I am planning on purchasing a pair(2), of Rythmik Audio G-22 sub-woofers, (sealed, dual 12 in. drivers, 180 degree opposed/bipolar design), which possess significant set-up flexibility for integration with a pair of Audience Audio 1+1, crossover-free, bipolar monitors with bipolar, side firing passive radiators...
(I DO realize that the G-22's are OVERKILL for the Audience monitors, HOWEVER, ultimately, I plan on pairing the G-22 subs with a much more robust, pair of active monitors...("Adam Audio" "S" series monitors...)
As the "Audience Audio" "1+1" monitors are of a passive radiator design, which crossover slope should I use...24 dB./octave, or 12dB/oct....(IF my understanding is correct, the P.R. design acts like a ported design...suggesting a 24dB./oct. slope, however, IF that design acts more like a sealed system design, then perhaps a 12dB/oct. slope is more appropriate...?...
Furthermore, IF I used an ACTIVE crossover between my pre-amp and the 1+1 monitors, AND set the crossover significantly ABOVE the frequency where the woofer begins to "fall-off", would I avoid the potential sonic issues that even a VERY GOOD ported design can create, (i.e., essentially create a P.R.-design driver/monitor that BEHAVES like a sealed design in terms of frequencies output above the crossover frequency...???...and IF the woofer/cabinet BEHAVES like a sealed system, would I select a 12 dB./oct. slope, vs. a 12 dB./oct. slope...???...
Regarding integrating said sub-woofers to a pair of ported-design "Adam Audio" "S" series...be they the S2V OR S3V monitors, the lows of BOTH monitors' woofers fall off at 24 dB./oct., so that is understood...
Furthermore, IF I used an ACTIVE crossover between my pre-amp and the active monitors, AND set the crossover significantly ABOVE the frequency where the woofer begins to "fall-off", would I avoid the potential sonic issues that even a VERY GOOD ported design can generate, (i.e., essentially create a port-design woofer that BEHAVES like a sealed design in terms of frequencies output above the crossover frequency...???...and IF the woofer/cabinet BEHAVES like a sealed system, would I select a 12 dB./oct. slope, vs. a 12 dB./oct. slope...???...
Thank you in advance for your expertise/input...!...
Sincerely,
T.A.K.
(I DO realize that the G-22's are OVERKILL for the Audience monitors, HOWEVER, ultimately, I plan on pairing the G-22 subs with a much more robust, pair of active monitors...("Adam Audio" "S" series monitors...)
As the "Audience Audio" "1+1" monitors are of a passive radiator design, which crossover slope should I use...24 dB./octave, or 12dB/oct....(IF my understanding is correct, the P.R. design acts like a ported design...suggesting a 24dB./oct. slope, however, IF that design acts more like a sealed system design, then perhaps a 12dB/oct. slope is more appropriate...?...
Furthermore, IF I used an ACTIVE crossover between my pre-amp and the 1+1 monitors, AND set the crossover significantly ABOVE the frequency where the woofer begins to "fall-off", would I avoid the potential sonic issues that even a VERY GOOD ported design can create, (i.e., essentially create a P.R.-design driver/monitor that BEHAVES like a sealed design in terms of frequencies output above the crossover frequency...???...and IF the woofer/cabinet BEHAVES like a sealed system, would I select a 12 dB./oct. slope, vs. a 12 dB./oct. slope...???...
Regarding integrating said sub-woofers to a pair of ported-design "Adam Audio" "S" series...be they the S2V OR S3V monitors, the lows of BOTH monitors' woofers fall off at 24 dB./oct., so that is understood...
Furthermore, IF I used an ACTIVE crossover between my pre-amp and the active monitors, AND set the crossover significantly ABOVE the frequency where the woofer begins to "fall-off", would I avoid the potential sonic issues that even a VERY GOOD ported design can generate, (i.e., essentially create a port-design woofer that BEHAVES like a sealed design in terms of frequencies output above the crossover frequency...???...and IF the woofer/cabinet BEHAVES like a sealed system, would I select a 12 dB./oct. slope, vs. a 12 dB./oct. slope...???...
Thank you in advance for your expertise/input...!...
Sincerely,
T.A.K.