EQ is mandatory in audio. One way or the other, you have to get it.
I find it puzzling that so many audiophiles eschew using EQ. On the production side it’s exactly the opposite - you’ll usually find an EQ plugin on every track plus the master bus.
I suppose EQ takes the fun out of it for those who are into the hobby for the buying and selling of gear and gadgets. I guess I’d rather put together a solid system and get on with listening to music.I don't. Look how many other silly ways many address seeking some differences. Cables/lifters, resonance devices, cables, different dacs, you name it. It's fertile ground for nonsense. Let alone how much it has gone thru before being placed on the media you can buy.....then there's differences in levels you listen at, your room, etc.....or just plain preference.
I find it puzzling that so many audiophiles eschew using EQ. On the production side it’s exactly the opposite - you’ll usually find an EQ plugin on every track plus the master bus.
A lot of audiophile lore was set in stone in the 60s and 70s (perhaps even the 50s!). EQ supposedly added in too much distortion to be worthwhile. Add in memories of graphic equalizers in declassé rack systems and the later fetishization of short, minimal signal paths that removed even simple bass and treble controls and even balance controls.
Also, digital EQ is still not very accessible. Amir shows how easy it is with Roon, but Roon is expensive and proprietary. I use Brutefir, but that requires some tool to create the FIR filters, and I had to to write bash scripts to automate set up the needed Brutefir config files. Not easy for the average person.
I’m trying. I’m trying. But, I must admit - I sometimes wish I had a DAC with no options that just turned on and worked. No fuss, no muss. It’s appealing having the type of DAC where there’s nothing I can do to alter anything with it and I just use it as designed.Let the dac myths go.....
Right on the money of audiophile history, I been down that whole path. From giant receivers with every control possible, to fully passive pre-amps, and back to a HT Pre/Pro.A lot of audiophile lore was set in stone in the 60s and 70s (perhaps even the 50s!). EQ supposedly added in too much distortion to be worthwhile. Add in memories of graphic equalizers in declassé rack systems and the later fetishization of short, minimal signal paths that removed even simple bass and treble controls and even balance controls.
Yep. I sure do.