Dunno, but how about Light My Fire by the Doors?Which begs the question: are there any songs with an sharp opening transient where this fade-in is detectable to a human listener?
From what I read the answer is it varies depending on how the master was done and how the firmware is setting the parameters for the DAC. But note just about all chips will do this if set up by firmware to do it.So are we saying this fade in lag time is at the start of every track?
or just per listening session ?
So are we saying this fade in lag time is at the start of every track?
or just per listening session ?
Do you have other DACs that don’t do this
You measured that at 24-bit?From my tests, I saw that the DAC shuts down at a precise -122dBFS peak and will continue to play only if I add dither at bit 21. I’ll be documenting more in the review. This is certainly unique to this DAC.
I suppose it is a feature of the ESS DAC that SMSL is using to prevent other issues (?).
Thank you. This is very helpful. I was planning to use these with my surround and height channels via the AES outputs of an incoming Trinnov Altitude CI. My concern now is that the fade in will affect the Trinnov calibration measurements. I understand Trinnov fires three bursts and may ignore the first. But I don’t know if the pause between bursts will engage the fade in nor am I sure the first burst is ignored.From my tests, I saw that the DAC shuts down at a precise -122dBFS peak and will continue to play only if I add dither at bit 21. I’ll be documenting more in the review. This is certainly unique to this DAC.
I suppose it is a feature of the ESS DAC that SMSL is using to prevent other issues (?).

yep 24 bitsYou measured that at 24-bit?
Would this should up in the impulse response? Didn’t seem to be a problem with the PS200 Pro that you recently tested. Does ESS specify how long the low level signal needs to be to activate the mute?yep 24 bits
Yes:Would this should up in the impulse response? Didn’t seem to be a problem with the PS200 Pro that you recently tested. Does ESS specify how long the low level signal needs to be to activate the mute?
| Description | Hex value | Decimal | Duration at 44.1kHz FS | Duration at 48kHz FS | Duration at 96kHz | Duration at 192kHz |
| Disabled | 11'h000 | 0 | infinite | infinite | infinite | infinite |
| Slowest | 11'h001 | 1 | -5.94 seconds | -5.46 seconds | -2.73 seconds | -1.37 seconds |
| Default | 11'h00F | 15 | -396.3 ms | -364.1 ms | -182.04 ms | -364.1 ms |
| SMSL Custom | 11'h111 | 273 | -21.77 ms | -20 ms | -10 ms | -5 ms |
| Fastest | 11'h7FF | 2047 | -2.9 ms | -2.67 ms | -1.33 ms | -0.67 ms |
Apologies but I don’t know how to interpret this to get to an amount of time for 48 or 96 kHz samples. That said, I’m guessing it does this very quickly, just a few samples? If so, then I don’t think I can use this DAC with a Trinnov that is trying to measure speaker distance, phase, amplitude etc. It would be very helpful if you could point out a few alternatives. Looking for something with balanced out and AES in. Could live with spdif coax in, but prefer all XLR. Many of the reviews I see don’t have impulse response.
I did not see that with the PS200Pro indeed.Would this should up in the impulse response? Didn’t seem to be a problem with the PS200 Pro that you recently tested. Does ESS specify how long the low level signal needs to be to activate the mute?