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The review linked below had some interesting information about the performance of the new Sonos Port that was interesting (e.g. dropouts when streaming from line-in), together with some informative feature discussions.
Then it devolves into an indictment of the sound quality that is so badly subjective that it got my blood pressure up.
"I piped this in from Qobuz running at its “CD-quality” service level, delivered to my gear in parallel through a fiber optic cable-connected Connect and a coax cable-connected Port “grouped” in the Sonos app in perfect synch. Levels were balanced, loudness was “off,” and EQ settings were flat. I later tried tweaking the bass and treble settings on the Port to see if that could improve its performance, but ultimately decided the changes didn’t do it any favors.
...
The comparisons just went from bad to worse. On the Port, I heard less personality and grit in Keith’s and Ronnie’s guitars. Solos sounded flat as pancakes. On the Connect I could practically “see” the strings wobbling and (on acoustic cuts like “Wild Horses”), I could hear the rich hollow-body resonance of Keith’s slide guitar."
So, the same source material passed through their respective digital outs was a night and day difference, eh? Neat story, dude. Wouldn't be clickbait unless you trashed the new device.
Then it devolves into an indictment of the sound quality that is so badly subjective that it got my blood pressure up.
"I piped this in from Qobuz running at its “CD-quality” service level, delivered to my gear in parallel through a fiber optic cable-connected Connect and a coax cable-connected Port “grouped” in the Sonos app in perfect synch. Levels were balanced, loudness was “off,” and EQ settings were flat. I later tried tweaking the bass and treble settings on the Port to see if that could improve its performance, but ultimately decided the changes didn’t do it any favors.
...
The comparisons just went from bad to worse. On the Port, I heard less personality and grit in Keith’s and Ronnie’s guitars. Solos sounded flat as pancakes. On the Connect I could practically “see” the strings wobbling and (on acoustic cuts like “Wild Horses”), I could hear the rich hollow-body resonance of Keith’s slide guitar."
So, the same source material passed through their respective digital outs was a night and day difference, eh? Neat story, dude. Wouldn't be clickbait unless you trashed the new device.