It could be a copy. It seems identical to me. The date in the D-6S manual has been cropped out.@JIW
Thank you very much for your incredible effort.
My listening experience and comparisons with other ESS devices is different.
But that's not a very scientific approach.
Please correct me if I am wrong but your assumption is, the graph in the DL200 manual is correct and not just a copy from one manual to another?
Unfortunately I have no Audio Precision Analyzer or professional software but I could use my RME ADI-2 PRO + REW to get some filter measurements from the DL200.
Is the precision/resolution of this setup sufficient to obtain evaluable results?
But still, I would have to find the time.
However, the DL200 and D-6S have the same coding of the volume control with the same error. Thus, I think there is a lot of overlap between the two.
There is also Amir's measurements.
Clearly FL3 is ESS2 and FL4 is ESS3. FL5 is probably ESS4 due to high stop band ripple and FL6 is ESS5 due to quicker attenuation of the slow filters. FL1 is ESS7 or ESS8 and FL2 and FL7 are unclear but are ESS1 and ESS6 or SMSL proprietary.
However, @dsnyder0cnn also did some measurements of a D-6S. Filter 2 is minimum phase as is evident from the impulse response.
Filter 7 is also minimum phase for the same reason.
The slightly higher stop band level for FL2 compared to FL7 strongly suggests that FL2 is ESS1 and FL7 is ESS6.