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SMSL PL200 MKII Review (CD Player, DAC & HP Amp)

Rate this CD Player

  • Terrible (*)

    Votes: 0 0.0%
  • Mediocre (**)

    Votes: 4 4.9%
  • Good (***)

    Votes: 10 12.2%
  • Excellent (****)

    Votes: 68 82.9%

  • Total voters
    82
No more software/computer issues between my library and my ears. I’m too old for this, I think. Back to the real media.
Fair enough. If you experience hardware/software hell it's probably a good reason to avoid digital audio storage ... though I must say, that sounds like a Mac thing.
On Windows, Exact Audio Copy (free) has served me flawlessly since 2004, across 5 different versions of Windows, 8 different computers, and 2 optical drives. I still use the Blu-ray drive I bought in 2012 for ripping to this day (Pioneer BDR-205).
Ripping is easy. The time-consuming part is checking/correcting tags.

For anyone reading this thread who wants to jump into CD ripping:
for Windows I recommend Exact Audio Copy for ripping and Mp3tag for tagging.
for macOS I recommend XLD for ripping and Picard for tagging.

By the way, I suspect @Alex_spec is long gone.
 
I went off to pick out an interconnect cable) My goal was simple: I have a PF Dark Side of the Moon disc, MIJ cp35-3017, 1984, Sony, and I need a player that will squeeze every last drop out of it! My goal is to buy discs, search for interesting releases, masterings, and all that. My second goal is to get better sound quality than Qobuz, if that's even possible.
I was looking at Cayin players, but there are practically no reviews or comparisons. So, yesterday I ordered the Smsl pl200 mk2; I hope it won't disappoint.
 
  • It does not apply de-emphasis, since ESS dropped that from their latest DACs, and SMSL told me that they are looking at potential workarounds with ESS
Thanks for another superb review! I also wanted to say thanks for including the de-emphasis test in your toolbox (and I'm glad to hear that SMSL seems interested in adding that feature to their CD Players). Record companies phased-out pre-emphasis from the CD mastering process by the late '80s. Still, it would be short-sighted for today's producers of new CD Players to omit de-emphasis from their models, because that fails to account for the pleasure music lovers have in collecting vintage CDs. This is especially true for Classical Music, since pre-emphasis was often applied to those recordings made in the '80s, to compensate for early DACs that added high frequency noise. Many Classical Music CDs from the '80s are prized today because they are documents of great perfomances that have not been remastered for a new pressing (and many of these CDs can be found used, in excellent condition, selling at prices that are a fraction of what they cost decades ago). De-emphasis remains important in modern CD players because collectors want our vintage CDs decoded with the proprer equalization, so we can hear them the way they were meant to sound.
 
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I have a PF Dark Side of the Moon disc, MIJ cp35-3017, 1984, Sony, and I need a player that will squeeze every last drop out of it! My goal is to buy discs, search for interesting releases, masterings, and all that. My second goal is to get better sound quality than Qobuz, if that's even possible. So, yesterday I ordered the Smsl pl200 mk2; I hope it won't disappoint.
That's a highly regarded CD version - but it has pre-emphasis, so you won't hear it with the correct EQ using the PL200 MKII.
linuxfan is right. Your 1984 CD will have been mastered with the high frequencies boosted to overcome the noise contributed by DACs of that era, and unfortunately, the new SMSL PL200 MKII doesn't have the de-emphasis feature to return those boosted highs to their proper level. You may want to keep the SMSL anyway, to use for recordings pressed after the '80s. And there is an inexpensive Sony Blu-ray player recently reviewed by NTTY that is capable of providing you with perfect playback of your vintage Pink Floyd CD. Here is the link: Sony BDP-S1700/K. That's the good news. The bad new is that this particular Sony player has been discontinued (but you can still find used models on eBay). There still may be good news, however. The Sony BDP-S1700/U is available new on Amazon for $115, and though I can't vouch that its CD performance is precisely the same as the earlier version, I see no reason why Sony would bother to remove the de-emphasis function from the new player. (I think the only difference between the 2 models is the later version has omitted an outdated streaming feature.) At the very least, it's an option to consider.
 
It is indeed cheaper and easier to source a new Master of that album
There is no other exact version of that particular master, other than the 1983/84 releases (Toshiba EMI CP35-3017 and Harvest CDP 7 46001) and all of these CD's have pre-emphasis.
Hard core Pink Floyd fans consider this version to be the very best, in spite of there being several remasters since then. If anyone is interested, there's a long forum thread about the different CD/SACD versions of this album on the Steve Hoffman Music forum.
Full disclosure; I have this CD myself, and I think the 2003 SACD sounds just as good - I'm referring to the mastering on the 2003 SACD, I'm not saying it sounds better because of the different format!
Unfortunately the 1983 "Black Triangle" Japanese release has risen to almost cult status amongst music collectors, and this is reflected in its cost on the second hand market.
 
