At some point, it can be fun with some practical tests so that people can listen for themselves and come to their own conclusions.
For this test to work, you must have at least two subwoofers set up in a stereo configuration.
I created a 30-second long audio track of pink noise that has a low-pass filter at 60 Hz with a roll-off slope of 12 dB/octave.
- The first 6 seconds of the track is the left channel playing alone.
- The next 6 seconds (6-12s) are both channels playing together but reduced by 3 dB to get the level matched.
- The next 6 seconds (12-18s) is the right channel playing alone.
- The next 6 seconds (18-24s) is back to both channels playing together, yet again with a reduced level by 3 dB (this part is the same as #2)
- The last 6 seconds (24-30s) are both channels playing together. But this time the left channel is delayed by 35 ms and the right channel is increased by 3 dB to somewhat simulate a stereo recording of the bass sound coming from a place closer to the right channel.
Here is the sound clip:
https://www.dropbox.com/s/a4ike3s1s1bwmp7/Bass L, L+R, R, L+R, L (35ms delay)+R.wav?dl=0
And this is what I hear:
1. I can clearly hear the sound coming from the left side of my room for the first 6 seconds.
2. For the next 6 seconds the sound shifts to a central point right in front of me.
3. Now the sound clearly shifts to the right side of the room.
4. The sound is now back to the central point right in front of me.
5. And this is where the interesting things happen and what I think David Griesinger is talking about. The bass sound is no longer clearly heard from a central point right in front of me, instead, now it has a more enveloping characteristic that fills my listening room in a completely different way.
To me, it's pretty clear that low-frequency content recorded in stereo, and reproduced with at least two subwoofers in a stereo configuration can add envelopment to the overall sound.