I mean, the hypothetical convolver not being limited by hardware processing capacity, in a practical sense. Like preceding the question with "in an ideal world"...Infinite taps? What is this filter? And how long does it take to get to infinety?
I mean, the hypothetical convolver not being limited by hardware processing capacity, in a practical sense. Like preceding the question with "in an ideal world"...Infinite taps? What is this filter? And how long does it take to get to infinety?
I mean, the hypothetical convolver not being limited by hardware processing capacity, in a practical sense. Like preceding the question with "in an ideal world"...
Damn it, trust you guys to drag the thread off topic with a discussion about smoke alarms! At least it's not about cars!
Yes I so far haven't cared a wit about latency, even minutes' delay, so long as the main LP arrival time is in sync across all channels and frequencies.Practically ALL PC's are not limited by processing capacity if we are talking about convolution. It's a very low in CPU demand. The only question is: why would you want to? You would suffer so much latency that you may as well watch grass grow.
if we are talking about convolution
Should I just do all my crossovers from scratch as linear phase? No advantages to doing IIR or other lesser phase-aware filter types, other than resource-constrained convolvers?
So minutes of delay of the audio is acceptable when watching TV? What a strange world you must live in.Yes I so far haven't cared a wit about latency, even minutes' delay, so long as the main LP arrival time is in sync across all channels and frequencies.
I am puzzled why anyone would, in a recreational music listening context?
I am not producing / mixing music.
My video player has tunable delay if I notice lip syncing issues.
I do not game.
Doesn't all that mean latency is a non-issue?
Doesn't all that mean latency is a non-issue?
Linear phase crossovers, really ANY processing of delays / timing / phase alignment tuning
requires FIR, is that not so?
Any chance you (or anyone) could help my understanding of this issue?
No house I've lived in has had anything like "TV" since I was a child. I've also never paid for "cable" Do those even exist anymore like they did last millenium?So minutes of delay of the audio is acceptable when watching TV?
That seems like a lot, but I guess I'll see while testing.Latency makes my system feel sluggish and slow to respond. Want to change the track - wait a couple of seconds. Want to change the volume - wait a couple of seconds.
Should I just do all my crossovers from scratch as linear phase? No advantages to doing IIR or other lesser phase-aware filter types, other than resource-constrained convolvers?
> Linear phase crossovers, really ANY processing of time or phase domain requires FIR, is that not so?
Not sure if I am answering somewhat out of context here, but 1.order crossover filters (IIR) will be linear phase.
My wife asked me in 2007: "Do we need to have this (meaning this or any other) TV"? I said: "No, not really." She said, "I'll get rid of it, then." I said "Fine." We haven't had a TV since then.No house I've lived in has had anything like "TV" since I was a child. I've also never paid for "cable" Do those even exist anymore like they did last millenium.
Furthermore, we've never had any media streaming service subscriptions, and the only discs were ones I burned myself, for my kids to watch., also long ago. The occasional film these days is from downloaded files only, same with show binges, long after they've stopped making it.
So yes, maybe that makes me strange? But no the purpose of my audio systems is 96% music only.
Thank you!Hello all, I have updated both books 1 and 2. Both books are available in the original link. Here it is again: LINK.
What's new:
Book 1: more thorough explanation of why rooms affect the bass frequency response. Added a new section on how to compare measurements (I kept this section out of the main eBook).
Book 2: added acoustic targets to each measurement and some small errata fixed. Expanded remarks on a few of the more acoustic common measurements.
There are a couple of new documents in the folder:
MAC Talk Treble. These are slides from the talk I gave at the Melbourne Audio Club on 15 Jul 26 pertaining to the acoustics of frequencies above Schroder, how to measure them, as well as a basic discussion on the roles of speaker positioning and room treatment.
Mac Talk Bass. This will be made available after I give that talk, which will be in September.
Acoustic Targets for Listening Rooms by Nyal Mellor. I did not write this document, I found it on another webpage. All these targets have been published elsewhere, but here it has been nicely compiled for your convenience.
Hello all, I have updated both books 1 and 2. Both books are available in the original link. Here it is again: LINK.
What's new:
Book 1: more thorough explanation of why rooms affect the bass frequency response. Added a new section on how to compare measurements (I kept this section out of the main eBook).
Book 2: added acoustic targets to each measurement and some small errata fixed. Expanded remarks on a few of the more acoustic common measurements.
There are a couple of new documents in the folder:
MAC Talk Treble. These are slides from the talk I gave at the Melbourne Audio Club on 15 Jul 26 pertaining to the acoustics of frequencies above Schroder, how to measure them, as well as a basic discussion on the roles of speaker positioning and room treatment.
Mac Talk Bass. This will be made available after I give that talk, which will be in September.
Acoustic Targets for Listening Rooms by Nyal Mellor. I did not write this document, I found it on another webpage. All these targets have been published elsewhere, but here it has been nicely compiled for your convenience.
When in September?
(A treo of us are heading to a concert on grand final weekend.)