Can it though? Pretty much all recent Topping amps have binned volume pots for very good channel matching. Not a problem in practice.
What do you mean by binned volume pots?
How is their analogue volume control done?
Can it though? Pretty much all recent Topping amps have binned volume pots for very good channel matching. Not a problem in practice.
Binned as in they keep the well balanced ones and discard the worse performing ones. That is the process of binning.What do you mean by binned volume pots?
How is their analogue volume control done?
Still not as precise as digital volume but precise none the less.
But as I wrote: "(or the different power offered by SH-9 at the different impedances)"
i.e. what headphones actually needs more power than this (objectively) - or is it just that people subjectively want more power?
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These power specs are almost exactly double of that measured by @amirm - per channel. Can anybody please explain?
Amirm quotes power at the point where the distortion starts to shoot up, which is unusual. Manufacturers usually quote power at a particular distortion level somewhere further up the line as it's rising quite steeply, and this can easily be a lot higher. The manufacturer should state the distortion level and frequency (or frequency range) as well as the load, but marketing often want the simpler presentation with those details left out.
You mean that it needs 3V to achieve rated output, not 2V, or 0.7V if we go back to pre-CD days?It's not the specification at 1%THD alone. Look here.
Plenty of them go up to 2.1-2.3V (Loxjie D30 is 2.3V as an example). A bunch of DACs have pre-amp mode which can go higher (SMSL M400 and SU-9 go up to ~2.7V, Gustard X16 supposedly can go up to 3.3V, Chord Mojo/Qutest can output up to 3.0V, ...)Yes. Which DAC (or other source) puts out one more than the standard 2 Volts on RCA? Let alone 7 volts more?
Most are ~2.0-2.1V nominal output that's the standard. Some recent DACs push out more to have better distortion specification at maximum output. Most headphone amps can take the increase in voltage anyway. Some speaker amps could be overloaded with >2.0V input.OK, didn't know that. Everything I found has 2V straight in it's specs.
i may be treading that path anytime soon. would have wanted the A30pro but i see no merits for paying $60 more other than the additonal output which i may not even need or use as my headphones are easy to drive. i am more into IEMs which warrant the merit of the premium volume control over the extra output. it would have been better if they implemented the 3-gain options but i suppose the ladder type volume control more than addresses those concerns.Considering the resistor ladder volume and being 60 less, it is reasonable to believe this is more bang for the buck than the a30pro?
I got it with a 30 dollars coupon, so 90 less than the a30pro, it became a no-braineri may be treading that path anytime soon. would have wanted the A30pro but i see no merits for paying $60 more other than the additonal output which i may not even need or use as my headphones are easy to drive. i am more into IEMs which warrant the merit of the premium volume control over the extra output. it would have been better if they implemented the 3-gain options but i suppose the ladder type volume control more than addresses those concerns.
Amir measured the power as 1.7watts at 33ohms, so it would be a bit underpowered for the hifiman. The A30pro will be more idealHi guys, I would like to know if anyone is running a Hifiman HE6SE on the SH-9 and the power is sufficient? I bought the combo of SU-9 + SH-9 last month and the power is more than sufficient for my Sennheiser HD650 and Audioquest Nighthawk.
But now I would like to buy another magnetostat and would like to order the HE6SE, but am not sure if the power is enough. Hifiman writes at least 2 watts per channel at 50 ohms. Unfortunately, the technical data from Smsl does not say how much the SH-9 performs at 50 Ohms.
Annoy me a little not to have bought the combo of Smsl M400 + SP400 or Gustard X16 + H16.