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SMSL D1 - ROHM DAC for everyone

DACs have a sound that varies from model to model. Ask anyone who has been involved in music production over the last 30 years or so. Even the old first generation 20 18 bit ADAT and Digidesign converters measured better than the theoretical 16 bit converters, but they were pretty bad sounding. Over the years companies like Apogee, Avid, Yamaha, Lynx, dCS, Tascam, Alesis, Radar, and bunch of others have constantly worked on better sounding products, used newer and better DAC chips by companies like AKM, Burr Brown, Analog Devices, Philips, Sony, Cirrus Logic and things did audibly improve. All those improvements would probably be classified by the gatekeepers on this board as below the threshold of human perception, but they did make a difference to the people who used them for living.

Personally I started out on the first gen Akai hard disk recorders in the early 90's, then had a 24 track ADAT studio that went from the original black face models to the second gen models. Then I went to work for one of the biggest sound reinforcement and AV integrations companies and had my hands and ears on a ton of digital gear including DSP processors, digital consoles and other digital AV gear. It's not hard to tell the original Yamaha M7 mixer from a more modern Yamaha digital mixer or a DiGiCo mixer from a Studer or SSL product. Same for the older DSP processors and the newer ones. The quality of AD and DA converters is not hard to discern with no processing applied.
But all DACs that have a "sound" must be technically considered defective.
Most people aren't even aware of the purpose of a DAC, and it has nothing to do with audio. Most DACs are used in industry, measurement technology, automotive, avionics, science, etc.
DACs and ADCs only have the task of converting existing data from digital to analog, or vice versa. This is absolute and precise data; there's no room for interpretation.
If two different DACs produce different results from the same data, then either one or both DACs are defective.

The diagram posted by @Svend P illustrates this quite well.
If a DAC audibly deviates from the original music signal, then it has altered it and failed in its intended purpose.

By the way, hundreds of our blind tests have always yielded the same result. When the testers could no longer see the devices, the audible differences disappeared in most cases. However, the actual audible differences were clearly measurable.
Strange, isn't it?
 
"'High-tech' here turned out to be merely a translation difficulty. Of course, this refers to cases in the everyday Chinese audio industry, rather than in rocket and space technology.
And yet, does something similar occur in comparable branded products from American and European manufacturers?
I already wrote that.
You can find obscured/illegible electronic components from almost all manufacturers, not just in the audio sector. This is a very effective tool against product piracy, technology theft, and counterfeiting. And as I said, it's been going on for decades and isn't illegal.

And as long as the manufacturer doesn't advertise using a specific component, it can't be fraud.
 
I already wrote that.
You can find obscured/illegible electronic components from almost all manufacturers, not just in the audio sector. This is a very effective tool against product piracy, technology theft, and counterfeiting. And as I said, it's been going on for decades and isn't illegal.

And as long as the manufacturer doesn't advertise using a specific component, it can't be fraud.
I also replied to you that I am not interested in ALL manufacturers, but exclusively in well-known American and European ones in the branded Hi-Fi and Hi-End sector. But you either missed this or ignored it ((. So why make such a statement if you cannot specifically confirm it?
 
But all DACs that have a "sound" must be technically considered defective.
Most people aren't even aware of the purpose of a DAC, and it has nothing to do with audio. Most DACs are used in industry, measurement technology, automotive, avionics, science, etc.
DACs and ADCs only have the task of converting existing data from digital to analog, or vice versa. This is absolute and precise data; there's no room for interpretation.
If two different DACs produce different results from the same data, then either one or both DACs are defective.

The diagram posted by @Svend P illustrates this quite well.
If a DAC audibly deviates from the original music signal, then it has altered it and failed in its intended purpose.

