Wow! Care to elaborate on that?I have one 7.1.4 system with four subs, another 7.1.2 system, and in my studio I have a 22.4.10 system
I have one 7.1.4 system with four subs, another 7.1.2 system, and in my studio I have a 22.4.10 system
Using Dolby's demo disc I found no real difference between 7.1.4 and 7.1.2. As long as you carefully follow the speaker set-up positions Dolby prescribes, you should hear no great differences between the two. In small rooms, 7.1.2 is enough. As the room gets larger, more speakers are required.Hey @Soundmixer
How different is the 7.1.4 than the 7.1.2 ?
How much, and when, do those extra atmos channels help?
I guess there is no real order in how we "code" the system - but 7.1.4 could also be 7.4.4 - potentially 7.1(4).4 if subs are managed by outside DSP?I have one 7.1.4 system with four subs, another 7.1.2 system, and in my studio I have a 22.4.10 system
7.1.4 cannot be 7.4.4. Remember, we are not talking about how many speakers are in the system. We are talking about how many channels there are. There is only one LFE channel no matter how many subwoofers are reproducing it.I guess there is no real order in how we "code" the system - but 7.1.4 could also be 7.4.4 - potentially 7.1(4).4 if subs are managed by outside DSP?
But 22.4.10 - that is something I sincerely hope you would b so kind to tell us more about. Have heard a bunch of crazy systems but this channel could (bed/atmost) is something I have never heard or heard about.
OTOH some do use it as a speaker format shorthand. Some even can combine certain surround channels rather than report the actual processed ones. It's always nice if some is talking about source material vs any upmixing too.7.1.4 cannot be 7.4.4. Remember, we are not talking about how many speakers are in the system. We are talking about how many channels there are. There is only one LFE channel no matter how many subwoofers are reproducing it.
22.4.10 is 22.1.10 in reality. However, The Altitude 32 can be unlocked to as many as 48 channels. I am using 36 of my 48.
LFE is simply one channel in the recording. Some avrs provide separate level/delay adjustments for multiple subs (some just 2 subs, some 4 subs, some very pricey pre-pros even more)I thought some AVR provides 2 independent LFE channels with their own independent tuning (PEQ, delay). Would these AVR be considered X.1.Z or X.2.Z?
We should by now know that LFE is a single (mono) channel, but using 7.4.4 is at least IMO, which is obviously not worth much, more detailed presentation of the system where 4 subs are reproducing LFE. Perhaps 7.1(4).4 would be technically more correct and still informative. Kind of splitting hairs, but I guess that's what we do around here7.1.4 cannot be 7.4.4. Remember, we are not talking about how many speakers are in the system. We are talking about how many channels there are. There is only one LFE channel no matter how many subwoofers are reproducing it.
22.4.10 is 22.1.10 in reality. However, The Altitude 32 can be unlocked to as many as 48 channels. I am using 36 of my 48.