One solution is to rip that CD to WAV (or AIFF), apply a de-emphasis filter in software, then from the now-corrected WAV's burn a re-writable CD, ready to play ...
of course this process then starts to make a good case for file-based playback!
 
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One solution is to rip that CD to WAV, apply a de-emphasis filter in software, then from the now-corrected WAV's burn a re-writable CD, ready to play ...
of course this process then starts to make a good case for file-based playback!
Yes, that's a solution indeed! (but some of us are dinosaurs who would just like to slide our CDs into a player that will apply the proper EQ, regardless of the disc's vintage...) ;)
 
It turns out I should have bought the Cayin CDT15mk3 because, according to Google, its PCM1792 chip supports digital de-emphasis to correctly decode older compact discs mastered with pre-emphasis frequency adjustments.
 
It turns out I should have bought the Cayin CDT15mk3 because, according to Google, its PCM1792 chip supports digital de-emphasis to correctly decode older compact discs mastered with pre-emphasis frequency adjustments.
My apologies for this redundant recommendation, but the Sony BDP-S1700/K has been tested by NTTY and shown to render bit-perfect playback and correct de-emphasis equalization of CDs. It has been discontinued, but its immediate successor, the Sony BDP-S1700U [$114.99] should provide that same accurate performance for a fraction of the cost of the Cayin CDT-15A MK3 [$1,185.99 USD]. Here is a direct quote from the Sony review:

"Never one Sony CD Player failed me, in my reviews. As a CD lover, I can only praise Sony for keeping up with the CD, giving it careful attention. Sony left the market of pure CD Player, but did they, really? I think this Blu-Ray tells us that no. More than 40 years later, their engineers still care about their baby. I love it."

I will admit that the Sony player is far less sexy than the Cayin (but the Sony has the virtue of being small enough to sit unobtrusively on a desktop...)
 
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I went off to pick out an interconnect cable) My goal was simple: I have a PF Dark Side of the Moon disc, MIJ cp35-3017, 1984, Sony, and I need a player that will squeeze every last drop out of it! My goal is to buy discs, search for interesting releases, masterings, and all that. My second goal is to get better sound quality than Qobuz, if that's even possible.
I was looking at Cayin players, but there are practically no reviews or comparisons. So, yesterday I ordered the Smsl pl200 mk2; I hope it won't disappoint.
It turns out I should have bought the Cayin CDT15mk3 because, according to Google, its PCM1792 chip supports digital de-emphasis to correctly decode older compact discs mastered with pre-emphasis frequency adjustments.
I’m a bit confused.
You write that you’re looking for equipment that extracts everything from the CD, yet you bring up the Cayin CDT-15A MK3—a unit with such poor measurement and noise figures that all the fine details on the CD get lost.
That doesn't add up.
 
No doubt SMSL has become a serious player. They have clearly mastered measurement-based engineering, cost optimization, and bringing technically impressive products to market at very competitive prices.

However, there are still areas where they need improvement. QC appears inconsistent, and software/firmware support is not always at the level expected from a company of this size. Updates are relatively infrequent, sometimes difficult to install, and the documentation or user interface is not always available in proper English.

One area where I hope SMSL will take inspiration is from companies like WiiM, which have set a very high standard for customer support and product evolution, particularly in the moderately priced segment. WiiM has shown that a company does not need to compete only through hardware specifications; long-term value also comes from staying close to users, listening to feedback, and continuously improving products through frequent, meaningful firmware and software updates. This kind of ongoing development can significantly extend the lifespan of a product and build customer confidence. Of course, maintaining this level of support requires additional resources, and those costs will inevitably be reflected in product pricing. However, many customers are willing to pay a little more for better support, reliability and a product that continues to improve long after purchase. It is an approach that would benefit SMSL as it continues to grow.

My own experience with the PL100/PL150 CD players has been disappointing: three units, the first arrived DOA, the second was lost in transit, and the third still has playback issues, with random 3 to 4 second sound dropouts and occasional failure to complete a disc. To their credit, SMSL support did not deny the issue or try to argue that the problem did not exist. However, they also did not offer a practical solution, which leaves the customer with the impression that the attitude is essentially: the issue is acknowledged, but there is nothing to be done.

The choice of slot-loading mechanisms is also a concern. Both the Philips and Fujitsu drives used are discontinued designs, sourced from remaining inventory or reclaimed stock rather than current production. The earlier Philips-based units appeared to be the better choice, but later units using Fujitsu mechanisms seem to have had more reliability issues. Using obsolete transport assemblies in a new product is always a compromise.