By the way, hundreds of our blind tests have always yielded the same result. When the testers could no longer see the devices, the audible differences disappeared in most cases. However, the actual audible differences were clearly measurable.
Strange, isn't it?
Whatever the difference is between the different converters, it must be measurable because typically different people acting independently all have similar comments about specific devices. It's a question of measuring the right aspects of the converters. For example I have not seen anyone in this thread commenting about the D1 being the opposite of bass strong. It's either that or "I can't hear any difference". Makes one think, there should be something about the way it reproduces the low frequencies in relation to the treble that makes is sound a certain way to some listeners. I heard smooth treble as compared to the other two CS43131 based DACs I had on hand right away. And went on record that the low mids and bass in the D1 have a quality to them that is not present in the other two. I only read through the rest of the thread later and noticed that some posters have a similar impression.

Blind tests have their own problems. I participated in a few and have my own suspicions as to why they become so difficult for the participants. I don't know if there was a scientific study that looked at audio perception under different conditions, but there should be.
 
Ich habe Ihnen auch geantwortet, dass mich nicht ALLE Hersteller interessieren, sondern ausschließlich namhafte amerikanische und europäische im Marken-HiFi- und Hi-End-Bereich. Das haben Sie aber entweder übersehen oder ignoriert ((. Warum also eine solche Aussage, wenn Sie es nicht konkret bestätigen können?
Offenbar wollen Sie die Antwort nicht verstehen. Ja, selbst namhafte amerikanische und europäische Audiohersteller machen das. Ich habe in den letzten 35 Jahren einige Tausend solcher Geräte von innen gesehen. Selbst bei einfachen Dingen wie Netzfiltern wurden die Komponenten verdeckt, um einen Nachbau zu erschweren.

Sehr bekannte Fälle sind beispielsweise abgeschliffene Transistoren/ICs in Verstärkern wie dem TDA7293, LM3886T usw., weil die Hersteller natürlich verhindern wollten, dass jemand herausfindet, dass solche einfachen und günstigen ICs in Markenverstärkern verbaut wurden, die 5.000 € oder mehr kosten.
Doch genau das führte zum Hype um sogenannte Gain-Clone-Verstärker.
Auch bei vielen namhaften CD-Playern wurden Bauteile abgeschliffen.

Zu den weiteren Vorgehensweisen, auch bei namhaften Herstellern, zählen das Vergießen, Überlackieren, Aufkleben von Aluminium-/Kupferplatten oder Kühlkörpern, das Abdichten kleiner, geschlossener Gehäuse durch Kleben, Löten oder Schweißen usw.

Grundsätzlich finde ich das ok, allerdings wird es gerade von namhaften Audioherstellern oft so gemacht, um die billigen und einfachen Komponenten zu verschleiern, die in Geräten verbaut werden, die mehrere Tausend oder gar Zehntausend Euro kosten. Der zweite Grund ist die Schaffung von „Mythen“/„Geheimnissen“ und „legendären“ Geräten.

Aber das ist in diesem Thread etwas abseits des Themas.
 
Whatever the difference is between the different converters, it must be measurable because typically different people acting independently all have similar comments about specific devices. It's a question of measuring the right aspects of the converters. For example I have not seen anyone in this thread commenting about the D1 being the opposite of bass strong. It's either that or "I can't hear any difference". Makes one think, there should be something about the way it reproduces the low frequencies in relation to the treble that makes is sound a certain way to some listeners. I heard smooth treble as compared to the other two CS43131 based DACs I had on hand right away. And went on record that the low mids and bass in the D1 have a quality to them that is not present in the other two. I only read through the rest of the thread later and noticed that some posters have a similar impression.

Blind tests have their own problems. I participated in a few and have my own suspicions as to why they become so difficult for the participants. I don't know if there was a scientific study that looked at audio perception under different conditions, but there should be.
A blind test is only stressful for those who think they need to hear a difference.

But there are many examples, even in scientifically conducted tests, that deliver very clear results that can be repeated as often as needed.
If you swap the devices using a trick, so that the tester thinks they know which device they're listening to, then the sound impression remains the same as before the swap.
That really says everything you need to know about it, doesn't it?

In the same way, there are statements and examples where, due to an error, the device wasn't switched to another device at all, or the other device wasn't even connected.
Nevertheless, the testers repeatedly heard the differences between the devices.
These tests were also deliberately conducted with the same results.

