Yup. And some makers have even become expert at mass-producing instruments with the feel of a well-used guitar. I recently bought a Sire (T7tm) and I’m shocked at the quality. I had it plekked, but it barely touched the frets. The roll-off/fret—end treatment is terrific, the neck has been incredibly stable, and the factory pickup modeling is excellent. Seems like Larry Carlton himself proved you can replicate a great old guitar pretty easily, and with better noise, more durable wood, electronics and bridge.I know this too well Bob, as a hobbyist guitarist who’s done lots with it over the years, I too, felt like I needed the best and squinted while listening to equipment and compared guitars/amps/effects. That is no different from Hi-Fi, yet the term ‘tone’ is thrown about over there which means completely nothing because everything has it’s own sound. And doing it with guitars and guitar amplifiers is even more preposterous because these are low-fi instruments, they are not even capable of the extreme frequencies that good Hi-Fi gets you to. It’s a complete swindle and yet the next best product comes out or the next custom shop guitarPeople saying guitars from the 50s or 60s sound better and have a ‘tone’ and yes sure they’ll have variation but it's old gear. But actually a well-designed Stratocaster from any decade will pretty much sound identical through the same amplifier, given that all the pick-ups etc are of equal output. That is one instrument that is pretty linear in sound given the many factors are the same, they just have a sound, whether you pay £100 or £10,000. Definitely a sector in the snob brigade again.
Amp modeling is also extraordinary. Guthrie Govan moved over to an advanced digital modeler a few years ago, and while it ostensibly was for touring weight, I defy one to isolate a tonal difference.