But if you crave for bass that you can feel you are no longer talking about the neutral reproduction of music...
That's a good line. I wish I'd written it.
The 'popular' idea of bass reproduction really began with the introduction of CD. In spite of some early 'mastering' problems with highs (later resolved), CDs always showed off LF energy, something most people were not used to--at least in that quantity/quality. It definitely overpowered a lot of the then well regarded loudspeakers.
For some historical perspective, the refrigerator size K-horn was reasonably flat to about 38Hz and then rolled off. The much later Dahlquist DQ-10 'subwoofer' (DQ-1W) add-on was 3dB down at 40Hz. Acoustic suspension designs really popularized the idea that a fairly modest-sized box could reproduce a reasonable facsimile of bass, albeit at a pretty low SPL level.
However, back then, you had to necessarily employ LF roll off because of turntable/record artifacts. And FM wasn't better in the LF department. Really, music-wise, the bottom octave wasn't the big deal then as it is today.
Then came the compact disc. But it was DVD, movies that did it. The big push for moving a lot of LF air was movies. Few people needed that low gut-punching sound for music. At least acoustic based music. Rock was of course a different thing. But if you wanted the Death Star to light up in your living room, and wanted to feel the Jurassic Brontosaurus stomp, it required a different order of thinking.