With these online reports, you forget that the testers aren't testing these devices alone, but in a chain with other devices and their speakers. There are usually enough possibilities and reasons for perceived differences, if any exist.

By the way, I have another example from a project where we developed something for a wine tasting society. Completely blind tastings were introduced some time ago. People in the industry went berserk because they were against it.
Interestingly, the results were completely different, even among the same tasters, depending on whether the tasters knew which wine they were drinking or not.
Additional tests with swapped wine labels also showed that most tasters are extremely influenced by the label.
Since these blinded tests were introduced, the chemical analyses have also been in perfect agreement with the test results.

Strange, isn't it? Two completely different areas, yet absolutely comparable results.

By the way, we experienced the same thing in the photography industry when we had people evaluate the bokeh of lenses in images.
Completely different results, depending on whether the lens used was known or not.
The results without knowledge of the lens used were, incidentally, extremely consistent across several thousand testers.
The results with knowledge of the lens used were completely confusing and did not allow any conclusions to be drawn.
The whole thing led to a minor war of faith between specialist editors and professional photographers at the time, but it was quickly over when these people themselves conducted the blinded comparison and got exactly the same results as the masses.

That's three cases of people exhibiting the same behavior on completely different topics. And this applies to hearing, sight and taste.
Unbelievable, isn't it?
 
Please, elaborate... we want to know what you know. :facepalm:


JSmith
I never said I know exactly what it is and how to measure it. I merely stated that often there is a consistent trend in subjective evaluation of audio gear by independent listeners that points to something that is not being evaluated by the current methods, or the complete interpretation of the measurements not being quite there.

Also, if you are going to engage in a conversation, stop selectively taking half sentences out of context. That's just building a straw man fallacy. The rest of the sentence or paragraph that you chose to not quote has the answer, if you just choose to act in good faith and read it.
Otherwise you will just be ignored.
 
Offenbar wollen Sie die Antwort nicht verstehen. Ja, selbst namhafte amerikanische und europäische Audiohersteller machen das. Ich habe in den letzten 35 Jahren einige Tausend solcher Geräte von innen gesehen. Selbst bei einfachen Dingen wie Netzfiltern wurden die Komponenten verdeckt, um einen Nachbau zu erschweren.

Sehr bekannte Fälle sind beispielsweise abgeschliffene Transistoren/ICs in Verstärkern wie dem TDA7293, LM3886T usw., weil die Hersteller natürlich verhindern wollten, dass jemand herausfindet, dass solche einfachen und günstigen ICs in Markenverstärkern verbaut wurden, die 5.000 € oder mehr kosten.
Doch genau das führte zum Hype um sogenannte Gain-Clone-Verstärker.
Auch bei vielen namhaften CD-Playern wurden Bauteile abgeschliffen.

Zu den weiteren Vorgehensweisen, auch bei namhaften Herstellern, zählen das Vergießen, Überlackieren, Aufkleben von Aluminium-/Kupferplatten oder Kühlkörpern, das Abdichten kleiner, geschlossener Gehäuse durch Kleben, Löten oder Schweißen usw.

Grundsätzlich finde ich das ok, allerdings wird es gerade von namhaften Audioherstellern oft so gemacht, um die billigen und einfachen Komponenten zu verschleiern, die in Geräten verbaut werden, die mehrere Tausend oder gar Zehntausend Euro kosten. Der zweite Grund ist die Schaffung von „Mythen“/„Geheimnissen“ und „legendären“ Geräten.

Aber das ist in diesem Thread etwas abseits des Themas.
It's just that you persist in not giving a clear answer! No specific devices, just your spells, which you suggest to trust!
 
By the way, hundreds of our blind tests have always yielded the same result. When the testers could no longer see the devices, the audible differences disappeared in most cases. However, the actual audible differences were clearly measurable.
Strange, isn't it?
Something else will be strange here. That you are not using a device on a $10 codec, which is indistinguishable, all other things being equal, in a blind test with a device on a chip for orders of magnitude more expensive. You need to point not with your finger, but with yourself, and people will reach out to you.
 
