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Show us your cables behind the rig

Nah, it's just challenges I create to deliberately feed the beast. Like the best solution to have only 1 device visible - dac/preamp on/in my tvbench. And hidden monoblocs.... Found a few ways doing it, but that project changes all the time. Only thing annoying right now is the standard 3m cable provided with HD650, that one bothers me, which is why I'll get custom Hart Audiocables with exact length :cool:
 
What do you mean walk of shame! Having cable salad is a rite of passage. Shame is on those who make it neat. That's for the weak who can't handle the chaos. You're hereby accepted into the order, Sir Ianovic.:D
I'm honoured to be accepted into the order, Sir Ropeburn, may chaos give us strength to brave against the shame of neatness!
(The wife is gonna kill me if she sees this :)
 
Wish I had taken l pictures of my components pre hdmi. Imagine the three component cables coming out of various video sources like DVD player, set top box going into a scaler then the scaler outputting to 5 bnc cables that go to the projector. And that's just video. Then add all the audio cables. In the early days of sacd, it was only 5.1 analog out and many components i had were stereo analog out only like FM tuner and phono stage. Since I used a prepro, there were cables to the power amps and to early sub eq (velodyne sms-1)
 
Your future's so bright you gonna wear shades, and if you provide a pair for your catches, they'll miss the mess while you are humming Take me through the night ;)
Lucky me, I don't need other people for a messy, sweaty bed. Lol. Although there have been... let's generally call them, ahem, interesting individuals who didn't seem to mind the following. Not for a night or three at least. Heh.

I guess it's the blessing and the curse of the usual wannabe artist. Two coins with three sides, or something...

 
Lucky me, I don't need other people for a messy, sweaty bed. Lol. Although there have been... let's generally call them, ahem, interesting individuals who didn't seem to mind the following. Not for a night or three at least. Heh.

I guess it's the blessing and the curse of the usual wannabe artist. Two coins with three sides, or something...
There is a carreer for me on the artistic side I think. Lipsyncing in karaoke bars....
 
Saw this on Reddit. I find it quite neat and may adopt this approach for managing my cables.

View attachment 538323
It reminded me of the Yamaha P2200 user guide (1976) which showed the below:

IMG_8133.jpeg

;)
 
Nice speakers. Just like mine. Except i ain't got no sub.

I think you should move the whole thing up against the heater.
Sorry for late reply, missed it at the time but my mind nagged me.
Great aren't they? Get a sub if you can.
How long you had them?
I could push them back but I'm trying to make the room work before I resort to that. A bit of EQ has already helped a lot. The heater prevents the sub going up against the wall as well, I'm not sure how that would affect the sound.
 
How long you had them?
I'm not sure exactly. They've been well over 20 years on my desk.

Before I bought them after I talked to Keith Whitman about monitors. Yes, him back when he still lived in Boston, I think he was still at Forced Exposure then. Actually Boston had a cool weird music scene around the turn of the millennium. Anyway I recall he gave me two bits of advice. 1) Get the monitors up off the desk top. How, I asked, like with stands? Doesn't matter how, just get them up. 2) If you can afford it, get the Genelec.

Soon after I was at Guitar Center on Boylston St (the previous location) and they had a pair heavily discounted as they were the store demos. Now that I think of it GC can't have been stocking Genelec for long. Anyway. So that was 2).

For 1) Genelec support answered my email saying I can simply screw them onto a mic stand. "On the base of the monitor is a 3/8" UNC threaded hole which can accommodate a standard microphone stand." So I did and the've been on round bass stands with a 6" tube on my desk ever since.

And what else do I like about them? There's a power switch, power indicator, and gain control on the front panel. Can you beat it? No! And that's why you can keep your The Ones (not sour grapes, no no no).

Interesting to recall that a technically smart fella like Keith Whitman was in the know about real SQ way back then.

Great aren't they? Get a sub if you can.
Yes they are. I had a sub for a while and then put it away. It's been wasting space in my closet in its original packaging for years. I couldn't get used to the sound of it. It distracted. Probably a few things. a) I had been accustomed to the sound of the 1029A in that room for very, very long. b) I couldn't find a location for it that would eliminate the perception of the sound source moving around the room as the different bass notes played.

So I decided, screw this nonsense, if I need more bass, get bigger boxes.

Then later I decided, screw that nonsense too, if I really want to hear the low bass then I can put on cans. It's fine. I can live without.

