• Welcome to ASR. There are many reviews of audio hardware and expert members to help answer your questions. Click here to have your audio equipment measured for free!

The best science fiction movies of all time

I don't see a lot of discussion about it, but one of the things I really like about 1950's SciFi movies is the retro-futuristic set design. Movies like Forbidden Planet, This Island Earth, Planet of the Vampires, World Without End, and any number of the Toho films like Battle in Outer Space embody that whole flying car, bulbous and pastel colored interiors look of what we imagined the future might be in 1956. Since Star Trek everything looks like an Apple Computer showroom in these movies and it's just not the same, even if many of the scripts are better. Here's something from a site I found showing off that aesthetic as it would apply to suburban America in an imagined retro future. Enjoy.

The Fallout TV series will, if nothing else, scratch that specific aesthetic itch for you. It's a (good) adaptation of a game that was conceived from the start with 1950s culture being a major motif, and they go whole hog on that specific aesthetic.
 
I re-watch it every year in a double bill of 2001 and the first Blues Brothers movie.
I think that's definition 1) under cognitive dissonance. ;)

I agree 100% re: 2001. The whole film makes it clear that, in the great scheme of things, Man is kind of a minor player.

My favorite thing about 2001 -- in fact, my benchmark for the quality of a space-based sci-fi flick (or TV show): if something explodes in space, does it go 'boom'?
If so: next!
;)

The airlock entry scene in 2001 is brilliant in so many respects, but for me, most of all, is the intrusion of sound as the chamber (re)fills with air.

1776208780603.png


 
I think that's definition 1) under cognitive dissonance. ;)

I agree 100% re: 2001. The whole film makes it clear that, in the great scheme of things, Man is kind of a minor player.

My favorite thing about 2001 -- in fact, my benchmark for the quality of a space-based sci-fi flick (or TV show): if something explodes in space, does it go 'boom'?
If so: next!
;)

The airlock entry scene in 2001 is brilliant in so many respects, but for me, most of all, is the intrusion of sound as the chamber (re)fills with air.

View attachment 524909

Well it depends really, if it's well made or not.
On the one hand it's realistic on the other hand it's a bit dull, can't imagine an X-wing battle around the death star with no sound at all.
 
Plenty of sunshine and retro-futurism in 2022's Don't Worry Darling.
 
The whole film makes it clear that, in the great scheme of things, Man is kind of a minor player.
Quite the oppose.
It tells us that intelligence and consciousness is so rare and valuable in the universe that other entities treasure and nurture it.
According to the film, we are the children of the (alien) gods. What can be more important than that?
 
Stargate should be on the list, metal rings that create a wormhole is science fiction. Also the movie was entertaining.
Maybe add Virtuosity.
It's a shame Crichton's book Timeline had a bad film adaptation.
 
I agree 100% re: 2001. The whole film makes it clear that, in the great scheme of things, Man is kind of a minor player.
Brilliant film yes. I would agree about it portraying Man as a minor player.

My take:

I've always viewed it as being about technological development and the potential isolation of people when engaging with technologies.

The monolith is first seen by the apes, then finally by Dave at his deathbed. First nothing is known (the apes don't understand what it is); then omniscience is achieved (Dave knows what it is). That is, the monolith is omniscience. The last thing is discovered at Jupiter and there is nothing much to talk about. Man's story is over.

Maybe the star gate sequence is the terror of Dave realising what this means.

2001: A Space Odyssey is the kind of film I almost comprehend but it's slightly out of reach. I don't think it has anything to do with aliens.
 
Brazil (1985) and that's about it for me.
 
Good list. I feel like Star Trek: The Motion Picture isn't getting any respect, though.

"Veejer requires the information "? C'mon.

But seriously, it elevated the beloved TV series to the big screen with new and improved special effects, same characters updated, and a pretty good story.

Sure, Wrath of Khan was better, but still.

(Also appreciate the mentions of The Day The Earth Stood Still. "Klaatu barada nikto"!)

Related:

 
A sentimental favorite is Winsor McCay's short film featuring animation of Gertie the Dinosaur (1914).