On the other hand, I am very happy with my DL200 DAC/headphone amplifier. It is an excellent performer for the price.

So while SMSL deserves credit for its engineering and value proposition, there is still room for improvement in QC, product support and long-term reliability. A detailed look at their history, R&D organization, manufacturing capabilities and future roadmap would certainly be interesting. They are clearly an important company in today’s audio market.
No doubt WiiM has mastered marketing-driven positioning and app-centric ecosystems. However, beneath the polished facade, there are major areas where they fall short of expectations, especially when you look past the slick advertising.

One major issue is their deceptive product presentation. The promotional renders of the WiiM Ultra, for instance, make it look like a premium luxury piece. In reality, the actual physical build feels surprisingly cheap and plasticky. Furthermore, at its price point, the hardware specs and actual DAC measurements of the WiiM Ultra are heavily compromised and easily outperformed by much more competitively priced units like the SMSL DL200.

Additionally, while WiiM is praised for its app, the software has become increasingly bloated, resulting in daily stuttering and lag. More concerning is their poor network compatibility outside of major English-speaking regions. In Spanish-speaking markets, users frequently report routing issues, local DNS incompatibility, and dropouts.

So while WiiM deserves credit for its software concept, there is still massive room for improvement in build quality, regional network stability, and actual hardware value. Heavy promotional renders cannot hide inferior hardware performance when compared to SMSL.
 
No doubt WiiM has mastered marketing-driven positioning and app-centric ecosystems. However, beneath the polished facade, there are major areas where they fall short of expectations, especially when you look past the slick advertising.

One major issue is their deceptive product presentation. The promotional renders of the WiiM Ultra, for instance, make it look like a premium luxury piece. In reality, the actual physical build feels surprisingly cheap and plasticky. Furthermore, at its price point, the hardware specs and actual DAC measurements of the WiiM Ultra are heavily compromised and easily outperformed by much more competitively priced units like the SMSL DL200.

Additionally, while WiiM is praised for its app, the software has become increasingly bloated, resulting in daily stuttering and lag. More concerning is their poor network compatibility outside of major English-speaking regions. In Spanish-speaking markets, users frequently report routing issues, local DNS incompatibility, and dropouts.

So while WiiM deserves credit for its software concept, there is still massive room for improvement in build quality, regional network stability, and actual hardware value. Heavy promotional renders cannot hide inferior hardware performance when compared to SMSL.
I think this comparison is a bit unfair and mixes different priorities. WiiM and SMSL are not really competing on the same ground. SMSL is mainly a hardware and measurement-focused company, while WiiM has built its reputation around software, streaming, connectivity and continuous product development.

Calling WiiM products "cheaply built" is also a matter of perspective. Their construction is certainly not aimed at the luxury high-end market, but it is generally consistent with their pricing structure and product objectives. The fact that a device is compact or uses plastic parts does not automatically mean poor build quality. It means they chose to prioritize functionality, features and affordability.

The argument that WiiM hardware is inferior is also not that simple. A dedicated DAC such as the SMSL DL200 may have better DAC measurements, but it is not a direct comparison because the products are designed with different objectives in mind. WiiM's value is not only in the DAC chip or measured performance, but in the complete ecosystem: streaming platforms, multi-room capability, app development and ongoing firmware improvements.

It is also worth mentioning that WiiM's software platform is not just about convenience features. Their room correction implementation is a genuinely useful tool that adds real value, especially at this price level. Calling the software "bloated" is difficult to justify when it is widely regarded as one of the strongest and most mature control apps in its category, often compared favourably with more established ecosystems such as DTS Play-Fi, HEOS, Bluesound or StreamMagic. The combination of regular improvements, broad compatibility and a well-developed user experience is one of WiiM's main strengths.

Regarding reported network problems, these claims need some context. Network-related issues are often influenced by ISP routing, DNS configuration, local infrastructure and regional conditions. A report from a user in one area does not automatically prove a general weakness of the product. The reference to "Spanish-speaking markets" is also rather vague. I assume Spain itself is included in that category, and if so, that already makes the argument less convincing, as Spain generally has a mature and reliable internet infrastructure. Spanish-speaking users are not one homogeneous market: Spain, Central America, South America and the Caribbean can have very different network environments. If the same issue is not widely reported across other regions, it is reasonable to consider local infrastructure or ISP-related factors as possible contributors rather than automatically blaming the device.

It is also worth keeping the comparison balanced by acknowledging that SMSL has its own areas where improvement is needed. Despite excellent measurements and impressive hardware specifications, there have been cases of inconsistent quality control and reliability concerns with some products. Good engineering is not only about performance on a test bench; it also includes manufacturing consistency, product reliability and responsive after-sales support.

