It is the inverse of that. I don't want anyone to try to remove it.
But why record it at the first place when there's nothing valuable in it?
It is the inverse of that. I don't want anyone to try to remove it.
Because it allows more headroom in production. High sample rate for example avoids aliasing in non-linear effects. And 24 bit allows more dynamic range. Once done, I like to get a copy of that stereo master prior to CD/itunes mastering (i.e. loudness compression).But why record it at the first place when there's nothing valuable in it?
But there's no need for the released recording to have been 'mastered' badly. The recording, mixing and editing can and should be done at 32 or 48 bit Floating Point, then the finished work dithered and noise shaped to 44.1/16 bit for release. You won't be missing anything of musical value, you just won't have something that lights the 96k light. It's back to wants rather than needs, and in the case of reissues or so many upsampled 48k recordings, a con.Because it allows more headroom in production. High sample rate for example avoids aliasing in non-linear effects. And 24 bit allows more dynamic range. Once done, I like to get a copy of that stereo master prior to CD/itunes mastering (i.e. loudness compression).
The question of free will has nothing to do with gods. Either may or may not exist independently of the other.Atheists claim there is no free will.
I have done this kind of analysis before and some content is truely high-res. To the topic of this thread, I have also tested using MusicScope but not a big fan of it. Here is a video I published showing both full spectrum/high res music and issues:
Had not seen that video: really nice demonstration of the issues.
To take another angle at the car analogy
- buyer purchases a Porsche, at list Porsche price.
- buyer checks eternal dimensions, great, they do match Porsche specifications.
- buyer realizes new car drives very much like his old Skoda, which is essentially fine, he liked his old Skoda, plus, all the girls around like the Porsche look.
so far so good, except for the wallet. But the buyer is a critical mind and goes for a dyno session, at which point he measures that his prized possession is indeed very much his old Skoda, only with a detuned engine...
Now, even if one assumes there are legit hires files, from properly done hires masters, where there is an actual benefit and no drawback, how would even a critical listener know without going through that type of in-depth analysis?
It is that, or recognize the lifting of the veil and darkening of the background I guess.
That is a wish and a dream. Not going to happen as there is no forcing function to do any of that for creating of 16 bit/44.1. In addition, few mastering engineers understand the signal processing enough to do the conversion right. Some for example think dither is a bad idea.But there's no need for the released recording to have been 'mastered' badly. The recording, mixing and editing can and should be done at 32 or 48 bit Floating Point, then the finished work dithered and noise shaped to 44.1/16 bit for release. You won't be missing anything of musical value, you just won't have something that lights the 96k light. It's back to wants rather than needs, and in the case of reissues or so many upsampled 48k recordings, a con.
S
Again, not a bad car analogy.. But my guess is you haven't ever driven Porsche nor Škoda. (pls take no ofense as none was intended!)
No offense and you'd be surprised. But to be honest - and again it is a matter of taste - imho, no car above 1000kg drives really well. OK, the Cayman doesn't handle too badly for a heavy car.
...Because it allows more headroom in production...
I have to disagree, but this is neither the time nor the place for an involved discussion.The question of free will has nothing to do with gods. Either may or may not exist independently of the other.
No offense and you'd be surprised. But to be honest - and again it is a matter of taste - imho, no car above 1000kg drives really well. OK, the Cayman doesn't handle too badly for a heavy car.
This is of course true, which is why the thread title includes "some", but so much high res I have examined is really not.I have done this kind of analysis before and some content is truely high-res. To the topic of this thread, I have also tested using MusicScope but not a big fan of it. Here is a video I published showing both full spectrum/high res music and issues:
...Misled requires intent...
Ah, car analogies.. One has to love them as they are often good, but rarely perfect!
I have a car that is capable of easilly exceeding 150mph. Maybe once or twice a year, when I'm alone in the car and the autobahn is empty I allow myself a pleasure to press the pedal to the metal and I really enjoy seeing the tachometar needle rushing toward 175mph while everything else apart from center of the road gets blurred because of speed. And then I let it go, of course, because no sane man drives like that when not on a racing course. But for that short moment, yeah.. it WAS fun.
...For what it's worth, tacho comes from the Greek takho which means speed...