In the first post you have a link to a zip containing the full set of measurements (and the VituixCad project file).Could anybody share measurement files for each speaker without crossover? (Impedance curve + frequency response)?
I'd like to simulate this kit in LSP CAD
Does anyone know if the woofer at the end of life. Madisound when I called was not sure if they re-stock?
The Mechano measure better, so they are almost guaranteed to be preferred by ASR users. The C-Notes kit uses all Dayton drivers and components so it is subsidized by Parts Express and probably is 1/4 to 1/3 the price of the Mechano drivers plus xo components.There's a guy that keeps saying they are equal to C Notes. Does anyone have an agreement or disagreement with this?
Yes, on ASR and Spinorama.orgIs there a spinorama for C-Notes, most likely not.
There is no such thing as a fully optimized xo. Give 20 speaker designers the same drivers in the same cabinet and you'll probably get close to 20 different crossovers. (There was a design competition a few years ago that did this, although the number of participants was probably less than 20.)And during design process the designer didn't do a complete 360° sweep of individual drivers like Mechanic did in his built, so the x-o is not fully optimized.
I don't know what "good as it gets" means. See above comment on xo. There were some posts in this thread with some simulations with a simpler xo. Doesn't mean either is better, just different.From technical point of view XMechanic offerings are as good as it gets given the parts he has chosen.
Would it be possible to describe which parts of the bass driver crossover are influencing the bass output at frequencies other than the crossover slope itself?
so the x-o is not fully optimized.
It's difficult to clearly separate the functions of the components, but generally, mid-woofer equalization is more a matter of the series-parallel resonance circuit (R2,L2,C2,C3),. It's best to play with the component values in VitixCad, observing which part of the characteristic they affect.Would it be possible to describe which parts of the bass driver crossover are influencing the bass output at frequencies other than the crossover slope itself?
Examining the bass driver manufacturer's response on a flat baffle...
View attachment 537407
© SB Acoustics...it does appear that some smoothing has occurred below 1000 Hz.
cheers
The wood type isn't critical. If you can't get birch ply then bamboo ply or MDF would be fine. I'd be amazed if you couldn't find somewhere local to at least CNC the panels for you, or even assemble and spray the cabinets. I thought JLC might do it, but it seems to be one of the few things they don't do yet. https://jlccnc.com/blog/what-is-cnc-routingHi everyone, greetings from China! I really want to build a speaker following your tutorial. I've checked and can source all the electronic parts, but I can't find the right wood material for the enclosure, and I don't have the tools to make it myself. I was wondering, would you be willing to make a pair of speaker enclosures for me using your materials and tools? I'm happy to cover all costs including materials, labor, and shipping. Thank you, and I hope to hear from you!
Thank you for your reply. I will try to learn more following your guidance. Since I've never tried making anything like this before, building the wooden enclosure seemed like a very difficult task at first. But taking this opportunity, I can learn a lot. Thank you so much!!!The wood type isn't critical. If you can't get birch ply then bamboo ply or MDF would be fine. I'd be amazed if you couldn't find somewhere local to at least CNC the panels for you, or even assemble and spray the cabinets. I thought JLC might do it, but it seems to be one of the few things they don't do yet. https://jlccnc.com/blog/what-is-cnc-routing
Another option is 3D printing which you can get done locally. This model was shared earlier in the thread.
| L1 | 0.33mH | Mundorf | L80-0,33 | 17mm H x 30mm D |
| L2 | 0.56mH | Mundorf | L80-0,56 | 17mm H x 34mm D |
| L3 | 1.5mH | Mundorf | L80-1,50 | 19mm H x 40mm D |
| L4 | 0.39mH | Mundorf | L80-0,39 | 17mm H x 30mm D |
| R1 | 12ohm | Jantzen Audio | 002-0478 (Superes) | 8.5mm D x 52mm L |
| R2 | 8.2ohm | Jantzen Audio | 002-0460 (Superes) | 8.5mm D x 52mm L |
| R3 | 15ohm | Jantzen Audio | 002-0485 (Superes) | 8.5mm D x 52mm L |
| C1 | 6.8uF | Audyn Cap | MKT-160V-6.8 | 13mm D x 34mm L |
| C2 | 0.82uF | Jantzen Audio | 001-0615 (Superior Z-Cap) | 17mm D x 43mm L |
| C3 | 27uF | Mundorf | ECAP100-27 | 14mm D x 30mm L |
| C4 | 18uF | Jantzen Audio | 001-0275 (Cross Cap) | 30mm D x 44mm L |
| C5 | 3.3uF | Audyn Cap | MKT-160V-3.3 | 11mm D x 27mm L |
| C6 | 2uF | Jantzen Audio | 001-0238 (Cross Cap) | 15mm D x 31mm L |
- Use the Closest Match (Mundorf L80) for the inductors. They preserve the structural parameters of XMechanik’s schematic perfectly and fit wineds' layout like a glove.
- Choose the Audiophile Upgrade (Jantzen Superes) for your resistors. At a marginal absolute price increase (around €1,30 extra per resistor), eliminating cement-core wirewound distortion on the tweeter waveguide is an engineering no-brainer.
- For C2, splurge on the Jantzen Superior Z-Cap. C2 is heavily influential over the high-frequency presentation of this speaker; this single substitution will elevate the depth of the soundstage remarkably.
I really like that idea of 3D printing the front and using wood elsewhere. I'm the one who did the full 3D printed cases, but was just suggesting to someone that this hybrid approach was brilliant.
FWIW, I'd done lots of testing on materials and infill vs. resonance of panels. That's what led me to PET-G.
I volunteer at a recreative center for neurodivergent people, and made a good friend there, Arno. He's not the sharpest tool in the shed, but he has absolute hearing and is one of the funniest people I've ever come across. It seemed like a fun activity to build a set of Mechano23's together with him!
Anyway, we're planning on using wineds PCB design to build the crossover.
As we're located in Europe, the Solen components are not ideal for the crossover build. Together with Gemini I came up with this alternative list from European suppliers, which should be footprint compatible, while also upgrading some components:
L1 0.33mH Mundorf L80-0,33 17mm H x 30mm D L2 0.56mH Mundorf L80-0,56 17mm H x 34mm D L3 1.5mH Mundorf L80-1,50 19mm H x 40mm D L4 0.39mH Mundorf L80-0,39 17mm H x 30mm D R1 12ohm Jantzen Audio 002-0478 (Superes) 8.5mm D x 52mm L R2 8.2ohm Jantzen Audio 002-0460 (Superes) 8.5mm D x 52mm L R3 15ohm Jantzen Audio 002-0485 (Superes) 8.5mm D x 52mm L C1 6.8uF Audyn Cap MKT-160V-6.8 13mm D x 34mm L C2 0.82uF Jantzen Audio 001-0615 (Superior Z-Cap) 17mm D x 43mm L C3 27uF Mundorf ECAP100-27 14mm D x 30mm L C4 18uF Jantzen Audio 001-0275 (Cross Cap) 30mm D x 44mm L C5 3.3uF Audyn Cap MKT-160V-3.3 11mm D x 27mm L C6 2uF Jantzen Audio 001-0238 (Cross Cap) 15mm D x 31mm L
Does this seem like a solid component list?
For those interested, this was Gemini's rationale for the component upgrades: