Part of the reason for this was economical: many European manufacturers had a very hard time competing with the Japanese. Leaving tone controls out was actually a cost saving measure. Another factor was the absurd "source first" philosophy, popular particularly in the UK audiophile scene.A lot of audiophile lore was set in stone in the 60s and 70s (perhaps even the 50s!). EQ supposedly added in too much distortion to be worthwhile. Add in memories of graphic equalizers in declassé rack systems and the later fetishization of short, minimal signal paths that removed even simple bass and treble controls and even balance controls.
I’m trying. I’m trying. But, I must admit - I sometimes wish I had a DAC with no options that just turned on and worked. No fuss, no muss. It’s appealing having the type of DAC where there’s nothing I can do to alter anything with it and I just use it as designed.
That was certainly a mistake, because AFAIK there's no reason to not EQ, even with high end equipments. What were your reasons ?Since getting into the higher end equipment and headphones, I swore to myself that I’d never, ever use EQ again.
Judging from your picture, I guess you've just sort of rediscovered the Harman curve :Well, I just came across an EQ setting that is kinda rocking my world!!
="Also, digital EQ is still not very accessible. Amir shows how easy it is with Roon, but Roon is expensive and proprietary.
Proprietary yes (not always a bad thing), but expensive? It’s $10/month...
That's going to get very expensive over the lifetime of the software unless you opt for the lifetime purchase ($699). Anyway, I don't want to hijack the thread, but that's my reasoning for including the caveat. I know there are some here that wouldn't blink at paying that for a home music server.
So I take it, it's a change of pace, especially since your have some wonderful reference level gear in that rack as well?Variety is the spice of life. View attachment 113869
I don't think that the audiophile obsession (maybe a bit too strong a word!) with bit-perfect playback helps either.
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I’m trying. I’m trying. But, I must admit - I sometimes wish I had a DAC with no options that just turned on and worked. No fuss, no muss. It’s appealing having the type of DAC where there’s nothing I can do to alter anything with it and I just use it as designed.
I find it puzzling that so many audiophiles eschew using EQ. On the production side it’s exactly the opposite - you’ll usually find an EQ plugin on every track plus the master bus.
J River then.
Inexpensive, and I feel has far more features.
True, but I find JRiver a resource hog and extremely bloated as a streaming software. It's not about how much it can do, but how it does it. For me the "user experience" part is as important as the sound quality.
I'm confused, just fired up JRiver to see what the memory load is, and it's anywhere between 9MB to 45MB at idle with the network being turned on.
An entire directory of all my albums after being loaded (which takes half a minute and the CPU being pegged at ~25% load, from a fresh bootup of the network with files on a spinning disk), and streaming an MQA file (24bit 192kHz) that clocks in over 100MB filesize.. I am hovering anywhere between 1% to 5% CPU usage, and 26.3% RAM usage.
So I'm a bit confused as to what "bloated" is here?