I could push them back but I'm trying to make the room work before I resort to that. A bit of EQ has already helped a lot. The heater prevents the sub going up against the wall as well, I'm not sure how that would affect the sound.
I was being facetious. I saw the picture and the only thing I could think was overheating, shorter service live and possibly fire.
 
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I'm not sure exactly. They've been well over 20 years on my desk.

Before I bought them after I talked to Keith Whitman about monitors. Yes, him back when he still lived in Boston, I think he was still at Forced Exposure then. Actually Boston had a cool weird music scene around the turn of the millennium. Anyway I recall he gave me two bits of advice. 1) Get the monitors up off the desk top. How, I asked, like with stands? Doesn't matter how, just get them up. 2) If you can afford it, get the Genelec.

Soon after I was at Guitar Center on Boylston St (the previous location) and they had a pair heavily discounted as they were the store demos. Now that I think of it GC can't have been stocking Genelec for long. Anyway. So that was 2).

For 1) Genelec support answered my email saying I can simply screw them onto a mic stand. "On the base of the monitor is a 3/8" UNC threaded hole which can accommodate a standard microphone stand." So I did and the've been on round bass stands with a 6" tube on my desk ever since.

And what else do I like about them? There's a power switch, power indicator, and gain control on the front panel. Can you beat it? No! And that's why you can keep your The Ones (not sour grapes, no no no).

Interesting to recall that a technically smart fella like Keith Whitman was in the know about real SQ way back then.


Yes they are. I had a sub for a while and then put it away. It's been wasting space in my closet in its original packaging for years. I couldn't get used to the sound of it. It distracted. Probably a few things. a) I had been accustomed to the sound of the 1029A in that room for very, very long. b) I couldn't find a location for it that would eliminate the perception of the sound source moving around the room as the different bass notes played.

So I decided, screw this nonsense, if I need more bass, get bigger boxes.

Then later I decided, screw that nonsense too, if I really want to hear the low bass then I can put on cans. It's fine. I can live without.


I was being facetious. I saw the picture and the only thing I could think was overheating, shorter service live and possibly fire.
Yeah I've had mine for about 25 years without a glitch. Amazing things.

I was at a post prod facility in Fulham around then and the head mastering engineer had been using them. He told me that they were the best speakers he'd used, including all the rooms there with soffit PMC, Quested, etc. Very flat but also revealing.
I took his word for it and never regretted it.
And I don't know what I'd do if I had to replace them.

Ha, don't worry it's only on in winter and then just low. It's far enough away not to matter but I can wear another layer.

Cheers
Ian
 
Yeah I've had mine for about 25 years without a glitch. Amazing things.

I was at a post prod facility in Fulham around then and the head mastering engineer had been using them. He told me that they were the best speakers he'd used, including all the rooms there with soffit PMC, Quested, etc. Very flat but also revealing.
I took his word for it and never regretted it.
And I don't know what I'd do if I had to replace them.
I enjoy stories like this. In both our cases, someone who knows, like, knows, advised.

As I mentioned, Keith Whitman advised me. Now, since your avatar shows young the young Brown enjoying acid house, perhaps you'd dig Hrvatski, which back then was Keith's artist name for his drum-n-bass/glitch/chiptune works (I remember him showing me a tracker in a Nintendo DS). Aesthetically he outdid Aphex Twin or even DJ Ninj.


 
I enjoy stories like this. In both our cases, someone who knows, like, knows, advised.
The music industry has many faults but sharing technical knowledge and insight is more common than not. Sometimes those moments can be memorable and enjoyable to recount and be heard. I think I'm lucky to have some of that.

I do recall the name, although I'm more into early Autechre and Aphex. The arrythmic qualities that became more prevalent do nothing for me. Wagon Christ, Red Snapper et al are just too much, as were trackers. Very clever stuff though.
 
I do recall the name, although I'm more into early Autechre and Aphex. The arrythmic qualities that became more prevalent do nothing for me. Wagon Christ, Red Snapper et al are just too much, as were trackers. Very clever stuff though.
KFW isn't for everyone, in any of his modes, that's for sure. Worth a try. I like to proceed from the assumption that anyone can like anything.
 
You asked for it...
I will mount a third power strip very soon, since there is plenty room for more cables and the devices that connect to them.
View attachment 546279
Not bad at all, but shoved in the corner there it must be difficult to see.
Try moving your equipment to the middle of one wall, then all that lovely mess can really be appreciated from all angles.
 
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