One area where WiiM has a clear advantage over SMSL is customer support and product evolution. Frequent firmware updates, active communication with users and continuous improvements have become a major part of WiiM's appeal, particularly in the affordable and mid-priced segments. This is an area where SMSL still has significant room for improvement: firmware updates are relatively rare, the update process can be cumbersome, and the accompanying documentation is often incomplete or difficult to follow, especially for international users. This level of ongoing software development, user support and product evolution requires additional resources and investment, which can ultimately be reflected in pricing. However, many users consider it an integral part of the overall product value, as a device that continues to improve after purchase offers more long-term value than one that remains unchanged once it leaves the factory.

SMSL deserves credit for delivering impressive hardware performance at competitive prices. However, technical measurements are only one part of the user experience. Software, support, reliability and long-term product development also matter. One could also argue that SMSL's product strategy can sometimes be confusing, with a large number of similar models and a very rapid release cycle. While constant innovation is positive, releasing so many new products in a short period of time can make it harder for customers to understand the differences between models and decide which product is the right choice for them. Moreover, given that their after-sales support is already relatively limited, the situation becomes more problematic when support for a product appears to diminish once a replacement or newer model is released. Their repair and replacement policies also seem less customer-oriented compared with companies such as WiiM, which maintain a stronger focus on long-term user support.

Both companies have their strengths. SMSL has shown impressive engineering capability and excellent value in hardware design, while WiiM has demonstrated that software, support and long-term product development are equally important parts of the modern audio experience.
 
There is no other exact version of that particular master, other than the 1983/84 releases (Toshiba EMI CP35-3017 and Harvest CDP 7 46001) and all of these CD's have pre-emphasis.
I’m not sure why you quoted me in this one. But I was suggesting to buy another version, obviously remastered without pre-emphasis. It is cheaper than changing the hardware, unless the member owns many CDs with pre-emphasis, of course.
 
I’m a bit confused.
You write that you’re looking for equipment that extracts everything from the CD, yet you bring up the Cayin CDT-15A MK3—a unit with such poor measurement and noise figures that all the fine details on the CD get lost.
That doesn't add up.

I agree.

Alex_spec created his account last Saturday, after the review was published, and that mentions no de-emphasis, to keep on talking about another CD player to play one CD he owns (providing the code - who does that?) that requires de-emphasis (surprise!). This is not random and/or user error.

I might update the review to specify the SMSL does not play SACD. It could be funny (not).
 
If you only have a few CDs needing de-emphasis and have access to a CD burner it is pretty easy to rip them lossless with a program like DBPoweramp or EAC. That will correct for it and then burn them back to a CD-R. I would usually prefer that to getting a later remaster that might have its own loudness and compression issues.
 
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I’m not sure why you quoted me in this one
I'm quite sure I explained it concisely, but in any case I will rephrase;
like quite a few hardcore Pink Floyd fans @Alex_spec apparently wants to hear the mastering which is only available on Toshiba EMI CP35-3017 and Harvest CDP 7 46001 releases.
There is no other DSOTM release, on any digital format, which sounds exactly the same. The full details/differences are discussed on the Steve Hoffman forum -
https://forums.stevehoffman.tv/thre...-of-the-moon-best-sounding-cd-updated.266227/
 
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If you only have a few CDs needing de-emphasis and have access to a CD burner it is pretty easy to rip them lossless with a program like DBPoweramp or EAC. That will correct for it and then burn them back to a CD-R.
That's partly correct. dBpoweramp can detect pre-emphasis in a CD's table of contents (TOC) and will then automatically apply the correct de-emphasis DSP filter during the ripping process.
However dBpoweramp is not able to detect pre-emphasis in a CD's subcode (SUBQ) - so if a CD has been authored by the studio with pre-emphasis indicated in the SUBQ but not the TOC, then dBpoweramp will be unaware of the presence of pre-emphasis, and will obviously not automatically apply the de-emphasis filter.
The solution is to check the pre-emphasis status of your vintage CD's from this list -
https://studio-nibble.com/cd/index.php?title=Pre-emphasis_(release_list)
and then apply the de-emphasis filter in dBpoweramp manually, as a second stage -
In the "Output" window under "DSP Effects" click "Add" > "Add DSP Effect" > "Audio CD - De-emphasis"

The situation is the same with Exact Audio Copy - it can detect pre-emphasis in the TOC, but not SUBQ.
Also Exact Audio Copy does not include a de-emphasis filter - you must perform any de-emphasis with separate software - I recommend SoX or foobar2000.
 
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