Last, and not least, I wanted to talk about the filtering options of this player, because I think it's really cool.
I mentioned the 5 filters and the 4 "sound" options in the introduction, but I repeat them here:
- Five selectable filters:
- Sharp (Default)
- Slow
- Short Sharp
- Short Slow
- Super Slow (aka NOS)
- Low Dispersion
- Four selectable "Sound colors" which I understand allow to change the delta-sigma oversampling rate, and as per my measurements:
- SC1 (5.6M) : Lowest Distortion, noise shaper kicking off at 30kHz (Default)
- SC2 (5.6M) : 10dB more distorsion than SC1, noise shaper kicking off at 80kHz
- SC3 (11M) : 5dB more distortion than SC2, noise shaper kicking off at 110kHz
- SC4 (11M) : No measurable difference (up to 380kHz) with SC3
The difference between the "Sound Colors" probably refers to the Delta-Sigma modulator oversampling rate. Increasing the oversampling further pushes the noise create by the noise shaper up in frequencies.
So, time has come to look into more details about these 20 total options!
Let's start with the filters. This is a wide bandwidth view of their respective response (with SC1), from white noise:
View attachment 478650
We see the noise shaper kicking off at 30kHz, and it is common to all filters since this comes from "SC1" option which is the lowest oversampling rate of the Delta-Sigma (my guess).
Look at the blue trace on top of everything, the one that mimics a NOS (Non-OverSampling) DAC. This is a per the books, the standard sample-hold function of a DAC that creates many unwanted artifacts wrapped in a sinus cardinal function. What does that mean? It means that a DAC receives a sample to convert, a binary word to convert to a voltage. It does it and maintains the voltage until the next binary word comes in. The effect of holding the voltage for that short period of time is what creates many artifacts and that sinc envelope. All of that MUST be filtered. When it’s not, you get this:
View attachment 478797
Sorry, I suck at drawing. The first green section of the left is our converted original 20Hz to 20kHz audio signal (44.1kHz sampling rate). The red section next to it is a mirror copy around 22.05kHz of everything from 20Hz to 20kHz. It is all wrong, and has no meaning. It is the sample-hold effect, it creates unwanted artifacts. And then, there's a copy/paste of that, every times Fs, where Fs = 44.1kHz, it never ends. All of that is wrapped in a sinus cardinal envelope (Orange on the graph).
I'm happy the SMSL PL200 let me play with that. So let's continue and let me overlay to the graph the standard AES IMD 18kHz&20kHz test tones:
View attachment 478663
Everything I circled in red is wrong, an alias of the original dual tones. This is created by an unfiltered DAC. Look at the very high energy all of this has. If you want to try blowing a tweeter of yours, this is the good way to go!
Ok, now, let's filter properly (Sharp filter), just to see the difference:
View attachment 478664
Voilà, all the crap is gone with the green graph. It's a sharp filter that removes all unwanted artifacts, copy/paste of what we have from 20Hz to 20kHz, and that's all we need to have in the end.
You might wonder, though, if the crap we saw impacts the audio band. Yes it does:
View attachment 478666
See the massive amount of distortion (orange, up to -75dB) that comes back into the audio band, as intermodulation distortion. When properly filtered (green) we see nothing.
All of that to say if you want to experience the massive distortion created by NOS DACs, you have one very good opportunity here!
Ok, now let me talk about the "sound color" options. The below graphs are all from the Sharp filter, and from the CD audio (that means 16bits/44.1kHz). Let's start with the first option, SC1, wide bandwidth (up to 380khz) with my standard undithered 999.91Hz test tone at 0dBFS:
View attachment 478669
We see the noise shaper kicking off as early as 30kHz or so. Let's try the same with "Sound Color 2":
View attachment 478670
Interesting difference. The dashboard computes a little more distortion in audio band. But we see that the noise shaper kicks off later, roughly at 80khz.
Let's try the same with "Sound Color 3":
View attachment 478672
The low level noise of the noise shaper comes later again, at around 110kHz. But the computed distortion in audio band is a little higher again.
I spare you SC4 since it's the same as SC3. But what about distortion in audio band? This is better view:
View attachment 478673
Note this is from the CD, so it's limited to 16bits. We get odd harmonic distortion. That might have a sound indeed, but at such low level?
SMLS PL200 - Final conclusion
Being able to play with different filters and "coloring" the sound with a little more distortion or a massive quantity, is cool, I think. If one wants to test their abilities to hear distorsion at such low levels, you have a winner! This would also help you relax on your needs for high resolution devices.
I think this CD player is really cool.