Nel mio ho notato che l'attacco si perde se si riavvia la canzone con "RRW", se si torna agli ultimi 10 secondi della canzone precedente, c'è un buco ma non mi è sembrato che l'attacco si sia persoHo preso il primo. Ho inserito le variazioni Goldberg di Simone Dinnerstein. Sono arrivato alla traccia 2... mi è mancato l'attacco dell'accordo di apertura. Cosa? Ho riprovato... In effetti manca l'inizio... Ho provato altri CD. Canzoni con un attacco brusco all'inizio... mancanti. Rimandalo alla ditta che l'ha ordinato. Brani gentili, niente da ridire. Ho preso il secondo esemplare... Stessa roba. Quindi una domanda: qualcun altro che ha questo apparecchio se n'è accorto?
Prova ad inserire un CD a rovescio, se non si blocca probabilmente hai un player originale, meccanica Philips, micro ST, e sei fortunato. Se si blocca e non riesci a sbloccarlo torna qui che poi ti dico come fare (l'ho scoperto ieri)Ho ordinato il mio in nero direttamente da SMSL e ci sono volute tre o quattro settimane per riceverlo. Una volta arrivato, l'ho alimentato con lo stesso alimentatore iFi iPowerX AC che uso con l'SMSL PH-1. Ho collegato l'uscita ottica al mio DAC Geshelli Dayzee e, wow, è semplicemente fantastico come meccanica di lettura. Suona alla grande. Mi sto davvero godendo la mia vecchia collezione di CD.
I can't imagine users simply removing the lid in order to update would create a problem for SMSL. I guess we'll have to wait and see. In any case, I'm back to using my CD5005 with no gaps and no random errors@Nicholas B I hope so too, but I fear it's problematic. There's no external USB port, and I believe the internal USB port is available for software updates. You have to open the drive, and I don't think SMSL allows end users to do this.
Fortunately, the vote is still open.Just to let you know ... after the second faulty player, the firm that imports it send me this reply.
Thank you very much for your detailed feedback and for taking the time to test the player.
We have been in contact with the manufacturer regarding the issue you described. Their response indicates that this behavior is product-specific rather than a defect - meaning that it is inherent to the design of the player, and unfortunately, there is no way to correct or adjust it.
We completely understand that this is disappointing, especially given your expectations and careful listening tests. If you are not satisfied with the device, we will provide you with return instructions and arrange a full refund once the unit has been received back.
Pity.
SMSL does not state whether these players have gapless playback or not on their product pages. Not even for their products that do have the functionality. I have just assumed it doesn’t if it is not stated. So then it is down to the goodwill of individuals reporting on forums like this, the actual functionality of the PL150, PL200 etc.I’ve never seen SMSL advertise seamless track transitions—your criticism feels unfair. Buyers should know a product’s capabilities beforehand. If a feature isn’t essential to you, choose another product. It’s like buying a BMW and expecting Ferrari performance—that’s just market reality.
Regarding inter-track silence: Does a second of silence between tracks really matter? Most listeners won’t notice unless they repeatedly play the same album for months before switching players. Even programmed playlists can have inconsistent gaps—should that be called a flaw too? Focus on the music, not minor technicalities.
Anyone who doesn't just listen to boom-boom music knows how important gapless playback is. Much classical and operatic music requires gapless playback. In my opinion, a CD player should read a CD, a Compact Disk, and not just an optical disc. A CD player should be gapless by default, as it always has been. I had the first Philips 202, then the current Arcam Alpha7. Until my current interest in upgrading the Arcam, I had never dreamed of a player that wasn't gapless: the track is a single track, like a LP, the TOC only indicates markers.I’ve never seen SMSL advertise seamless track transitions—your criticism feels unfair. Buyers should know a product’s capabilities beforehand. If a feature isn’t essential to you, choose another product. It’s like buying a BMW and expecting Ferrari performance—that’s just market reality.
Regarding inter-track silence: Does a second of silence between tracks really matter? Most listeners won’t notice unless they repeatedly play the same album for months before switching players. Even programmed playlists can have inconsistent gaps—should that be called a flaw too? Focus on the music, not minor technicalities.
<..your criticism feels unfair..> The manual states that the volume affects the headphones. In the CS43198, the volume is at the digital level before conversion (they state that since the D/A is 32-bit, it is undecimating). The volume affects the analog RCA output. In the manual for my PL150, as shown in the photo, the transport is an original Philips one and reads 8cm and 12cm CDs. My PL150 does not support 8cm CDs and the transport (as previously photographed) is not Philips!I’ve never seen SMSL advertise seamless track transitions—your criticism feels unfair. Buyers should know a product’s capabilities beforehand. If a feature isn’t essential to you, choose another product. It’s like buying a BMW and expecting Ferrari performance—that’s just market reality.
Regarding inter-track silence: Does a second of silence between tracks really matter? Most listeners won’t notice unless they repeatedly play the same album for months before switching players. Even programmed playlists can have inconsistent gaps—should that be called a flaw too? Focus on the music, not minor technicalities.
With all due respect, if SMSL sells or advertises this model as a "CD player", I understand that it must render faithfully all the CDs compliant with the CD Red Book standard (IEC 60908). It doesn't.I’ve never seen SMSL advertise seamless track transitions—your criticism feels unfair. Buyers should know a product’s capabilities beforehand. If a feature isn’t essential to you, choose another product. It’s like buying a BMW and expecting Ferrari performance—that’s just market reality.
Regarding inter-track silence: Does a second of silence between tracks really matter? Most listeners won’t notice unless they repeatedly play the same album for months before switching players. Even programmed playlists can have inconsistent gaps—should that be called a flaw too? Focus on the music, not minor technicalities.