audio_tony
Addicted to Fun and Learning
User name fits!!!I bought them based on all the positive reviews on YouTube when they were first released (note to self - never believe a word that was said by those reviewers again).
User name fits!!!I bought them based on all the positive reviews on YouTube when they were first released (note to self - never believe a word that was said by those reviewers again).
The modern class D amps won't mind the 1.7 ohms. Then you can EQ them to something more reasonable.So I am the unfortunate owner of these speakers.
I bought them based on all the positive reviews on YouTube when they were first released (note to self - never believe a word that was said by those reviewers again). My hope was that due to their supposed 11-ohm impedance I could make an era-appropriate system with a Quad 33/303 I am going to refurbish.
In case some might wonder if the one I sent Amir might be a bad sample, I can say that I measured both with a DATS v3 and they both have nearly identical impedance/phase measurements.
Now I have a dilemma, what to do with the speakers since I have them, and don't feel comfortable selling them with the terrible impedance dip.
The only redeeming quality is the cabinet.
Do I replace the speaker drivers? I don't mind spending a little bit of money to make them into something decent.
Passive with high impedance would be great so I could still pair them with the Quad.
Or I could make them active, so that I could plug a record player direct into them.
I also see that I could adjust the response with EQ, but that wouldn't solve the 1.7ohm problem...
Any advice would be much appreciated!
The one that I knew from high-school:No, not really, unless it's car audio, where you're often voltage limited.
Correct. But power is cheap these days. I'd think if you bought these speakers, affording a good amp is not a burden.The one that I knew from high-school:
V = i x R
R is the Ohm. The lower the impedance, the more current a speaker draws for a given voltage. This means a lower impedance speaker can potentially deliver more power.
This is a hobby. You test, sometimes a gold nugget, sometimes on the other side of the spectrum.So I am the unfortunate owner of these speakers.
All those LS3/5A and Class D amp lovers. How many on this earth of that combination can there be?The modern class D amps won't mind the 1.7 ohms. Then you can EQ them to something more reasonable.
Given lemons, make lemonadeAll those LS3/5A and Class D amp lovers. How many on this earth of that combination can there be?
That said, a good practical suggestion.![]()
This is a hobby. You test, sometimes a gold nugget, sometimes on the other side of the spectrum.
....You win some, lose some
It's all the same to me
The pleasure is to play
Makes no difference what you say...
Heh heh, superb.
Looks a lot cheaper than the original type, using electrolytic caps to set time constants is never a marker of quality... They may even be going a bit dry, losing value, and pushing the Xover point up, resulting in more out-of-band driver distortion. Pure speculation on my part, though. From memory crossover impedance can dramatically drop if unloaded at certain frequencies so my bet would be on those electros causing that shocking 1.7 ohm impedance dip.
Isn't the placement of both coils in the top right corner also pretty bad from a xover designer's point of view? I know it's probably the least of the concerns, but still.
Hopefully those caps are not already bad. These particular Sound Artist models have only been around a few years. Of course the caps could be old stock.Good spot! It's pretty ugly to look at. Usually when serious class B amplifiers are designed with two channels on the same board the output/stability chokes are oriented at 90 degrees from each other to avoid transformer action at HF inducing crosstalk.
So I am the unfortunate owner of these speakers.
I bought them based on all the positive reviews on YouTube when they were first released (note to self - never believe a word that was said by those reviewers again). My hope was that due to their supposed 11-ohm impedance I could make an era-appropriate system with a Quad 33/303 I am going to refurbish.
In case some might wonder if the one I sent Amir might be a bad sample, I can say that I measured each in the pair I have with a DATS v3 and both speakers had nearly identical impedance/phase measurements.
Now I have a dilemma, what to do with the speakers since I have them, and don't feel comfortable selling them with the terrible impedance dip.
The only redeeming quality is the cabinet.
Do I replace the speaker drivers? I don't mind spending a little bit of money to make them into something decent.
Passive with high impedance would be great so I could still pair them with the Quad.
Or I could make them active, so that I could plug a record player direct into them.
I also see that I could adjust the response with EQ, but that wouldn't solve the 1.7ohm problem...
Any advice would be much appreciated!
Not's very bad because it has 11 ohms of impedance. The lower the better, right?
Your DATSV3 did not show the impedance dip? Can you cut and past your graphs?
I said the same - see post #12“I got a kick out of that "CE" mark. What exactly did they test?”
I think it required by NEN and or IEC to have insulated terminals.
Your version describes it much better, thanksI said the same - see post #12
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SoundArtist ("BBC") LS3/5A Speaker Review
This is a review and detailed measurements of the SoundArtist clone of BBC LS3/5A 2-way speaker/monitor. It is on kind loan from a member. Sample is in Walnut and he paid $630 for it: Fit and finish is quite good with no blemishes that I could see. Nice modern terminals are provided in the...www.audiosciencereview.com