They are indeed, or at least a sister model, the 10TH800. Afaik the 400 was used in some models too.The tweeter in the Wotan and up looks like the Panasonic leaf tweeter EAS-10TH400, which was my favorite tweeter.
They are indeed, or at least a sister model, the 10TH800. Afaik the 400 was used in some models too.The tweeter in the Wotan and up looks like the Panasonic leaf tweeter EAS-10TH400, which was my favorite tweeter.
I love being on a forum where folks have a "favorite tweeter."The tweeter in the Wotan and up looks like the Panasonic leaf tweeter EAS-10TH400, which was my favorite tweeter.
The guy where i saw them corrects them with dsp and like that they sound great from a distance, to close messess with the imaging due to how the drivers are layed out. This is a true farfield speaker. The owner sits about 6 meters from them to listen to them. They sound very neutral and effortless in his setup. Not that different than the modern 4367 that my girlfriend has, but they go a lot louder.
I never heared them in an original setup with the original Urei amplifiers (like JBL sold them) and filters. I also don't know if they were full original as these are old speakers. These got modified a lot by their users, that were in the first place music studio's (as main monitor).
I had that preamp -- we used it and the matching "Williamson" power amp for electric bass in my mid-1970s (mostly) acoustic band.
I’ve got a couple Heathkits: W4-AM and W5-M both Williamson circuits. I’ve used them both as guitar amps with the WA-P2 preamps. Really sparkle for clean tones and overdrive easily. Good fun.I had that preamp -- we used it and the matching "Williamson" power amp for electric bass in my mid-1970s (mostly) acoustic band.
Agree 100 percent. Those amps had really top-notch transformers, much better iron than Leo Fender would have ever even dreamed of paying for.I’ve got a couple Heathkits: W4-AM and W5-M both Williamson circuits. I’ve used them both as guitar amps with the WA-P2 preamps. Really sparkle for clean tones and overdrive easily. Good fun.
Oh, it looks you are using FOSTEX T925A super-tweeters, right?Great monitors, I am using the L91 lenses on my Edgarhorn Slimlines- am almost never in the sweet spot, so ...
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As probably I have already mentioned on this thread before, I too still use and much enjoy YAMAHA NS-1000 (not NS-1000M) together with L&R YAMAHA YST-SW1000 subwoofers (large heavy) and FOSTEX T925A super-tweeters in my multichannel multi-SP-driver multi-amplifier fully active stereo audio setup (all the passive X-overs and the attenuators are fully eliminated/bypassed in NS-1000).Yamaha NS 1000 M with upgraded X-overs . With the right and High Grade Hardware and (non Chinese) custom made vintage Tube Power Amp. , nothing comes close. Everything connected is from the 1980's.
Same at home with the tall stands. Powered by SAE 2400 and SAE preView attachment 471471
My dad had these Dahlquist DQ10's, powered by a Luxman L100. The sound was impressive.
My older brother built that Heath preamp and speaker some time in the late 50’s.
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My dad had these Dahlquist DQ10's, powered by a Luxman L100. The sound was impressive.
DQ10's are not electrostatic.First time I heard electrostatic speakers I was amazed by the precision and the soundstage. I tried listening the head "in" the speakers (I mean like 30cm from the speakers) and it sounded like big headphones !
Can't remember if it was Quad ESL57 or 63.
I couldn't go with electrostatic myself due to the amp needed for such things.
My dad built the amps and a pair of pre-amps about the same time… I just had them all re-capped. Ready for another 65yrs of service.My older brother built that Heath preamp and speaker some time in the late 50’s.
With this look I thought it was...DQ10's are not electrostatic.
they are commonly confused with Quads.With this look I thought it was...