Although quite be lated, I just came across with this thread.
I hope
my multichannel multi-driver multi-way multi-amplifier stereo project with L&R sub-woofers YAMAHA YST-SW1000 would be somewhat worthwhile for your reference.
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You may find details of my recent system configurations and listening environment in
my post here, and latest system configuration in
my post here.
Using the very convenient "Mute" and/or "Solo" buttons in software crossover EKIO's output panels, I can easily hear the sound of sub-woofers only, woofers only, midrange Be-squakers only, Be-Tweeters only, metal horn super tweeters only, and of course any of the combinations of these.
As for the stereo L and R input to sub-woofers, I could easily test using the flexible output routing and relative gain control of software crossover EKIO;
case-1:
L-Ch to L-sub, and
R-Ch to R-sub (gains of L-Ch and R-Ch can be independently adjustable by EKIO)
case-2:
L-Ch+R-Ch to
L-sub and R-sub (gains of L-Ch and R-Ch can be independently adjustable by EKIO)
At least in
my listening environments, I prefer case-1 (with input gain adjustments) against case-2 since I can considerably well hear the 3D stereo sound image/positioning
even when only subs are singing; just for example, nice full orchestra sound having the lowest
fff contrabass (in right side of the stage) and/or big drum (in mid-left rear of the stage), and also some of nice jazz recordings with clear transient kick drums (in left, right or center); I can better hear/understand the sound engineer's intentions for 3D perspectives of the low Fq sound (20 Hz -
ca. 75 Hz) mainly covered by my L & R sub-woofers.
The typical Fq response of my system, as shared
here;
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And the latest (best tuned?) Fq response, as shared
here;
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