It's just that you persist in not giving a clear answer! No specific devices, just your spells, which you suggest to trust!
If you think so.
I won't name any companies here, if that's what you mean. You're free to believe what you want.
I've had plenty of trouble repairing devices where the components were obscured.
 
I never said I know exactly what it is and how to measure it.
Ah so unsubstantiated opinion only, I see.
I merely stated that often there is a consistent trend in subjective evaluation of audio gear by independent listeners that points to something that is not being evaluated by the current methods, or the complete interpretation of the measurements not being quite there.
It points to no such thing... all it points to is expectation bias.


JSmith
 
If you think so.
I won't name any companies here, if that's what you mean. You're free to believe what you want.
I've had plenty of trouble repairing devices where the components were obscured.
I was just hoping that you would find confirmation of your words, however..., disappointment ((.
 
But there are many examples, even in scientifically conducted tests, that deliver very clear results that can be repeated as often as needed.
If you swap the devices using a trick, so that the tester thinks they know which device they're listening to, then the sound impression remains the same as before the swap.
That really says everything you need to know about it, doesn't it?
Maybe, maybe not. The subject is being tricked, their existing impression is already influencing or polluting the latter result. They will tend to confirm their bias. That is a well known psychological phenomenon.

I don't know much about wine or optical systems, but I think that like in all aspects of life there is a spectrum of sensitivity and expertise in those worlds. Some people are more experienced and discerning than others. Age plays a role too. I know my hearing is not nearly as good as it was 30 years ago. Same must apply to eyesight and taste buds.
 
all it points to is expectation bias.
wrong. I had no expectations or bias when I first turned it on. I heard a certain quality to the sound that happened to track with what others reported, unknowingly to me. I think that would justify a closer investigation by the scientific types looking to progress the state of the art in audio and sensory perception research.
 
It's clear you do not wish to learn the facts and want to continue living in DAC fairy land. ASR contains all the information you need... if you ever feel like it you could avail yourself.




JSmith
 
Maybe, maybe not. The subject is being tricked, their existing impression is already influencing or polluting the latter result. They will tend to confirm their bias. That is a well known psychological phenomenon.

I don't know much about wine or optical systems, but I think that like in all aspects of life there is a spectrum of sensitivity and expertise in those worlds. Some people are more experienced and discerning than others. Age plays a role too. I know my hearing is not nearly as good as it was 30 years ago. Same must apply to eyesight and taste buds.
But it's still surprising, or perhaps not, that the blinded tests are completely consistent and understandable across all participants, regardless of their experience or limitations, and also agree with measurements.
But the moment subconscious influence occurs, the results usually change completely and become inconsistent.
It's a good thing this error isn't obvious.
 
ASR contains all the information you need
LOL. The old, "who are you going to believe? Me or your lying eyes". Well, ears in this case.

There are precedents for this phenomenon. For example when digital audio was new and some listeners complained about hardness of the sound, they were dismissed by the engineers who would point to bit perfect transmission from the source to the destination.
Some time later the effects of jitter in digital audio were studied and methods to suppress it developed. The hardness of the sound was no longer reported and now jitter is a standard part of a comprehensive test suite.
All I say, is be open minded. Just because the current tests show perfection, it doesn't mean there will not be new meaningful tests in the future that might confirm why listeners report some DACs to have different quality than others.
Maybe it's not just the DAC. Maybe there is an interaction between the DAC and the given amplifier that would not show up on Audio Precision rig which is testing just the DAC alone? Just a hypothesis. Maybe that was already taken in account, but there is something else at play. That is for the new researchers to determine to earn their accolades.
 
LOL. The old, "who are you going to believe? Me or your lying eyes". Well, ears in this case.
Did you join the wrong forum by mistake? This is ASR, so if you want to provide some evidence of your claims, please do so. Otherwise, do not spread misinformation here.


JSmith
 
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