Animation begins at about the 9:10 mark of the short film.

The background of the kitchen of The Simpsons includes a drawing of Gertie.
 
Good list. I feel like Star Trek: The Motion Picture isn't getting any respect, though.
Yes, a good story hampered by the lengthy series of re-introductions of the cast of the TV show.

A good reason to own a copy is so one can jump directly to the story. :)
 
Quite the oppose.
It tells us that intelligence and consciousness is so rare and valuable in the universe that other entities treasure and nurture it.
According to the film, we are the children of the (alien) gods. What can be more important than that?
Brilliant film yes. I would agree about it portraying Man as a minor player.

My take:

I've always viewed it as being about technological development and the potential isolation of people when engaging with technologies.

The monolith is first seen by the apes, then finally by Dave at his deathbed. First nothing is known (the apes don't understand what it is); then omniscience is achieved (Dave knows what it is). That is, the monolith is omniscience. The last thing is discovered at Jupiter and there is nothing much to talk about. Man's story is over.

Maybe the star gate sequence is the terror of Dave realising what this means.

2001: A Space Odyssey is the kind of film I almost comprehend but it's slightly out of reach. I don't think it has anything to do with aliens.

I think you're both right! :)

The ahem Overlords behind the monoliths are looking for intelligence to harvest and shepherd to... umm... the next level.
But:
The vastness and ennui (@Karmacoma ;)) makes man (humankind) per se look pretty small and insignificant.

The match cut cut from the man-ape throwing the bone to the orbiting satellite (indeed, per Clarke's after-the-fact novel, it's presumably an orbiting nuclear weapon), besides being one of the coolest motion picture scenes ever burned into film, :) makes the point, I think, that all of mankind's history (which is what the movie skips over in a split second) a) is steeped in death, or at least aggression and b) in the Universal sense, doesn't amount to much isn't worth much screen time nor, by extension, much of a second thought. In the great scheme of things, it's just the tedious backstory to breaking free of Earth's bonds.

1776288364982.png


1776288325406.png


But, yeah, we reached the moon, so (and again per Clarke's novel) we deserve(d) a promotion. The promotion. :)

Two semi-on-point (i.e., pretty good, for me :facepalm: ) asides:

1) 2001 (or at least the TMA-1 business) was based on a Clarke short story called The Sentinel.
2) For my money, Clarke's first novel, Childhood's End, covers roughly the same Übermensch territory even better than 2001. It is my favorite SF novel, full stop, and indeed one of my favorite novels to this day (and I first read it a long time ago).

"The stars are not for man".
 
Last edited:
I must admit... I keep trying to think of some way to work Fantastic Voyage into this thread/context.
Still haven't figured out a way, other than...
Raquel Welch.

1776290715595.png


Who could ever forget Ms Welch's being attacked by antibodies (IgG -- presumably :rolleyes:) whilst trying to remove same from the micronauts'submarine machine thingy? I used it as an intro slide to talk about the glycobiology of immunoglobulins. I mean... I would, right?
 
She was in other scifi movies. As a teen I had this on my wall. :) :cool:

1776292782979.png
 
Well it depends really, if it's well made or not.
On the one hand it's realistic on the other hand it's a bit dull, can't imagine an X-wing battle around the death star with no sound at all.

Which is one of many reasons why those children's films are pantomime, not sci-fi.
 
2001's humans, or hominids, are central to the story: Exposure to the first monolith transforms ancestors of humankind into tool-users, who go on to conquer neighboring territory, and evolve into space-faring humans. Exposure to the monolith in orbit near Jupiter triggers the next big phase, as Bowman is transformed into the celestial fetus. This is explained in greater detail in both the movie 2010, and Arthur Clarke's novels.
 
Speaking of 2010, I enjoyed it for what it was, which more of a straight-up science fiction adventure, with more action, dialog, even a return of Bowman and HAL. But art house movies like 2001 or Under The Skin (2013) leave more room for the viewer to interpret meaning by not explaining.
 
Back
Top Bottom