Here is a comparison of a 1 kHz square wave waveform with and without phase correction from the LS50 Wireless II white paper.As I recall, the OG LS50 did a pretty good job.
Here is a comparison of a 1 kHz square wave waveform with and without phase correction from the LS50 Wireless II white paper.As I recall, the OG LS50 did a pretty good job.
Yes, I suspect that my own recoding was with Dirac enabledHere is a comparison of a 1 kHz square wave waveform with and without phase correction from the LS50 Wireless II white paper.
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Well that's why I prefaced it with AI context. It's logic reasonable to me, but if you see a mistake, feel free to correct it.I just can’t wrap my mind around treating AI regurgitation of scrapped and plagiarized bits and fragments of scattered human statements, mindlessly processed and reconstituted into unsubstantiated confident expressions of insight and synthesizing knowledge and judgment, as authoritative and sensible.

three-way coaxials
www.audiosciencereview.com
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KRAKATOA Quintuple 18" Point Source Full Range
... in the spirit of ASR fun, for those looking for an active full range speaker, a new one just released: https://www.bassboss.com/catalog/krakatoa-quintuple-18-powered-point-source 4-Way quintuple 18” powered co-axial point source full range Full-Range single axis point source. Vented...www.audiosciencereview.com
While I admit I'm a KEF fanboy, the AI response is not really helpful. First of all, it's just a big block of prose with no separation of thoughts. It also doesn't make a lot of sense. It says that conventional speakers win because their weakness is use in conventional rooms. Room response is considered to be one of the biggest problems in speaker response. Just listen to a speaker in bare room. The best imaging I have ever heard was on a pool deck with conventional speakers, i.e. no room response. We don't listen to speakers in hypothetical rooms with no reflections.I tried the Adam A8H, a conventional speaker that is marketed as both midfield and nearfield, with a different reasoning behind it.
The company considers it midfield because of it's power/projection potential (116db at 1m) and "conventional wisdom" says it's also midfield due to the 8" woofer that specs at -3db at 34hz. However, Adam also says it's nearfield because it's minimum listening distance is only 0.6m, which is quite small. So it is possible to go below the standard 1m.
I asked Gemini AI about this a while ago and it said in a perfect scenario, where there is no problems with room acoustics or placement, traditional design would win because it would be be perceived as larger and more powerful (dynamics). It also said that it was more "pure" because each driver does less and the benefits are maximized in the process (unlike coxial, where the midwoofer acts as a waveguide for the tweeter and then the tweeter is technically being modulated and this is distortion). It said coaxial's real benefit was imaging and ease of integration. Because it's naturally in phase and has point source properties, it's less likely to interact with the room in asymmetric or "ugly" ways. Also, it will likely have a larger sweet spot so it will be more forgiving or placement or the listener moving. It went on to say that traditional design's weakness are just real spaces, but with that taken out of the equation in our hypothetical, it doesn't really have any weaknesses. Coaxial then loses by default because it's meant to address something that's no longer a real issue (unless you are obsessed with phase and prioritize that first).
Here's a not-so-new, but still relevant Tannoy model. One guy uses it at home, but I don't know him. As Duke likes — separate woofers, 2x12". And as I like — already done for separate subwoofers, not these huge boxes with holes.. But there are tradeoffs everywhere — for home use, subs a little lower are probably better.to try modern ones they seem very good
With steep crossover at 600 Hz it might not be so scary. And by the way, this was [somewhat!] humorous project for a compromise basless compact desktop speaker.Notice the woofer's +7 dB peak at 600 Hz, followed by a similar-sized dip at 900 Hz. This is largely from some of the cone's output bouncing off the back of the horn back to the cone and then bouncing off the cone, some of it to perhaps bounce off the back of the horn again. This would be the trade-off for having that nicely-behaving separate horn. And EQ cannot remove the bounce itself.
For example, subwoofers will need to be proportionate for Desktop18HTX100. And many may need a second table for stereo pair of Desktop18HTX100. Another this speaker name is TwentyTwentyTwelve in honor of box size (the horn sticks out forward a little)"Speaker design is tradeoffs
With steep crossover at 600 Hz it might not be so scary.
The max SPL they provide is ridiculously optimistic, it's distortion limited to below 100dB/1m by their own measurements.The company considers it midfield because of it's power/projection potential (116db at 1m) and "conventional wisdom" says it's also midfield due to the 8" woofer that specs at -3db at 34hz.
Imaging depth seems to be better in my experience with coaxials. Even with coaxials that don't seem to have very wide dispersion, it feels like there's better row separation between instruments. I think the uniformity of the dispersion probably creates some interesting effects with the reflections that you don't get with traditional dome and cone speakers.