propelling every note, deep authentic bass and a wonderfully human and palpable midrange with an organic, yet polished aural touch". But I'm sure the MC611 solved your software issue. It doesn't have any ...![]()
A/B testing shows you a small part of the whole comparison you might have in the real world, if I get an amplifier that sounds similar at another volume level and on top of that I put strangers who are listening to the system for the first time in it, obviously there will be no opportunity to find differences. You say that if the amplifier has power levels, noise distortion, impedance handling and a response curve equal to that of another amplifier, it will sound exactly the same, so why compare A with B if they are two practically identical amplifiers, obviously they will sound the same,There is only:
Noise
Distortion
Frequency response
And (for an amp) output impedance (Which when high just impacts frequency response some more when using speakers with low impedance dips)
Timbre - that is just harmonic distortion.
Musicality - doesn't exist for electronics. Music is musical - gear is not.
When those things all fall below the threshold of hearing - which with "properly built" amps they do, then those amps are going to sound the same if not driven into clipping.
There is nothing magical in amp design - or in the design of any other electronics. It is all just engineering.